River tubing in helen ga

A place to talk about Atlanta's favorite river

2012.05.04 15:29 MonkeyManJohannon A place to talk about Atlanta's favorite river

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2008.06.08 13:42 Blender

Blender is an awesome open-source software for 3D modelling, animation, rendering and more. Get it for free at blender.org
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2013.02.08 00:06 S0r3n Guardians of Ga'Hoole

A community devoted to all things relating to Kathryn Lasky’s book series Guardians of Ga'Hoole, Wolves of the Beyond, the 2010 film adaptation, and more. Welcome to the subreddit, young Guardians!
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2023.06.03 00:44 banielbow Very Light black rock from a river bank in Michigan

Very Light black rock from a river bank in Michigan submitted by banielbow to whatsthisrock [link] [comments]


2023.06.03 00:40 miyagi-dokarate Everybody in! Pool Beer by Elsewhere Brewing in Atlanta, GA

Everybody in! Pool Beer by Elsewhere Brewing in Atlanta, GA submitted by miyagi-dokarate to showerbeer [link] [comments]


2023.06.03 00:39 Infinite_Art_14 Fight clip (smh😂)Psn🎮bonesishome95

Fight clip (smh😂)Psn🎮bonesishome95
Clean fight clip Subscribe to my YouTube for more videos link in bio 📺
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2023.06.03 00:37 Loose-Put-6900 29 [M4F] Europe/Anywhere - Not very good at titles, may I interest you in a sarcastic comment?

Hello,
I’m a guy from a small European country known for its chocolate and beers. I work as a video/data analyst for a sports agency and travel a lot in that capacity.
I live alone at the coast with my old man dog. We enjoy walks at the beach or in the park where currently there’s a stork friend. Larry David is our spirit animal, his ears spark up when Larry is on. I go to the gym and ride my bike a lot, done 200kms over the last week.
I watch a lot of YouTube videos/podcasts and read a lot of books about the Titanic, WWII, nature, airplane crashes and stuff like that, just waiting for JCS to upload again. Like to put together Spotify playlists for all the different moods but all of them end up having Arctic Monkeys on it tho.
If you like any of the comedy shows like it’s always sunny, Seinfeld or friends we’ll probably get on. Not interested in chatting with any US conservative lot.
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2023.06.03 00:37 normancrane Don Whitman's Masterpiece

It was Danvers who finally pushed him in. We’d been feeding the fire with hardwood since the afternoon and it had gotten big as the wind picked up by nightfall, flickering cross our faces and warming our cheeks better than a gas heater. He didn’t even scream when he fell. The flames just swallowed him up—sparks shooting out like hot vomit. He knew what he’d done. He knew it was wrong. When he lifted himself up and came out of the fire he stood dead still, staring at us, smiling like we’d done him a favour. Maybe he thought he deserved to turn into ash. Maybe he did deserve it. I know I kept my fingers tight round the handle of the axe just the same till he keeled over and Cauley had touched the corpse with his foot and we knew he was dead. The three of us, we kept silent for a long while after that. There was just the sound of wood burning and it was better that way. None of us touched the body but none of us looked away, either: you could still make out his face, unmistakable, when the rest of him was dark and formless. He was a face on a pile. Then the wind started taking bits and pieces and carrying them away. Like I told the police, he didn’t touch me, but I knew some of the kids he’d done it to. He’d done it to Danvers. I remember once when all the other kids were gone, I’d stayed after class, Mr Gregor bent himself close to my ear and told me the real story. “You’re a wicked one,” he said when he was done, “just like Don Whitman.”
They used to scare us with Don Whitman, the adults: the other teachers, our parents, the priest. But no one ever explained it. They’d just say, “You better do what we want or else Don Whitman will come back and get you.” Mr Gregor was the only one ever to tell it to me with details. He told it different, too. He said he remembered because he was the same age as Don Whitman and they went to the same school. He said that what the others say they remember is like Cain and Abel or Little Red Riding Hood. Even the landscape tells the fairy tale. After it happened, Don Whitman’s school got torn down, then his house. And the bells in the Church got changed: the ones they rang after Elizabeth Cartwell had come back hysterical with the news.
You can’t tear down or change a man’s memory, Mr Gregor told me.
Once you see, it’s forever.
Elizabeth Cartwell’s parents moved away as soon as the police investigation finished. A lot of people moved away. But Mr Gregor showed me a newspaper from Hill City, North Dakota from some years later. The paper was yellow but you could read the black print fine. The story was about a girl who’d killed herself. The photo was of Elizabeth Cartwell. As he held it out for me to see, his hand shook and I felt his breath grow warmer against the skin around my neck. Nothing made him shake as much as what happened to Elizabeth Cartwell, not even the details.
Don Whitman was seventeen when he did it. He was handsome, with wide shoulders and played football. All the girls liked him. He was going to go to college. Maybe that’s why they thought he was ready: they thought he was a man. They thought he’d be with them. It was a school night when they woke him and drove out to the old pumping station, so that he could see everything for himself. They wanted to make him a part of it just like they were. If he saw, he would want it just like they did. I was always told that he drove out there by himself, but Mr Gregor told me that’s part of the lie. He said Don Whitman’s father was in the car with the mayor and the chief of police. He said, “How would he have found the place by himself—why would he have gone looking?”
The place is in a wood not far from the border. Of course, the whole underground is filled with cement now, but you can still see where the opening used to be: a fat tube sticking out of the ground, just big enough for a man to crawl down into. There was a hatch on it then, and thick locks. The hatch was sound-proof. If you stood right beside it, you couldn’t hear a thing, but as soon as you opened the hatch you could smell the insides and hear the moans start to drift upwards into the world. A steel ladder led down. Mr Gregor says they all knew about it, everyone: all the adults. They’d all been down that ladder. All of them had seen it.
Don Whitman went down the ladder, too. He must have smelled the insides grow stronger and heard the moaning echo louder with every rung but he kept going. On the ground above, his father spoke to the mayor and they both felt proud. Don Whitman must have been more scared of coming up and disappointing them than of not going down to the limit. But when he reached the bottom, the very bottom, and put his feet to the hard concrete and saw it before his own eyes, something inside of him must have broken—
“They sugarcoat it and they make a child’s game of it because they’re too scared to remember the truth,” Mr Gregor told me. “They can’t forget it, but it’s a stain to them, so they cover it up and pretend that everything’s clean.”
Don Whitman saw the vastness of the interlocking chambers and, within them, the writhing, ecstatic, swollen no-people of the underground, human-like but non-human, cross-bred mammals draped in plaster-white skin pinned to numb faces, men, women and children, male and female, naked, scared, dirty, with humans—humans Don Whitman knew and recognized—among them, on them and under them, hitting them, squeezing them, making them hurt, making monstrous sounds with them, all under slowly rotating heat lamps, all open and together, one before another, and then someone, someone Don Whitman knew, must have put a hand on Don Whitman’s shoulder and Don Whitman would have asked, “But what now, what am I supposed to do?” and then, from somewhere deep within the chambers, from a place not even Don Whitman would ever see, a voice answered:
“Anything.”
Mr Gregor pulled away from me and I felt my body turn cold. Icy sweat crawled under my collar and below my thighs.
I’d been told Don Whitman had found the old pumping station and lured the police to it, that they’d called others—including Don Whitman’s father—to talk him out of any violence, but that he’d snapped and murdered them all without firing a single shot, with his bare hands, and dumped the bodies into the metal pipe sticking out of the ground, the one just wide enough for a man to fit through. Then he’d disappeared. It wasn’t until days later that Elizabeth Cartwell found the bodies and there was never any sign of Don Whitman after that. The manhunt failed. So the church bells rang, the school was torn down, the pipe was filled in and, ever since, the adults scare their children with the story of the high school boy who’d done a terrible, sinful thing and vanished into thin air.
“And why would she decide to go out there?” Mr Gregor asked—meaning Elizabeth Cartwell—his eyes dead-set through a window at the raining world outside. “It’s as transparent as a sheet of the Bible, every word of it. They all pretend to believe because they’ve all made it up together. But the police reports, the testimony, the news stories, the court records, the verdict: a sham, a falsification made truth because a thousand people and a judge repeat it, word-for-word, every night before bed.”
I tried to stand but couldn’t. My heart was pounding me back into the chair. I was thinking about my mother and father. I had only enough courage for one question, so I asked, “What happened to the no-people?”
Mr Gregor turned suddenly and laughed so fierce the rain lashed the windows even harder. He came toward me. He put a delicate hand on each of my shoulders. He bent forward until his lips were almost touching mine and, his eyes staring at me like one stares at the Devil, said:
“Buried in the concrete. Buried alive, buried dead—”
I pushed him away.
He stumbled backward without losing his balance.
I forced myself off the chair, praying that my legs would keep. My knees shook but held. In front of me, Mr Gregor rasped for air. A few long strands of his thin hair had fallen across his forehead. He was sweating.
“He was a coward, that little boy, Don Whitman. Without him, we wouldn’t need to live under the whip of elaborate lies designed by weaker people turned away and shamed by the power of the natural order of things. They trusted him, and he betrayed us all. The fools! The weakling! Imagine,” Mr Gregor hissed, “just imagine what we could have had, what we could have experienced down there, at the very bottom, in the chambers...”
His eyes spun and his chest heaved as he grew excited, but soon he lost his venom and his voice returned to normal.
Finally, he said without any nastiness, “You’re a wicked one, just like Don Whitman.”
And I ran out.
Danvers prodded me awake. I must have fallen asleep during the night because when I opened my eyes it was morning already. The sun was up and the flames gone, but the fire was still warm. Mr Gregor’s dead face still rested atop a pile of ashes. Cauley was asleep on the dirt across from us. I could tell Danvers hadn’t slept at all. He said he’d been to a farmhouse and called the police. We woke up Cauley and talked over what we’d say when they got here. We decided on something close to the truth: Mr Gregor had taken the three of us camping and, when he tried to do a bad thing, we put up a fight and knocked him into the flames. Cauley said it might be suspicious because of how easily Mr Gregor had burned, but Danvers said that some people were like that—they burned quick and whole—so we needn’t say a word about the gasoline. When the police came, they were professional and treated us fair, but when they took me aside to talk to me about the accident, every time I tried to tell them about the bad things Mr Gregor had done, they wouldn’t hear it, they just said it was a shame there’d been an accident and someone had died.
At home, I asked my parents whether Mr Gregor was a bad person for what he’d done to Danvers and others. My mother didn’t say anything. My father looked at me like he was looking at the Devil himself and said morality was not so simple and that people had differing points of view and that, in the end, much depended not on what you did, but who you did it to—like during the war, for example. There were some who deserved to be done-to and others whose privilege it was to do. Then he picked up his magazine and told me it was best not to think about such things at all.
I did keep thinking about them, and about Don Whitman, too. When I got to high school, I was too old to scare with monsters, but once in a while I’d hear one of the adults tell a kid he better do as he’d been told or Don Whitman would come back and get him. I wondered if maybe people scare others with monsters they’re most scared of themselves. I even thought about investigating: taking a pick-axe to the pumping station and cracking through concrete or investigating records of how much of it had been poured in there. But I figured the records could have been fixed and one person with a pick-axe wouldn’t get far before the police came and I didn’t trust them anymore. I also had homework to worry about and I started seeing a girl.
I’d almost forgotten about Don Whitman by the time my mother sent me out one evening with my dad’s rifle to hunt down a coyote she said had been attacking her hens. I took a bike, because it was quiet, and was roaming just beyond town when I saw something kick up dust in a field. I shot at it, missed and it scurried off. I pedaled after it until it seemingly disappeared into nowhere. I kept my eye firm on the spot I saw it last and when I got close enough, I saw there was a small hole in the ground there. I stuck the rifle in and the hole felt bigger on the inside, so I stomped all around till the hole caved and where there’d been a mouse-sized hole now there was an opening a grown man could fit through. It seemed deep, which made me curious, because there aren’t many caves around here, so I stuck my feet in but still couldn’t feel the bottom. I slid in a little further, and further still, and soon the opening was above my head and I was inside with my whole body.
It was dark but I could feel the ground sloping. When my eyes accustomed to the gloom, I saw enough to tell there was a tunnel leading into the depths and that it was big enough for me to crawl through. I didn’t have a light but I knew it was important to try the hole. Maybe there were no-people at the bottom. Mostly, though, I didn’t think—I expected: that every time I poked ahead with the rifle, I’d hit earth and the tunnel would be done.
That never happened. I descended for hours. The tunnel grew narrower and the slope sharpened. Fear tightened around my chest. I lost track of time. There wasn’t enough space to turn my body around and I’d been descending for so long it was foolish to backtrack. Surely, the tunnel led somewhere. It was not a natural tunnel, I told myself, it must lead somewhere. I should continue until I reached the end, turn around and return to the surface. The trick was to keep calm and keep moving forward.
And I was right. Several hours later the tunnel ended and I crawled out through a hollow in the wall of a huge grotto.
I stood, stretched my limbs and squinted through the dimness. I couldn’t see the other end of the grotto but the wall curved so I thought that maybe if I went along I might get to the other end. My plan of an immediate return to the surface was on hold. I had to see what lived here. Images of no-people raced through my head. I readied my rifle and proceeded, slowly at first. Where the tunnel had been packed dirt and clay, the walls and floor of the grotto were solid rock. There was moisture, too. It flowed down the walls and gathered in depressions on the floor.
Although at first the wall felt smooth, soon I began to feel a texture to it—like a washboard. The ceiling faded into view. The grotto was getting smaller. And the texture was becoming rougher, more violent. I was thinking about the texture and Mr Gregor’s burnt body when a sound sent me sprawling. My elbow banged against the rock and I nearly cried out. My heart was beating like it had beaten me into my chair in the classroom. The sound was real: faint but clear and echoing. It was the sound of continuous and rhythmic scratching.
I crawled forward, holding the rifle in front. The scratching grew louder. I thought about calling out, but suddenly felt foolish to believe in no-people or anything of that kind. It seemed more sensible to believe in large rodents or coyotes with sharp teeth. I could have turned back, but the only thing more frightening than a monster in front is a monster behind, so I pulled myself on.
In fact, I was crawling up a small hill and, when I had reached the top, I looked down and there it was:
His was a human body. Though hunched, he stood on human legs and scratched with human hands. His movements were also clearly a man’s movements. There was nothing feminine about them. His half-translucent skin was grey, almost white, and taut; and if he had any hair, I didn’t see it. His naked body was completely smooth. I looked at him for a long time with dread and disgust. His arms didn’t stop moving. Whatever they were scratching, they kept scratching. Even when he turned and his head looked at me, even as I—stunned—frozen in terror, recoiled against the wall, still his arms kept moving and his hands clawing.
For a few seconds, I thought he’d seen me, that I was done for.
I gripped the rifle tight.
But as I focused on his face, I realized he hadn’t seen me at all. He couldn’t see me. His face, so much like a colourless swollen skull, was punctuated by two black and empty eye sockets.
He turned back to face the wall he was scratching. I turned my face, too. The texture on the wall was his. The deeper the grooves, the newer the work. I put down the rifle and put my hand on the wall, letting my fingers trace the contours of the texture. It wasn’t simple lines. The scratching wasn’t meaningless. These were two words repeated over and over, sometimes on top of each other, sometimes backwards, sometimes small, sometimes each letter as big as a person, and they were all around this vast underground lair, everywhere you looked—
Two words: Don Whitman.
He’d made this grotto. I felt feverish. The sheer greatness, the determination needed to scratch out such a place with one’s bare hands. Or perhaps the insanity—the punishment. If I hadn’t been sitting, a wave of empathy would have knocked me to the wet, rocky floor. I picked up the rifle. I could put Don Whitman out of his misery. I lifted the rifle and pointed it at the distant figure writing his name pointlessly into the wall. With one pull of the trigger, I could show him infinite mercy. I steadied myself. I said a prayer.
Don Whitman stopped scratching and wailed.
I bit down on my teeth.
I hadn’t fired yet.
He grabbed his head and fell to his knees. The high-pitched sound coming from his throat was unbearable. I felt like my mind was being ripped apart. I dropped the rifle and covered my ears. Again, Don Whitman turned. This time with his entire body. He crawled a few steps toward me—still wailing—before stopping and falling silent. He raised his head. Where before had been just eye sockets now there were eyes. White, with irises. Somehow, they’d grown.
He got to his feet and I was sure that he could see me now. He was staring at me. I called his name:
“Don Whitman!”
He didn’t react. Thoughts raced through my mind: what should I do once he comes toward me? Should I defend myself or should I embrace him?
But he didn’t step forward.
He took one step back and lifted his long fingers to his face. His nails, I now saw, were thick and curved as a bird’s talons. He moved them softly from his forehead, down his cheeks and up to his eyes, into which, without warning, he pressed them so painfully that I felt my own eyes burn. When he brought his fingers back out, in each hand he held a mashed and bleeding eyeball. These he put almost greedily into his mouth, one after the other, then chewed, and swallowed.
Having nourished his body, he returned to the wall and began scratching again.
As I watched the movements of his arms, able to follow the pattern of the letters they were carving, I no longer felt like killing him. If he wanted to die, he could die: he could forego water, he could refuse to eat. He didn’t want to die. He wanted to keep scratching his name into the walls of this grotto: Don Whitman, Don Whitman, Don Whitman…
I watched him for a long time before I realized that I would have to get to the surface soon. People would begin to worry. They might start looking for me. And as much as I needed to know the logic behind Don Whitman’s grotto, I also needed food. I couldn’t live down here. I couldn’t eat my own eyes and expect them to grow back. Eventually, I would either have to return to the world above or die.
I put my hand on the grotto wall and began to mentally retrace my steps. A return would not be difficult. All I would need to do was follow—
That’s when I knew.
The geography of it hit me.
The hole I’d entered was on the outskirts of town. The tunnel sloped toward the town. That meant this grotto was below the town. The town hall, the bank, the police station, the school—all of it was lying unknowingly on top of a giant expanding cavity. One day, this cavity would be too large, the town would be too heavy, and everything would collapse into a deep and permanent handmade abyss. Don Whitman would bury the town just as the town had buried the no-people. Everything would be destroyed. Everyone would die. That was Don Whitman’s genius. That was his life’s work.
I picked up the rifle and faced Don Whitman for the final time.
He must have known that I was there. He’d heard me and had probably seen me before he pulled out his eyes, yet he just continued to scratch. Faced with death, he kept working.
As I stood there, I had no doubt that, left in peace, Don Whitman would finish his project. His will was too powerful. The result would be catastrophic. It was under these assumptions that I made the most moral and important decision of my life:
I walked away.
submitted by normancrane to DarkTales [link] [comments]


2023.06.03 00:36 normancrane Don Whitman's Masterpiece

Don Whitman's Masterpiece
It was Danvers who finally pushed him in. We’d been feeding the fire with hardwood since the afternoon and it had gotten big as the wind picked up by nightfall, flickering cross our faces and warming our cheeks better than a gas heater. He didn’t even scream when he fell. The flames just swallowed him up—sparks shooting out like hot vomit. He knew what he’d done. He knew it was wrong. When he lifted himself up and came out of the fire he stood dead still, staring at us, smiling like we’d done him a favour. Maybe he thought he deserved to turn into ash. Maybe he did deserve it. I know I kept my fingers tight round the handle of the axe just the same till he keeled over and Cauley had touched the corpse with his foot and we knew he was dead. The three of us, we kept silent for a long while after that. There was just the sound of wood burning and it was better that way. None of us touched the body but none of us looked away, either: you could still make out his face, unmistakable, when the rest of him was dark and formless. He was a face on a pile. Then the wind started taking bits and pieces and carrying them away. Like I told the police, he didn’t touch me, but I knew some of the kids he’d done it to. He’d done it to Danvers. I remember once when all the other kids were gone, I’d stayed after class, Mr Gregor bent himself close to my ear and told me the real story. “You’re a wicked one,” he said when he was done, “just like Don Whitman.”
They used to scare us with Don Whitman, the adults: the other teachers, our parents, the priest. But no one ever explained it. They’d just say, “You better do what we want or else Don Whitman will come back and get you.” Mr Gregor was the only one ever to tell it to me with details. He told it different, too. He said he remembered because he was the same age as Don Whitman and they went to the same school. He said that what the others say they remember is like Cain and Abel or Little Red Riding Hood. Even the landscape tells the fairy tale. After it happened, Don Whitman’s school got torn down, then his house. And the bells in the Church got changed: the ones they rang after Elizabeth Cartwell had come back hysterical with the news.
You can’t tear down or change a man’s memory, Mr Gregor told me.
Once you see, it’s forever.
Elizabeth Cartwell’s parents moved away as soon as the police investigation finished. A lot of people moved away. But Mr Gregor showed me a newspaper from Hill City, North Dakota from some years later. The paper was yellow but you could read the black print fine. The story was about a girl who’d killed herself. The photo was of Elizabeth Cartwell. As he held it out for me to see, his hand shook and I felt his breath grow warmer against the skin around my neck. Nothing made him shake as much as what happened to Elizabeth Cartwell, not even the details.
Don Whitman was seventeen when he did it. He was handsome, with wide shoulders and played football. All the girls liked him. He was going to go to college. Maybe that’s why they thought he was ready: they thought he was a man. They thought he’d be with them. It was a school night when they woke him and drove out to the old pumping station, so that he could see everything for himself. They wanted to make him a part of it just like they were. If he saw, he would want it just like they did. I was always told that he drove out there by himself, but Mr Gregor told me that’s part of the lie. He said Don Whitman’s father was in the car with the mayor and the chief of police. He said, “How would he have found the place by himself—why would he have gone looking?”
The place is in a wood not far from the border. Of course, the whole underground is filled with cement now, but you can still see where the opening used to be: a fat tube sticking out of the ground, just big enough for a man to crawl down into. There was a hatch on it then, and thick locks. The hatch was sound-proof. If you stood right beside it, you couldn’t hear a thing, but as soon as you opened the hatch you could smell the insides and hear the moans start to drift upwards into the world. A steel ladder led down. Mr Gregor says they all knew about it, everyone: all the adults. They’d all been down that ladder. All of them had seen it.
Don Whitman went down the ladder, too. He must have smelled the insides grow stronger and heard the moaning echo louder with every rung but he kept going. On the ground above, his father spoke to the mayor and they both felt proud. Don Whitman must have been more scared of coming up and disappointing them than of not going down to the limit. But when he reached the bottom, the very bottom, and put his feet to the hard concrete and saw it before his own eyes, something inside of him must have broken—
“They sugarcoat it and they make a child’s game of it because they’re too scared to remember the truth,” Mr Gregor told me. “They can’t forget it, but it’s a stain to them, so they cover it up and pretend that everything’s clean.”
Don Whitman saw the vastness of the interlocking chambers and, within them, the writhing, ecstatic, swollen no-people of the underground, human-like but non-human, cross-bred mammals draped in plaster-white skin pinned to numb faces, men, women and children, male and female, naked, scared, dirty, with humans—humans Don Whitman knew and recognized—among them, on them and under them, hitting them, squeezing them, making them hurt, making monstrous sounds with them, all under slowly rotating heat lamps, all open and together, one before another, and then someone, someone Don Whitman knew, must have put a hand on Don Whitman’s shoulder and Don Whitman would have asked, “But what now, what am I supposed to do?” and then, from somewhere deep within the chambers, from a place not even Don Whitman would ever see, a voice answered:
“Anything.”
Mr Gregor pulled away from me and I felt my body turn cold. Icy sweat crawled under my collar and below my thighs.
I’d been told Don Whitman had found the old pumping station and lured the police to it, that they’d called others—including Don Whitman’s father—to talk him out of any violence, but that he’d snapped and murdered them all without firing a single shot, with his bare hands, and dumped the bodies into the metal pipe sticking out of the ground, the one just wide enough for a man to fit through. Then he’d disappeared. It wasn’t until days later that Elizabeth Cartwell found the bodies and there was never any sign of Don Whitman after that. The manhunt failed. So the church bells rang, the school was torn down, the pipe was filled in and, ever since, the adults scare their children with the story of the high school boy who’d done a terrible, sinful thing and vanished into thin air.
“And why would she decide to go out there?” Mr Gregor asked—meaning Elizabeth Cartwell—his eyes dead-set through a window at the raining world outside. “It’s as transparent as a sheet of the Bible, every word of it. They all pretend to believe because they’ve all made it up together. But the police reports, the testimony, the news stories, the court records, the verdict: a sham, a falsification made truth because a thousand people and a judge repeat it, word-for-word, every night before bed.”
I tried to stand but couldn’t. My heart was pounding me back into the chair. I was thinking about my mother and father. I had only enough courage for one question, so I asked, “What happened to the no-people?”
Mr Gregor turned suddenly and laughed so fierce the rain lashed the windows even harder. He came toward me. He put a delicate hand on each of my shoulders. He bent forward until his lips were almost touching mine and, his eyes staring at me like one stares at the Devil, said:
“Buried in the concrete. Buried alive, buried dead—”
I pushed him away.
He stumbled backward without losing his balance.
I forced myself off the chair, praying that my legs would keep. My knees shook but held. In front of me, Mr Gregor rasped for air. A few long strands of his thin hair had fallen across his forehead. He was sweating.
“He was a coward, that little boy, Don Whitman. Without him, we wouldn’t need to live under the whip of elaborate lies designed by weaker people turned away and shamed by the power of the natural order of things. They trusted him, and he betrayed us all. The fools! The weakling! Imagine,” Mr Gregor hissed, “just imagine what we could have had, what we could have experienced down there, at the very bottom, in the chambers...”
His eyes spun and his chest heaved as he grew excited, but soon he lost his venom and his voice returned to normal.
Finally, he said without any nastiness, “You’re a wicked one, just like Don Whitman.”
And I ran out.
Danvers prodded me awake. I must have fallen asleep during the night because when I opened my eyes it was morning already. The sun was up and the flames gone, but the fire was still warm. Mr Gregor’s dead face still rested atop a pile of ashes. Cauley was asleep on the dirt across from us. I could tell Danvers hadn’t slept at all. He said he’d been to a farmhouse and called the police. We woke up Cauley and talked over what we’d say when they got here. We decided on something close to the truth: Mr Gregor had taken the three of us camping and, when he tried to do a bad thing, we put up a fight and knocked him into the flames. Cauley said it might be suspicious because of how easily Mr Gregor had burned, but Danvers said that some people were like that—they burned quick and whole—so we needn’t say a word about the gasoline. When the police came, they were professional and treated us fair, but when they took me aside to talk to me about the accident, every time I tried to tell them about the bad things Mr Gregor had done, they wouldn’t hear it, they just said it was a shame there’d been an accident and someone had died.
At home, I asked my parents whether Mr Gregor was a bad person for what he’d done to Danvers and others. My mother didn’t say anything. My father looked at me like he was looking at the Devil himself and said morality was not so simple and that people had differing points of view and that, in the end, much depended not on what you did, but who you did it to—like during the war, for example. There were some who deserved to be done-to and others whose privilege it was to do. Then he picked up his magazine and told me it was best not to think about such things at all.
I did keep thinking about them, and about Don Whitman, too. When I got to high school, I was too old to scare with monsters, but once in a while I’d hear one of the adults tell a kid he better do as he’d been told or Don Whitman would come back and get him. I wondered if maybe people scare others with monsters they’re most scared of themselves. I even thought about investigating: taking a pick-axe to the pumping station and cracking through concrete or investigating records of how much of it had been poured in there. But I figured the records could have been fixed and one person with a pick-axe wouldn’t get far before the police came and I didn’t trust them anymore. I also had homework to worry about and I started seeing a girl.
I’d almost forgotten about Don Whitman by the time my mother sent me out one evening with my dad’s rifle to hunt down a coyote she said had been attacking her hens. I took a bike, because it was quiet, and was roaming just beyond town when I saw something kick up dust in a field. I shot at it, missed and it scurried off. I pedaled after it until it seemingly disappeared into nowhere. I kept my eye firm on the spot I saw it last and when I got close enough, I saw there was a small hole in the ground there. I stuck the rifle in and the hole felt bigger on the inside, so I stomped all around till the hole caved and where there’d been a mouse-sized hole now there was an opening a grown man could fit through. It seemed deep, which made me curious, because there aren’t many caves around here, so I stuck my feet in but still couldn’t feel the bottom. I slid in a little further, and further still, and soon the opening was above my head and I was inside with my whole body.
It was dark but I could feel the ground sloping. When my eyes accustomed to the gloom, I saw enough to tell there was a tunnel leading into the depths and that it was big enough for me to crawl through. I didn’t have a light but I knew it was important to try the hole. Maybe there were no-people at the bottom. Mostly, though, I didn’t think—I expected: that every time I poked ahead with the rifle, I’d hit earth and the tunnel would be done.
That never happened. I descended for hours. The tunnel grew narrower and the slope sharpened. Fear tightened around my chest. I lost track of time. There wasn’t enough space to turn my body around and I’d been descending for so long it was foolish to backtrack. Surely, the tunnel led somewhere. It was not a natural tunnel, I told myself, it must lead somewhere. I should continue until I reached the end, turn around and return to the surface. The trick was to keep calm and keep moving forward.
And I was right. Several hours later the tunnel ended and I crawled out through a hollow in the wall of a huge grotto.
I stood, stretched my limbs and squinted through the dimness. I couldn’t see the other end of the grotto but the wall curved so I thought that maybe if I went along I might get to the other end. My plan of an immediate return to the surface was on hold. I had to see what lived here. Images of no-people raced through my head. I readied my rifle and proceeded, slowly at first. Where the tunnel had been packed dirt and clay, the walls and floor of the grotto were solid rock. There was moisture, too. It flowed down the walls and gathered in depressions on the floor.
Although at first the wall felt smooth, soon I began to feel a texture to it—like a washboard. The ceiling faded into view. The grotto was getting smaller. And the texture was becoming rougher, more violent. I was thinking about the texture and Mr Gregor’s burnt body when a sound sent me sprawling. My elbow banged against the rock and I nearly cried out. My heart was beating like it had beaten me into my chair in the classroom. The sound was real: faint but clear and echoing. It was the sound of continuous and rhythmic scratching.
I crawled forward, holding the rifle in front. The scratching grew louder. I thought about calling out, but suddenly felt foolish to believe in no-people or anything of that kind. It seemed more sensible to believe in large rodents or coyotes with sharp teeth. I could have turned back, but the only thing more frightening than a monster in front is a monster behind, so I pulled myself on.
In fact, I was crawling up a small hill and, when I had reached the top, I looked down and there it was:
His was a human body. Though hunched, he stood on human legs and scratched with human hands. His movements were also clearly a man’s movements. There was nothing feminine about them. His half-translucent skin was grey, almost white, and taut; and if he had any hair, I didn’t see it. His naked body was completely smooth. I looked at him for a long time with dread and disgust. His arms didn’t stop moving. Whatever they were scratching, they kept scratching. Even when he turned and his head looked at me, even as I—stunned—frozen in terror, recoiled against the wall, still his arms kept moving and his hands clawing.
For a few seconds, I thought he’d seen me, that I was done for.
I gripped the rifle tight.
But as I focused on his face, I realized he hadn’t seen me at all. He couldn’t see me. His face, so much like a colourless swollen skull, was punctuated by two black and empty eye sockets.
He turned back to face the wall he was scratching. I turned my face, too. The texture on the wall was his. The deeper the grooves, the newer the work. I put down the rifle and put my hand on the wall, letting my fingers trace the contours of the texture. It wasn’t simple lines. The scratching wasn’t meaningless. These were two words repeated over and over, sometimes on top of each other, sometimes backwards, sometimes small, sometimes each letter as big as a person, and they were all around this vast underground lair, everywhere you looked—
Two words: Don Whitman.
He’d made this grotto. I felt feverish. The sheer greatness, the determination needed to scratch out such a place with one’s bare hands. Or perhaps the insanity—the punishment. If I hadn’t been sitting, a wave of empathy would have knocked me to the wet, rocky floor. I picked up the rifle. I could put Don Whitman out of his misery. I lifted the rifle and pointed it at the distant figure writing his name pointlessly into the wall. With one pull of the trigger, I could show him infinite mercy. I steadied myself. I said a prayer.
Don Whitman stopped scratching and wailed.
I bit down on my teeth.
I hadn’t fired yet.
He grabbed his head and fell to his knees. The high-pitched sound coming from his throat was unbearable. I felt like my mind was being ripped apart. I dropped the rifle and covered my ears. Again, Don Whitman turned. This time with his entire body. He crawled a few steps toward me—still wailing—before stopping and falling silent. He raised his head. Where before had been just eye sockets now there were eyes. White, with irises. Somehow, they’d grown.
He got to his feet and I was sure that he could see me now. He was staring at me. I called his name:
“Don Whitman!”
He didn’t react. Thoughts raced through my mind: what should I do once he comes toward me? Should I defend myself or should I embrace him?
But he didn’t step forward.
He took one step back and lifted his long fingers to his face. His nails, I now saw, were thick and curved as a bird’s talons. He moved them softly from his forehead, down his cheeks and up to his eyes, into which, without warning, he pressed them so painfully that I felt my own eyes burn. When he brought his fingers back out, in each hand he held a mashed and bleeding eyeball. These he put almost greedily into his mouth, one after the other, then chewed, and swallowed.
Having nourished his body, he returned to the wall and began scratching again.
As I watched the movements of his arms, able to follow the pattern of the letters they were carving, I no longer felt like killing him. If he wanted to die, he could die: he could forego water, he could refuse to eat. He didn’t want to die. He wanted to keep scratching his name into the walls of this grotto: Don Whitman, Don Whitman, Don Whitman…
I watched him for a long time before I realized that I would have to get to the surface soon. People would begin to worry. They might start looking for me. And as much as I needed to know the logic behind Don Whitman’s grotto, I also needed food. I couldn’t live down here. I couldn’t eat my own eyes and expect them to grow back. Eventually, I would either have to return to the world above or die.
I put my hand on the grotto wall and began to mentally retrace my steps. A return would not be difficult. All I would need to do was follow—
That’s when I knew.
The geography of it hit me.
The hole I’d entered was on the outskirts of town. The tunnel sloped toward the town. That meant this grotto was below the town. The town hall, the bank, the police station, the school—all of it was lying unknowingly on top of a giant expanding cavity. One day, this cavity would be too large, the town would be too heavy, and everything would collapse into a deep and permanent handmade abyss. Don Whitman would bury the town just as the town had buried the no-people. Everything would be destroyed. Everyone would die. That was Don Whitman’s genius. That was his life’s work.
I picked up the rifle and faced Don Whitman for the final time.
He must have known that I was there. He’d heard me and had probably seen me before he pulled out his eyes, yet he just continued to scratch. Faced with death, he kept working.
As I stood there, I had no doubt that, left in peace, Don Whitman would finish his project. His will was too powerful. The result would be catastrophic. It was under these assumptions that I made the most moral and important decision of my life:
I walked away.
submitted by normancrane to scaryshortstories [link] [comments]


2023.06.03 00:35 Cyclops1993 Houston show 6/8

I have a GA ticket for the June 8th show in Houston that I won’t be able to use because of work. I was trying to sell it but haven’t got any offers. I’d rather someone enjoy the show rather then it go to waste so It’s completely free for anyone who may want it.
submitted by Cyclops1993 to boygenuis [link] [comments]


2023.06.03 00:34 normancrane Don Whitman's Masterpiece

Don Whitman's Masterpiece
It was Danvers who finally pushed him in. We’d been feeding the fire with hardwood since the afternoon and it had gotten big as the wind picked up by nightfall, flickering cross our faces and warming our cheeks better than a gas heater. He didn’t even scream when he fell. The flames just swallowed him up—sparks shooting out like hot vomit. He knew what he’d done. He knew it was wrong. When he lifted himself up and came out of the fire he stood dead still, staring at us, smiling like we’d done him a favour. Maybe he thought he deserved to turn into ash. Maybe he did deserve it. I know I kept my fingers tight round the handle of the axe just the same till he keeled over and Cauley had touched the corpse with his foot and we knew he was dead. The three of us, we kept silent for a long while after that. There was just the sound of wood burning and it was better that way. None of us touched the body but none of us looked away, either: you could still make out his face, unmistakable, when the rest of him was dark and formless. He was a face on a pile. Then the wind started taking bits and pieces and carrying them away. Like I told the police, he didn’t touch me, but I knew some of the kids he’d done it to. He’d done it to Danvers. I remember once when all the other kids were gone, I’d stayed after class, Mr Gregor bent himself close to my ear and told me the real story. “You’re a wicked one,” he said when he was done, “just like Don Whitman.”
They used to scare us with Don Whitman, the adults: the other teachers, our parents, the priest. But no one ever explained it. They’d just say, “You better do what we want or else Don Whitman will come back and get you.” Mr Gregor was the only one ever to tell it to me with details. He told it different, too. He said he remembered because he was the same age as Don Whitman and they went to the same school. He said that what the others say they remember is like Cain and Abel or Little Red Riding Hood. Even the landscape tells the fairy tale. After it happened, Don Whitman’s school got torn down, then his house. And the bells in the Church got changed: the ones they rang after Elizabeth Cartwell had come back hysterical with the news.
You can’t tear down or change a man’s memory, Mr Gregor told me.
Once you see, it’s forever.
Elizabeth Cartwell’s parents moved away as soon as the police investigation finished. A lot of people moved away. But Mr Gregor showed me a newspaper from Hill City, North Dakota from some years later. The paper was yellow but you could read the black print fine. The story was about a girl who’d killed herself. The photo was of Elizabeth Cartwell. As he held it out for me to see, his hand shook and I felt his breath grow warmer against the skin around my neck. Nothing made him shake as much as what happened to Elizabeth Cartwell, not even the details.
Don Whitman was seventeen when he did it. He was handsome, with wide shoulders and played football. All the girls liked him. He was going to go to college. Maybe that’s why they thought he was ready: they thought he was a man. They thought he’d be with them. It was a school night when they woke him and drove out to the old pumping station, so that he could see everything for himself. They wanted to make him a part of it just like they were. If he saw, he would want it just like they did. I was always told that he drove out there by himself, but Mr Gregor told me that’s part of the lie. He said Don Whitman’s father was in the car with the mayor and the chief of police. He said, “How would he have found the place by himself—why would he have gone looking?”
The place is in a wood not far from the border. Of course, the whole underground is filled with cement now, but you can still see where the opening used to be: a fat tube sticking out of the ground, just big enough for a man to crawl down into. There was a hatch on it then, and thick locks. The hatch was sound-proof. If you stood right beside it, you couldn’t hear a thing, but as soon as you opened the hatch you could smell the insides and hear the moans start to drift upwards into the world. A steel ladder led down. Mr Gregor says they all knew about it, everyone: all the adults. They’d all been down that ladder. All of them had seen it.
Don Whitman went down the ladder, too. He must have smelled the insides grow stronger and heard the moaning echo louder with every rung but he kept going. On the ground above, his father spoke to the mayor and they both felt proud. Don Whitman must have been more scared of coming up and disappointing them than of not going down to the limit. But when he reached the bottom, the very bottom, and put his feet to the hard concrete and saw it before his own eyes, something inside of him must have broken—
“They sugarcoat it and they make a child’s game of it because they’re too scared to remember the truth,” Mr Gregor told me. “They can’t forget it, but it’s a stain to them, so they cover it up and pretend that everything’s clean.”
Don Whitman saw the vastness of the interlocking chambers and, within them, the writhing, ecstatic, swollen no-people of the underground, human-like but non-human, cross-bred mammals draped in plaster-white skin pinned to numb faces, men, women and children, male and female, naked, scared, dirty, with humans—humans Don Whitman knew and recognized—among them, on them and under them, hitting them, squeezing them, making them hurt, making monstrous sounds with them, all under slowly rotating heat lamps, all open and together, one before another, and then someone, someone Don Whitman knew, must have put a hand on Don Whitman’s shoulder and Don Whitman would have asked, “But what now, what am I supposed to do?” and then, from somewhere deep within the chambers, from a place not even Don Whitman would ever see, a voice answered:
“Anything.”
Mr Gregor pulled away from me and I felt my body turn cold. Icy sweat crawled under my collar and below my thighs.
I’d been told Don Whitman had found the old pumping station and lured the police to it, that they’d called others—including Don Whitman’s father—to talk him out of any violence, but that he’d snapped and murdered them all without firing a single shot, with his bare hands, and dumped the bodies into the metal pipe sticking out of the ground, the one just wide enough for a man to fit through. Then he’d disappeared. It wasn’t until days later that Elizabeth Cartwell found the bodies and there was never any sign of Don Whitman after that. The manhunt failed. So the church bells rang, the school was torn down, the pipe was filled in and, ever since, the adults scare their children with the story of the high school boy who’d done a terrible, sinful thing and vanished into thin air.
“And why would she decide to go out there?” Mr Gregor asked—meaning Elizabeth Cartwell—his eyes dead-set through a window at the raining world outside. “It’s as transparent as a sheet of the Bible, every word of it. They all pretend to believe because they’ve all made it up together. But the police reports, the testimony, the news stories, the court records, the verdict: a sham, a falsification made truth because a thousand people and a judge repeat it, word-for-word, every night before bed.”
I tried to stand but couldn’t. My heart was pounding me back into the chair. I was thinking about my mother and father. I had only enough courage for one question, so I asked, “What happened to the no-people?”
Mr Gregor turned suddenly and laughed so fierce the rain lashed the windows even harder. He came toward me. He put a delicate hand on each of my shoulders. He bent forward until his lips were almost touching mine and, his eyes staring at me like one stares at the Devil, said:
“Buried in the concrete. Buried alive, buried dead—”
I pushed him away.
He stumbled backward without losing his balance.
I forced myself off the chair, praying that my legs would keep. My knees shook but held. In front of me, Mr Gregor rasped for air. A few long strands of his thin hair had fallen across his forehead. He was sweating.
“He was a coward, that little boy, Don Whitman. Without him, we wouldn’t need to live under the whip of elaborate lies designed by weaker people turned away and shamed by the power of the natural order of things. They trusted him, and he betrayed us all. The fools! The weakling! Imagine,” Mr Gregor hissed, “just imagine what we could have had, what we could have experienced down there, at the very bottom, in the chambers...”
His eyes spun and his chest heaved as he grew excited, but soon he lost his venom and his voice returned to normal.
Finally, he said without any nastiness, “You’re a wicked one, just like Don Whitman.”
And I ran out.
Danvers prodded me awake. I must have fallen asleep during the night because when I opened my eyes it was morning already. The sun was up and the flames gone, but the fire was still warm. Mr Gregor’s dead face still rested atop a pile of ashes. Cauley was asleep on the dirt across from us. I could tell Danvers hadn’t slept at all. He said he’d been to a farmhouse and called the police. We woke up Cauley and talked over what we’d say when they got here. We decided on something close to the truth: Mr Gregor had taken the three of us camping and, when he tried to do a bad thing, we put up a fight and knocked him into the flames. Cauley said it might be suspicious because of how easily Mr Gregor had burned, but Danvers said that some people were like that—they burned quick and whole—so we needn’t say a word about the gasoline. When the police came, they were professional and treated us fair, but when they took me aside to talk to me about the accident, every time I tried to tell them about the bad things Mr Gregor had done, they wouldn’t hear it, they just said it was a shame there’d been an accident and someone had died.
At home, I asked my parents whether Mr Gregor was a bad person for what he’d done to Danvers and others. My mother didn’t say anything. My father looked at me like he was looking at the Devil himself and said morality was not so simple and that people had differing points of view and that, in the end, much depended not on what you did, but who you did it to—like during the war, for example. There were some who deserved to be done-to and others whose privilege it was to do. Then he picked up his magazine and told me it was best not to think about such things at all.
I did keep thinking about them, and about Don Whitman, too. When I got to high school, I was too old to scare with monsters, but once in a while I’d hear one of the adults tell a kid he better do as he’d been told or Don Whitman would come back and get him. I wondered if maybe people scare others with monsters they’re most scared of themselves. I even thought about investigating: taking a pick-axe to the pumping station and cracking through concrete or investigating records of how much of it had been poured in there. But I figured the records could have been fixed and one person with a pick-axe wouldn’t get far before the police came and I didn’t trust them anymore. I also had homework to worry about and I started seeing a girl.
I’d almost forgotten about Don Whitman by the time my mother sent me out one evening with my dad’s rifle to hunt down a coyote she said had been attacking her hens. I took a bike, because it was quiet, and was roaming just beyond town when I saw something kick up dust in a field. I shot at it, missed and it scurried off. I pedaled after it until it seemingly disappeared into nowhere. I kept my eye firm on the spot I saw it last and when I got close enough, I saw there was a small hole in the ground there. I stuck the rifle in and the hole felt bigger on the inside, so I stomped all around till the hole caved and where there’d been a mouse-sized hole now there was an opening a grown man could fit through. It seemed deep, which made me curious, because there aren’t many caves around here, so I stuck my feet in but still couldn’t feel the bottom. I slid in a little further, and further still, and soon the opening was above my head and I was inside with my whole body.
It was dark but I could feel the ground sloping. When my eyes accustomed to the gloom, I saw enough to tell there was a tunnel leading into the depths and that it was big enough for me to crawl through. I didn’t have a light but I knew it was important to try the hole. Maybe there were no-people at the bottom. Mostly, though, I didn’t think—I expected: that every time I poked ahead with the rifle, I’d hit earth and the tunnel would be done.
That never happened. I descended for hours. The tunnel grew narrower and the slope sharpened. Fear tightened around my chest. I lost track of time. There wasn’t enough space to turn my body around and I’d been descending for so long it was foolish to backtrack. Surely, the tunnel led somewhere. It was not a natural tunnel, I told myself, it must lead somewhere. I should continue until I reached the end, turn around and return to the surface. The trick was to keep calm and keep moving forward.
And I was right. Several hours later the tunnel ended and I crawled out through a hollow in the wall of a huge grotto.
I stood, stretched my limbs and squinted through the dimness. I couldn’t see the other end of the grotto but the wall curved so I thought that maybe if I went along I might get to the other end. My plan of an immediate return to the surface was on hold. I had to see what lived here. Images of no-people raced through my head. I readied my rifle and proceeded, slowly at first. Where the tunnel had been packed dirt and clay, the walls and floor of the grotto were solid rock. There was moisture, too. It flowed down the walls and gathered in depressions on the floor.
Although at first the wall felt smooth, soon I began to feel a texture to it—like a washboard. The ceiling faded into view. The grotto was getting smaller. And the texture was becoming rougher, more violent. I was thinking about the texture and Mr Gregor’s burnt body when a sound sent me sprawling. My elbow banged against the rock and I nearly cried out. My heart was beating like it had beaten me into my chair in the classroom. The sound was real: faint but clear and echoing. It was the sound of continuous and rhythmic scratching.
I crawled forward, holding the rifle in front. The scratching grew louder. I thought about calling out, but suddenly felt foolish to believe in no-people or anything of that kind. It seemed more sensible to believe in large rodents or coyotes with sharp teeth. I could have turned back, but the only thing more frightening than a monster in front is a monster behind, so I pulled myself on.
In fact, I was crawling up a small hill and, when I had reached the top, I looked down and there it was:
His was a human body. Though hunched, he stood on human legs and scratched with human hands. His movements were also clearly a man’s movements. There was nothing feminine about them. His half-translucent skin was grey, almost white, and taut; and if he had any hair, I didn’t see it. His naked body was completely smooth. I looked at him for a long time with dread and disgust. His arms didn’t stop moving. Whatever they were scratching, they kept scratching. Even when he turned and his head looked at me, even as I—stunned—frozen in terror, recoiled against the wall, still his arms kept moving and his hands clawing.
For a few seconds, I thought he’d seen me, that I was done for.
I gripped the rifle tight.
But as I focused on his face, I realized he hadn’t seen me at all. He couldn’t see me. His face, so much like a colourless swollen skull, was punctuated by two black and empty eye sockets.
He turned back to face the wall he was scratching. I turned my face, too. The texture on the wall was his. The deeper the grooves, the newer the work. I put down the rifle and put my hand on the wall, letting my fingers trace the contours of the texture. It wasn’t simple lines. The scratching wasn’t meaningless. These were two words repeated over and over, sometimes on top of each other, sometimes backwards, sometimes small, sometimes each letter as big as a person, and they were all around this vast underground lair, everywhere you looked—
Two words: Don Whitman.
He’d made this grotto. I felt feverish. The sheer greatness, the determination needed to scratch out such a place with one’s bare hands. Or perhaps the insanity—the punishment. If I hadn’t been sitting, a wave of empathy would have knocked me to the wet, rocky floor. I picked up the rifle. I could put Don Whitman out of his misery. I lifted the rifle and pointed it at the distant figure writing his name pointlessly into the wall. With one pull of the trigger, I could show him infinite mercy. I steadied myself. I said a prayer.
Don Whitman stopped scratching and wailed.
I bit down on my teeth.
I hadn’t fired yet.
He grabbed his head and fell to his knees. The high-pitched sound coming from his throat was unbearable. I felt like my mind was being ripped apart. I dropped the rifle and covered my ears. Again, Don Whitman turned. This time with his entire body. He crawled a few steps toward me—still wailing—before stopping and falling silent. He raised his head. Where before had been just eye sockets now there were eyes. White, with irises. Somehow, they’d grown.
He got to his feet and I was sure that he could see me now. He was staring at me. I called his name:
“Don Whitman!”
He didn’t react. Thoughts raced through my mind: what should I do once he comes toward me? Should I defend myself or should I embrace him?
But he didn’t step forward.
He took one step back and lifted his long fingers to his face. His nails, I now saw, were thick and curved as a bird’s talons. He moved them softly from his forehead, down his cheeks and up to his eyes, into which, without warning, he pressed them so painfully that I felt my own eyes burn. When he brought his fingers back out, in each hand he held a mashed and bleeding eyeball. These he put almost greedily into his mouth, one after the other, then chewed, and swallowed.
Having nourished his body, he returned to the wall and began scratching again.
As I watched the movements of his arms, able to follow the pattern of the letters they were carving, I no longer felt like killing him. If he wanted to die, he could die: he could forego water, he could refuse to eat. He didn’t want to die. He wanted to keep scratching his name into the walls of this grotto: Don Whitman, Don Whitman, Don Whitman…
I watched him for a long time before I realized that I would have to get to the surface soon. People would begin to worry. They might start looking for me. And as much as I needed to know the logic behind Don Whitman’s grotto, I also needed food. I couldn’t live down here. I couldn’t eat my own eyes and expect them to grow back. Eventually, I would either have to return to the world above or die.
I put my hand on the grotto wall and began to mentally retrace my steps. A return would not be difficult. All I would need to do was follow—
That’s when I knew.
The geography of it hit me.
The hole I’d entered was on the outskirts of town. The tunnel sloped toward the town. That meant this grotto was below the town. The town hall, the bank, the police station, the school—all of it was lying unknowingly on top of a giant expanding cavity. One day, this cavity would be too large, the town would be too heavy, and everything would collapse into a deep and permanent handmade abyss. Don Whitman would bury the town just as the town had buried the no-people. Everything would be destroyed. Everyone would die. That was Don Whitman’s genius. That was his life’s work.
I picked up the rifle and faced Don Whitman for the final time.
He must have known that I was there. He’d heard me and had probably seen me before he pulled out his eyes, yet he just continued to scratch. Faced with death, he kept working.
As I stood there, I had no doubt that, left in peace, Don Whitman would finish his project. His will was too powerful. The result would be catastrophic. It was under these assumptions that I made the most moral and important decision of my life:
I walked away.
submitted by normancrane to normancrane [link] [comments]


2023.06.03 00:33 FightingBoyce Knuckle Up: Unleashing the Beast - Breakdown of Rising Star Najee Lopez

Join hosts Mike Orr and Cedric Benn on this exhilarating episode of Knuckle Up as they shine the spotlight on the up-and-coming prospect, Najee Lopez. Get ready for an in-depth profile, breakdown, and analysis of Lopez's incredible journey in the cruiser weight division. Discover how this promising talent aims to establish his place alongside legendary athletes like Evander Holyfield and Oleksandr Usyk. Don't miss out on this thrilling episode that showcases the future of boxing! Watch Knuckle Up's Mike Orr and Cedric Benn, who always discuss up-and-coming young, hungry, and (usually) undefeated boxers during his live daily show at 4pm EST (9pm UK) on TalkinFight.com or YouTube.com/c/TalkinFight
#TalkinFight #KnuckleUp Najee Lopez, cruiser weight prospect, boxing analysis, boxing breakdown, rising star, boxing prospect, Evander Holyfield, Oleksandr Usyk, boxing legends, boxing news, boxing highlights, boxing techniques, boxing training, boxing career, boxing future, sports analysis, Talkin Fight, Knuckle Up, Mike Orr, Cedric Benn #KnuckleUp #BoxingProspect #NajeeLopez #CruiserWeightDivision #BoxingAnalysis #TalkinFight #SportsAnalysis #BoxingLegends #RisingStar #BoxingHighlight #EvanderHolyfield #OleksandrUsyk #MustWatch
submitted by FightingBoyce to boxingpodcasts [link] [comments]


2023.06.03 00:32 According-Engine2536 Thinking about quitting cycling - fear of carbon failure

hi.
TL;DR - I don’t trust carbon fibre steerers after experiencing failure myself and reading/hearing about their weaknesses and problems. Therefore fun is gone and I just don’t know what to do, because every serious race bike has carbon forks nowadays.
I don’t know what to do. I recently discovered road bike riding. Only used bikes for commuting before and only old bikes. I fixed them myself and had fun doing that. But the riding itself felt rather annoying at times. When I discovered road cycling on race bikes I re-experienced cycling and got all in. Love the aggressive geometry and their swiftness.
I bought my first bike. As I did the whole tech work by myself before, I continued that. Only one professional LBS in my country, they are very expensive and if I want an appointment, I have to wait half a year. So I was pretty confident, that I can or had to do everything by myself.
Hadn’t thought about the carbon fibre at these times. Apparently, every race bike these days has a carbon fork, with a carbon steerer. Then, one day I changed my stem and discovered my steerer got a tiny crack. I always used a torque wrench. Apparently, the compression plug was too short for the stem and the utter edge of the stem seized the tube. nice. I googled and searched YouTube for advice.
Apparently there is a rabbit hole of information from different people, riders and even tech experts, which basically screams that carbon steerers are very prone to fail at their current state. I read a ton of information about broken carbon steerers, how it happens, that it happens relatively often, you can’t really be 100% safe, even if you do everything to prevent it and it is far more dangerous than other technical failures.
I tried getting a new bicycle, but every time I get in touch with those carbon steerers, having in mind how damn easy to brake they are, I can’t think about riding such a thing ever again.
I searched for alternative materials. It is hard enough to find a bike with a race geometry with a low headtube under 2k. At least in my country. It is even harder to find one, that got no carbon fork. I also searched online, but also everything is sold out or not compatible with the new headtube diameters.
I don’t know what to expect from you honestly. I asked several people for help, but I know this is my own head entirely. So many people ride carbon steerers and not all of them have problems. But I love working on my bikes and I can’t help feeling unsure about my safety, if carbon fibre is involved. :(
submitted by According-Engine2536 to cycling [link] [comments]


2023.06.03 00:32 thrwy18383747 [TOMT][Book] Book I am sure I read as a kid multiple times, hopefully not a figment of my imagination

Disclaimer: this is pre 9/11 so it isn’t Percy Jackson. It also isn’t Magic Tree House.
There is a book I read in elementary school and the memory of reading it has always stuck with me. I also remember seeing it in the school library once and being excited and reading it again. However - I cannot remember the name of it to save my life and I can’t remember the actual details too deeply.
I do know that it had to do with a boy who somehow ended up dealing with Hades. The Cerberus was also in the book, taking a boat across the river styx (I am pretty sure). But the boy was from the “modern” world and somehow ended up in hades due to a portal of some sort found inside of a house. Im pretty sure it was raining when he discovered it. A BIG MAYBE that Plato or such was involved. The book has a dark atmosphere in my mind, and the color green or blue sticks out to me. I recall the book cover being white with some sort of Greek imagery. I could be mistaken.
There’s no way this was a dream, because of multiple memories. I would say I am juxtaposing two different things, but this is such a specific stark memory. But maybe I’m fooling myself. Nobody ever has any idea what I am talking about.
So please, resolve one of the greatest mysteries of my adult life. What the hell was that book that seemed to have meant so much to me as a younger kid.
submitted by thrwy18383747 to tipofmytongue [link] [comments]


2023.06.03 00:31 Crazy_Seesaw5691 Did you guys know that Youtube is taking the fundraiser money on the audio versions of the songs?

Did you guys know that Youtube is taking the fundraiser money on the audio versions of the songs? submitted by Crazy_Seesaw5691 to JuiceWRLD [link] [comments]


2023.06.03 00:31 Andyiscool231 This has got to be one of the most useless quizzes in probably forever

This has got to be one of the most useless quizzes in probably forever submitted by Andyiscool231 to protogen [link] [comments]


2023.06.03 00:31 ShadesOfRomeo How can a teenager make money online?

How can a teenager make money online?
Some ideas like a teenager to make money online
Online Surveys and Microtasks: Participating in online surveys or completing small tasks on platforms like Swagbucks, InboxDollars, or Amazon Mechanical Turk can provide opportunities to earn money.
Freelancing: If you have specific skills like writing, graphic design, programming, or social media management, you can offer your services as a freelancer on platforms like Fiverr, Upwork, or Freelancer.
Content Creation: If you have a talent for creating content, you can start a YouTube channel, blog, or social media account and monetize it through advertising, sponsorships, or crowdfunding.
Online Tutoring: If you excel in a particular subject, you can offer online tutoring services through platforms like http://Tutor.com, Chegg, or Wyzant.
Selling Handmade Products: If you are crafty and enjoy creating handmade items, you can sell them online through platforms like Etsy or create your own website.
Virtual Assistance: Offering virtual assistance services, such as managing emails, social media accounts, or scheduling, can be done remotely and provide income opportunities.
Online Reselling: You can buy and resell products online through platforms like eBay, Poshmark, or Depop. Look for items at thrift stores, garage sales, or clearance sales that you can sell for a profit.
Online Gaming: If you are skilled in online gaming, you can stream your gameplay on platforms like Twitch or YouTube and monetize it through ads, donations, or sponsorships.
Droll Pics - Sell your Selfies: Create a story in 3 Pics. We all know that every picture has a story behind it. But what do you say about a story in 3 pictures? Something similar as if you were reading a book or watching a movie. The action in the movie or the book starts with the BEGINNING, the MIDDLE, and the END.
Remember, as a teenager, it's important to consider legal requirements, age restrictions, and parental guidance when engaging in online money-making activities. Always prioritize your safety, protect your personal information, and be cautious of scams or offers that seem too good to be true.

https://preview.redd.it/uo8bk8mflo3b1.jpg?width=1920&format=pjpg&auto=webp&s=5acb2b806ba5577fc73f65ce6be1cfabe2a319be
submitted by ShadesOfRomeo to u/ShadesOfRomeo [link] [comments]


2023.06.03 00:31 JoshAsdvgi The Hunt of the Great Bear

The Hunt of the Great Bear

The Hunt of the Great Bear

Many years ago there were four brothers who were great Iroquois hunters.
The oldest was as bright and full of promise and light-hearted as spring.
The second was sturdy and quiet and warm like summer.
The third was quick to change and slightly moody like the fall.
And the fourth was slow and cold and full of complaining like the winter.
Even with their very different temperaments, they were good friends and good brothers and they hunted well together with their fierce little white and black dog.
One day an emissary from the next village came to ask the brothers for help.
The emissary told of a great and massive magical bear that stalked the poor village.
Women were no longer comfortable working in their gardens and children had to be kept inside the long houses.
The emissary asked if the four great hunting brothers would come to track and kill the creature who threatened their peace.
The brothers packed their hunting spears and held their children, then went off to the village following the emissary.
As they grew closer, they noticed that trees were scratched impossibly high with bear claw markings.
They eyed the trees, and then exchanged glances, doubting the idea of a magical bear but knowing they would soon be hunting something remarkable and fearsome.
The elders of the second village welcomed them and told them of the bear’s habits and terrifying size.
The four brothers noticed the hunger and poverty of the village and each one privately vowed to help.
That night, after a meager meal in the poor village, the four brothers sat down to plan.
“We will have a fight on our hands.
I welcome it,” said the first.
The second brother listened and nodded.
“It’s a foolish, impossible mission, but it will bring great food to this village and great skins too, if we can find it,” predicted the third.
“This mat is hard and I am hungry,” complained the fourth.
The three older brothers smiled knowingly at their winter brother.
He was always grumbling about something.
“Let’s make a vow together,” said the spring brother.
“We will track this magical monster bear and never let him shake us.”
Then the four brothers nodded agreement at each other and, even though the youngest continued to carry on about the hard, cold conditions, they settled in to sleep through the night.
In no time at all, the morning sun woke the brothers and soon they and their white and black dog were tracking the bear through the late summer woods.
They went on for days, following the bear’s signs and learning its ways.
The wind grew colder and the moon shone with a frosty circle each night.
The young winter brother complained constantly, but they continued to work together to track the monster bear.
Finally, they spotted it.
Fear froze all four of them momentarily in their tracks.
The bear was monstrous; as tall as a pine; as grey white as morning mist, and as angry and wide as a river.
Only the small white and black dog attacked at first.
It pulled back its gums, showed its teeth, raised the hairs on its small neck and then jumped. The great white bear ran, crashing through the woods with the small dog close behind.
The hunting brothers shook off their fear and ran after them.
Day by day the brothers chased the magical bear.
It ran deep into the forest and then high into the mountains where the trees were thin and the bear was easy to see.
The brothers knew now that there was no escape.
As the bear tired, the brothers were able to complete their kill.
They paid respect to the great monster bear and the creator who made it, then began to skin it.
The spring brother looked around him for sticks to build a fire.
“Brothers,” he exclaimed. “Look down!”
It was only then that the four brothers realized they had chased the bear all the way off the mountain and into the sky.
“I didn’t believe it at first,” said the autumn brother, “but now I know the bear had magical powers.
It ran right off the earth and into the sky.”
“And we followed him,” mentioned the summer brother. “
It was a strong pact we made that night to help those villagers.”
“Can’t we eat now?” complained the winter brother.
“I’m hungry.”
The three older brothers smiled at their complaining younger brother, but all turned to look quickly when the white and black dog began its fiercest barking.
The bones of the great magical bear were coming back to life and running away!
The dog set chase and, once again, the two creatures were off with the four brothers following — the youngest complaining all the way.
To this day it is the same.
Summer comes to a close and the wind turns colder, then the four brothers can be seen in the night sky, chasing the great bear and the little dog.
When they kill it, the stars of the big bear turn over and the maple trees become as red as blood and the grass lies under a white blanket as if the brothers had stretched out the great skin to dry.
Then in the spring, the stars of the bear turn again and the chase begins once more.
submitted by JoshAsdvgi to Native_Stories [link] [comments]


2023.06.03 00:30 Squachalot Aurora healthcare

Anyone with a bad Aurora experience
Specifically neurology department in two rivers Wisconsin, if you’ve ever been and experienced… how great they are. Write a negative yet polite and factual google review. It’s not only cathartic, but deserved, and hopefully helps someone avoid whoever they may be, if they actually even have a choice at all in this lovely country and it’s caring system.
Stopped a med I need for debilitating migraines. Replacement causes horrible side effects. I’m leaving for an important appointment in DC. I don’t drive because of seizures and it’s not cheap. I have to go, and be functional. My doctor goes on vacation. Fine. Replacement doctor will not refill my med unless I go in to see him. This med is not scheduled btw. I do not have time. I leave Friday and don’t drive, like I said. No ride on such short notice. So I get my pcp to prescribe a few. Phew right?
No. Walgreens won’t fill em because I have insurance, it’s a new doctor. So just pay for them? Love to. Won’t let me because I have insurance. I have to wait for the PA. No way it’ll make it tomorrow before I go. I’d love to be wrong. Lol.
Anyway, I have a panic attack being the bipolar 1 ball of energy and anxiety that I am. I call a doctor a dick in messages like a dumbass. It gets away from me. I get bad attacks. On the floor throwing up dizzy head pounding level if I don’t stop it somehow. I recently tapered off 9 years of benzos, now this was denied right on my refill date before an important trip.
Apparently the nurses called a behavioral attack dog on me after to inform me I was getting a snotty letter in the mail, then uh huhd all my concerns into submission before telling me we were not going to get anywhere and she is cutting the connection.
So how was your day? Lol.
Edit* this was denied for not having flair which the top claims is optional. What’s the minimum here? 37? Ffs.
submitted by Squachalot to healthcare [link] [comments]


2023.06.03 00:30 bumpthebass Rekordbox Mobile App Support (New & Improved iOS/Android)

As many of us know, Pioneer has recently released the long awaited revamped mobile Rekordbox App, with performance features and controller support on iOS/Android. The documentation on this app is incredibly thin, so I think we'll need to pool our collective knowledge a bit and help each other figure out:
Currently, as far as I can tell, the only official documentation on the new mobile app comes as a section in the DDJ-FLX4 manual (though most of this is a bit specific to this particular controller), found here (specifically pages 107-143):
https://docs.pioneerdj.com/Manuals/DDJ_FLX4_DRI1804A_manual/?_ga=2.261815566.2039672778.1685742934-1619519952.1683849083&page=4
submitted by bumpthebass to Rekordbox [link] [comments]


2023.06.03 00:30 AutoModerator [Download Course] Steven Dux – Traders Edge 2023 (Genkicourses.site)

[Download Course] Steven Dux – Traders Edge 2023 (Genkicourses.site)
Get the course here: [Download Course] Steven Dux – Traders Edge 2023 (Genkicourses.site)
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First, they listen to outdated YouTube advice designed to steer them in the wrong direction.
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Traders Edge 2023 may not have coined the names for some of his strategies, but he has certainly added his spin to everything he employs. Discover his distinct twists and how he profits from them.

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If you're wondering why our courses are priced lower than the original prices and are feeling a bit suspicious (which is understandable), we can provide proof of the course's contents. We can provide a screenshot of the course's contents or send you a freebie, such as an introduction video or another video from the course, to prove that we do have the course. Should you wish to request proof, we kindly ask you to reach out to us.
Please be aware that our courses do not include community access. This is due to the fact that we do not have the authority to manage this feature. Despite our desire to incorporate this aspect, it is, unfortunately, unfeasible.
Explore affordable learning at Genkicourses.site 🎓! Dive into a world of quality courses handpicked just for you. Download, watch, and achieve more without breaking your budget.
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2023.06.03 00:30 AutoModerator [Download Course] Alex King & Carlos Romero – Viral Funds Academy (Genkicourses.com)

[Download Course] Alex King & Carlos Romero – Viral Funds Academy (Genkicourses.com)
Get the course here: [Download Course] Alex King & Carlos Romero – Viral Funds Academy
Our website: https://www.genkicourses.site/product/alex-king-carlos-romero-viral-funds-academy/

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  • Symbiotic Scaling: Scale your income the right way by following our three tier learning system

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If you're wondering why our courses are priced lower than the original prices and are feeling a bit suspicious (which is understandable), we can provide proof of the course's contents. We can provide a screenshot of the course's contents or send you a freebie, such as an introduction video or another video from the course, to prove that we do have the course. Should you wish to request proof, we kindly ask you to reach out to us.
Please be aware that our courses do not include community access. This is due to the fact that we do not have the authority to manage this feature. Despite our desire to incorporate this aspect, it is, unfortunately, unfeasible.
Explore affordable learning at Genkicourses.site 🎓! Dive into a world of quality courses handpicked just for you. Download, watch, and achieve more without breaking your budget.
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2023.06.03 00:30 AutoModerator Paul Xavier - 30 Day Course Creator (Here)

Chat us on +44 7593880762 (Telegram/Whatsaap) if you are interested in Paul Xavier - The 30 Day Course Creator Program.
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2023.06.03 00:30 vectron5 Ways that a one-eyed possum can get justice.

Long story short, my players were assholes to a possum I was giving them the opportunity to befriend/adopt. The possum made it to the river but took an arrow to the eye before the current carried her off. The players assumed the arrow killed her.
I am wholly willing to sidetrack the whole campaign so this sweet girl can fuck up their lives, and am open to suggestions. The funnier the better.
The characters are still level one, and this homebrew was going to take them to around level 6. The land their in is vaguely modeled after rhe world in the Eragon books.
submitted by vectron5 to DnD [link] [comments]


2023.06.03 00:29 thebonesupport Failed to pull back the filament from the toolhead to the AMS

Failed to pull back the filament from the toolhead to the AMS
Got this today after a short little 1.5 hour run. I was planning on printing a bunch of the Honeycomb Storage Wall panels, finished the one, got a notification on my cell. The error on the screen doesn't give any solutions other than to close the message or retry. I found a video on YouTube, the guy basically was dead on with a solution. I'm sure many of you have run into this, what's your solution for this?
https://preview.redd.it/rbicpkv4lo3b1.jpg?width=4032&format=pjpg&auto=webp&s=6fd8f23fa25425a132555cac1b78d312d3c198a0
Unplug the PTFE tube here and give the filament a slight pull back and forth. Plug the PTFE tube back in and hit retry. Mine worked on the first try. YMMV
submitted by thebonesupport to BambuLab [link] [comments]