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2023.05.29 19:45 ChrisMovieExpert My Early 96th Oscar Predictions (Post-Cannes/End of May 2023)

Wanted to share my updated predictions after the end of the Cannes Film Festival 2023.
Predictions may tend to change.

Best Picture

Barbie
The Color Purple
Dune: Part Two
The Holdovers
How Do You Live?
Killers of the Flower Moon
Maestro
Oppenheimer
Past Lives
The Zone of Interest

Alt: Anatomy of a Fall, Asteroid City, The Killer, La Chimera, May December, Poor Things, Rustin, Saltburn, Spider-Man: Across the Spider-Verse

Best Director

Greta Gerwig, Barbie
Denis Villeneuve, Dune: Part Two
Martin Scorsese, Killers of the Flower Moon
Christopher Nolan, Oppenheimer
Jonathan Glazer, The Zone of Interest

Alt: Justine Trier, Anatomy of a Fall; David Fincher, The Killer; Alice Rohrwacher, La Chimera; Todd Haynes, May December; Celine Song, Past Lives; Emerald Fennell, Saltburn

Best Actor

Leonardo DiCaprio, Killers of the Flower Moon
Bradley Cooper, Maestro
Cillian Murphy, Oppenheimer
Colman Dolmingo, Rustin
Barry Keoghan, Saltburn

Alt: Andre Holland, The Actor; Paul Giamatti, The Holdovers; Michael Fassbender, The Killer; Josh O'Connor, La Chimera; Teo Yoo, Past Lives

Best Actress

Sandra Hüller, Anatomy of a Fall
Margot Robbie, Barbie
Fantasia Barrino, The Color Purple
Natalie Portman, May December
Greta Lee, Past Lives

Alt: Alicia Vikander, Firebrand; Carey Mulligan, Maestro; Annette Bening, Nyad; Emma Stone, Poor Things; Sandra Hüller, The Zone of Interest

Best Supporting Actor

Ryan Gosling, Barbie
Robert De Niro, Killers of the Flower Moon
Charles Melton, May December
Robert Downey Jr., Oppenheimer
Richard E. Grant, Saltburn

Alt: Colman Dolmingo, The Color Purple; Jesse Plemons, Killers of the Flower Moon; John Magaro, Past Lives; Samuel L. Jackson, The Piano Lesson; Mark Ruffalo, Poor Things

Best Supporting Actress

Danielle Brooks, The Color Purple
Taraji P. Henson, The Color Purple
Da'Vine Joy Randolph, The Holdovers
Lily Gladstone, Killers of the Flower Moon
Julianne Moore, May December

Alt: Tilda Swinton, The Killer; Tantoo Cardinal, Killers of the Flower Moon; Isabella Rossellini, La Chimera; Emily Blunt, Oppenheimer; Rosamund Pike, Saltburn

Best Original Screenplay

Anatomy of a Fall
The Holdovers
May December
Past Lives
Saltburn

Alt: Air, Asteroid City, La Chimera, Maestro, Rustin

Best Adapted Screenplay

The Color Purple
Dune: Part Two
How Do You Live?
Killers of the Flower Moon
The Zone of Interest

Alt: The Actor; Are You There, God? It's Me Margaret; Barbie, Oppenheimer, Poor Things

Best Animated Feature

Chicken Run: Dawn of the Nugget
How Do You Live?
Robot Dreams
Spider-Man: Across the Spider-Verse
Wish

Alt: Elemental, The Magician's Elephant, The Peasants, The Super Mario Bros. Movie, They Shot the Piano Player, Teenage Mutant Ninja Turtles: Mutant Mayhem

Best Documentary Feature

Beyond Utopia
The Deepest Breath
The Eternal Memory
Four Daughters
20 Days in Mariupol

Alt: The Echo, The Mother of All Lies, Occupied City, Orwell, They Shot the Piano Player, Wild Life

Best International Feature

Anatomy of a Fall
Four Daughters
How Do You Live?
La Chimera
The Zone of Interest

Alt: About Dry Glasses, The Deliquents, The Echo, El Conde, Fallen Leaves, The Mother of All Lies, Perfect Days, 20 Days in Mariupol

Best Production Design

Barbie
Dune: Part Two
Killers of the Flower Moon
Oppenheimer
The Zone of Interest

Alt: Asteroid City, The Color Purple, The Creator, Maestro, Poor Things, Wonka

Best Cinematography

The Color Purple
Dune: Part Two
Killers of the Flower Moon
Oppenheimer
The Zone of Interest

Alt: Barbie, The Creator, Maestro, Poor Things, Saltburn

Best Costume Design

Barbie
The Color Purple
Dune: Part Two
Killers of the Flower Moon
Wonka

Alt: Asteroid City, Firebrand, The Little Mermaid, Maestro, Oppenheimer, Poor Things, Saltburn

Best Film Editing

Barbie
Dune: Part Two
Killers of the Flower Moon
Oppenheimer
The Zone of Interest

Alt: The Color Purple, The Killer, Maestro, Past Lives, Poor Things, Saltburn

Best Makeup and Hairstyling

Barbie
Dune: Part Two
Guardians of the Galaxy Vol. 3
Maestro
Wonka

Alt: The Color Purple, A Different Man, Killers of the Flower Moon, Oppenheimer, Poor Things, Rustin

Best Sound

The Color Purple
Dune: Part Two
Killers of the Flower Moon
Maestro
Oppenheimer

Alt: Barbie, The Creator, Indiana Jones and the Dial of Destiny, The Killer, The Zone of Interest

Best Visual Effects

The Creator
Dune: Part Two
Guardians of the Galaxy Vol. 3
Indiana Jones and the Dial of Destiny
Oppenheimer

Alt: Barbie, Dungeons and Dragons: Honor Among Thieves, The Flash, The Marvels, Spider-Man: Across the Spider-Verse

Best Original Score

Hans Zimmer, Dune: Part Two
John Williams, Indiana Jones and the Dial of Destiny
Ludwig Goransson, Oppenheimer
Christopher Bear and Daniel Rossen, Past Lives
Mica Levi, The Zone of Interest

Alt: Alexandre Desplat, Asteroid City; Alexandre Desplat, Barbie; Thomas Newman, Elemental; Joe Hisashi, How Do You Live?; Robbie Robertson, Killers of the Flower Moon

Best Original Song

Dance the Night, Barbie
Gonna Be You, 80 For Brady
TBA, The Color Purple
Wild Uncharted Waters, The Little Mermaid
Peaches, The Super Mario Bros. Movie

Alt: Eye For An Eye, John Wick: Chapter 4; Found, The Magician's Elephant; TBA, Spellbound; Self Love, Spider-Man: Across the Spider-Verse; More For Us, Wish

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2023.05.29 06:52 whitneyahn Post-Cannes/Basically April 2023 Predictions

Picture

The Color Purple, Warner Bros. Pictures
Saltburn, Amazon Studios and Metro-Goldwyn-Mayer
Dune: Part Two, Warner Bros. Pictures
Killers of the Flower Moon, Apple TV+ and Paramount Pictures
May/December, Netflix
Oppenheimer, Universal Pictures
Past Lives, A24
La Chimera, NEON
Anatomy of a Fall, NEON
The Zone of Interest, A24
The Supremes at Earl's All You Can Eat, Searchlight
Asteroid City, Focus Features
Firebrand, STX Films
The Bikeriders, 20th Century Studios
Problemista, A24

Major Winners:

Anatomy of a Fall (Palme d'Or - Cannes)
The Zone of Interest (Grand Prix - Cannes)
Fallen Leaves (Jury Prize - Cannes)
How to Have Sex (Un Certain Regard - Cannes)
Inside the Yellow Cocoon Shell (Caméra d'Or - Cannes)
A Thousand and One (Sundance U.S.)
Scrapper (Sundance World)

Director

Martin Scorsese, Killers of the Flower Moon
Emerald Fennell, Saltburn
Jonathan Glazer, The Zone of Interest
Todd Haynes, May/December
Alice Rohrwacher, La Chimera
Christopher Nolan, Oppenheimer
Denis Villenueve, Dune: Part Two
Justine Triet, Anatomy of a Fall
Karim Aïnouz, Firebrand
Wes Anderson, Asteroid City

Major Winners:

Tran Anh Hung, The Pot-au-Feu (Cannes)

Actor

Barry Keoghan, Saltburn
Leonardo DiCaprio, Killers of the Flower Moon
Bradley Cooper, Maestro
Cillian Murphy, Oppenheimer
Josh O'Connor, La Chimera
Paul Mescal, Foe
Gael García Bernal, Cassandro
Julio Torres, Problemista
Matt Damon, Air
Harris Dickinson, Scrapper

Major Winners:

Kōji Yakusho, Perfect Days

Actress

Fantasia, The Color Purple
Uzo Aduba, The Supremes at Earl's All-You-Can-Eat
Natalie Portman, May/December
Greta Lee, Past Lives
Sandra Hüller, Anatomy of a Fall
Alicia Vikander, Firebrand
Teyana Taylor, A Thousand and One
Jessica Lange, Long Day's Journey Into Night
Zendaya, Challengers
Sandra Hüller, The Zone of Interest

Major Winners:

Merve Dizdar, About Dry Grasses (Cannes)

Supporting Actor

Richard E. Grant, Saltburn
Robert DeNiro, Killers of the Flower Moon
Jude Law, Firebrand
Charles Melton, May/December
Jacob Elordi, Saltburn
Ryan Gosling, Barbie
Austin Butler, The Bikeriders
John Magaro, Past Lives
Tom Hardy, The Bikeriders
Teo Yoo, Past Lives

Supporting Actress

Lily Gladstone, Killers of the Flower Moon
Taraji P. Henson, The Color Purple
Danielle Brooks, The Color Purple
Julianne Moore, May/December
Aunjanue Ellis, The Supremes at Earl's All-You-Can-Eat
Rosamund Pike, Saltburn
Isabella Rossellini, La Chimera
Tantoo Cardinal, Killers of the Flower Moon
Carey Mulligan, Maestro
Tilda Swinton, Problemista

Original Screenplay

Emerald Fennell, Saltburn
Greta Lee, Past Lives
Julio Torres, Problemista
Wes Anderson and Roman Coppola, Asteroid City
Alice Rohrwacher, La Chimera
Justine Triet and Arthur Harari, Anatomy of a Fall
A.V. Rockwell, A Thousand and One
Justine Triet and Arthur Harari, Anatomy of a Fall
Alex Convery, Air
David Teague and Roger Ross Williams, Cassandro

Major Winners:

Maryam Keshavarz, The Persian Version (Sundance Jury)
Yuji Sakamoto, Monster (Cannes)

Adapted Screenplay

Marcus Gardley and Marsha Norman, The Color Purple
Eric Roth and Martin Scorsese, Killers of the Flower Moon
Jonathan Glazer, The Zone of Interest
Jon Spaihts, Denis Villeneuve, and Eric Roth, Dune: Part Two
Jessica Ashworth and Henrietta Ashworth, Firebrand
Jeff Nichols, The Bikeriders
Greta Gerwig and Noah Baumbach, Barbie
Tony McNamara, Poor Things
Sofia Coppola, Priscilla
Tina Mabry and Gina Prince-Bythewood, The Supremes at Earl's All-You-Can-Eat

------
Animated Feature

Spider-Man: Across the Spider-Verse, Sony Pictures Releasing
Wish, Walt Disney Studios
How Do You Live?, Toho and GKIDS
Elemental, Walt Disney Studios
Robot Dreams, Neon
The Peasants, New Europe Film Sales
They Shot the Piano Player, Sony Pictures Classics
The Super Mario Bros. Movie, Universal Pictures and Illumination
The Magician's Elephant, Netflix
Spellbound, Apple TV+

Notes: I've heard many extreme reactions to Elemental, and I'm interested to see which ones take hold. I do think this will sell well, at the very least, and will be probably the second best selling nominee stateside.
Documentary

20 Days in Mariupol
They Shot the Piano Player
Beyond Utopia
Four Daughters
The Mother of All Lies
Stamped from the Beginning
The Eternal Memory
Little Richard: I Am Everything
Orwell
The Echo

Major Winners:

Going to Mars: The Nikki Giovanni Project(Sundance U.S.)
The Eternal Memory (Sundance World)
Four Daughters (Cannes L'Œil d'or)
The Mother of All Lies (Cannes L'Œil d'or)

Notes:
Upon the discovery that Four Daughters and The Mother of All Lies count as documentaries and that they are two of the only films on the board so far, they both shot straight up the list into the top 5. Occupied City fell all the way off the list because a 4 hour movie about a very bleak subject needed a stronger reception than 64% to get anyone to watch it, even with Steve McQueen attached.
International Feature

Zone of Interest, Poland/UK
Monster, Japan
The Pot-au-Feu, France
Elegies, Hong Kong
Fallen Leaves, Finland
Four Daughters, Tunisia
El Conde, Argentina
About Dry Grasses, Turkey
The Mother of All Lies, Morocco
Mama Wati, Nigeria
Perfect Days, Germany
Youth, China
Creatura, Spain

Notes: Luckily, I didn't have to change many of my international films outside of the surprising English-forward Anatomy of a Fall from France, which gives a chance for The Pot-au-Feu to compete instead. Otherwise, the only new entry on the top 10 is actually a Sundance film from Nigeria, Mami Wata.
------
Costume Design

Jacqueline Durran, Barbie
Michael O'Connor, Firebrand
Sophie Canale, Saltburn
Francine Jamison-Tanchuck, The Color Purple
Jacqueline West, Dune: Part Two
Jacqueline West, Killers of the Flower Moon
Holly Waddington, Poor Things
Anna B. Sheppard, Untitled Bob Marley Biopic
Stacey Battat, Priscilla
Mariestela Fernández, Cassandro

Cinematography

Dan Lausten, The Color Purple
Rodrigo Prieto, Killers of the Flower Moon
Linus Sandgren, Saltburn
Hoyte Van Hoytema, Oppenheimer
Robert Yeoman, Asteroid City
Grieg Fraser, Dune Part: Two
Hélène Louvart, La Chimera
Philippe Le Sourd, Priscilla
Robbie Ryan, Poor Things
Hélène Louvart, Firebrand

Major Winners:

Lílias Soares, Mami Wata (Sundance Jury)

Editing

John Poll, The Color Purple
Joe Walker, Dune: Part Two
Affonso Gonçalves, May/December
Thelma Schoonmaker, Killers of the Flower Moon
Victoria Boydell, Saltburn
Julie Monroe, The Bikeriders
Keith Fraase, Past Lives
Barney Pilling, Asteroid City
Paul Watts, The Zone of Interest
Michelle Tesoro, Maestro

Hair and Make-Up

Guardians of the Galaxy Vol. 3
Killers of the Flower Moon
Maestro
Saltburn
Firebrand
Dune: Part Two
The Color Purple
Priscilla
Cassandro
Oppenheimer

Production Design

Paul D. Austerberry and Larry Dias, The Color Purple
Suzie Davies and Charlotte Dirickx, Saltburn
Patrice Vermette and Shane Vieau, Dune: Part Two
Sarah Greenwood and Katie Spencer, Barbie
Adam Stockhausen and Kris Moran, Asteroid City
Helen Scott and Hannah Spice, Firebrand
Jack Fisk and Adam Willis, Killers of the Flower Moon
Yong Ok Lee and Nancy Haigh, Drive-Away Dolls
Helen Scott and Pilar Foy, Firebrand
Tamara Deverell, Priscilla

Sound

The Color Purple
Dune: Part Two
The Supreme's at Earl's All-You-Can-Eat
The Zone of Interest
The Bikeriders
Oppenheimer
Maestro
The Hunger Games: The Ballad of Songbirds and Snakes
Priscilla
Rebel Moon

Major Winners:

The Zone of Interest (CST Artist-Technician Award)

Score

Hans Zimmer, Dune: Part Two
Ludwig Göransson, Oppenheimer
Alexandre Desplat, Asteroid City
Mica Levi, The Zone of Interest
James Newton Howard, The Hunger Games: The Ballad of Songbirds and Snakes
Thomas Newton, Elemental
Kathryn Bostic, The Supremes at Earl's All-You-Can-Eat
Marcelo Zarvos, May/December
Carter Burwell, Drive-Away Dolls
Alan Menken, Spellbound

Major Winners:

Mica Levi, The Zone of Interest (Cannes Soundtrack Award)

Song

"Dance the Night" by Dua Lipa, from Barbie
"Found" by Nicky Youre, The Magician's Elephant (Diane Warren)
"Gonna Be You" by Dolly Parton, Belinda Carlisle, Cyndi Lauper, Gloria Estefan and Debbie Harry, 80 For Brady (Diane Warren)
"Wild Uncharted Waters" by Jonah Hauer-King, from The Little Mermaid
"Eye for an Eye" by Rina Sawayama, from John Wick: Chapter 4
TBD by TBD, from Wish
TBD by TBD, from The Hunger Games: The Ballad of Songbirds and Snakes
TBD by TBD, from Untitled Diane Warren Documentary
"For the First Time" by Halle, from The Little Mermaid
"Peaches" by Jack Black, from The Super Mario Bros Movie
TBD by TBD, from Flora and Son

Visual Effects

Dune: Part Two
Oppenheimer
Guardians of the Galaxy Vol. 3
The Flash
The Marvels
Rebel Moon
Aquaman and the Lost Kingdom
Dungeons and Dragons: Honor Among Thieves
Barbie
Spider-Man: Across the Spider-Verse

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2023.05.28 08:45 JVM23 96th Oscar predictions - Post Cannes update

Best Picture
The Color Purple (Warner Bros)
Dune Part 2 (Warner Bros)
The Holdovers (Focus/Miramax)
How Do You Live? (TBA, likely GKIDS)
Killers of the Flower Moon (Apple/Paramount)
Maestro (Netflix)
May December (Netflix)
Oppenheimer (Universal)
Past Lives (A24)
The Zone of Interest (A24)
ALT: Are You There God? It's Me Margaret (Lionsgate), Poor Things (Searchlight), Saltburn (Amazon), La Chimera (NEON), Anatomy of a Fall (NEON)

Best Director
Denis Villeneuve - Dune Part 2
Martin Scorsese - Killers of the Flower Moon
Christopher Nolan - Oppenheimer
Celine Song - Past Lives
Jonathan Glazer - The Zone of Interest
ALT: Blitz the Ambassador - The Color Purple, Alice Rohrwacher - La Chimera, Justine Triet - Anatomy of a Fall

Best Actor
Bradley Cooper - Maestro
Leonardo DiCaprio - Killers of the Flower Moon
Coleman Domingo - Rustin
Cillian Murphy - Oppenheimer
Josh O'Connor - Challengers/La Chimera
ALT: Andre Holland - The Actor (if released this year), Teo Yoo - Past Lives, Paul Giamatti - The Holdovers, Barry Keoghan - Saltburn

Best Actress
Annette Benning - Nyad
Greta Lee - Past Lives
Sandra Hueller - Anatomy of a Fall/The Zone of Interest
Natalie Portman - May December
Zendaya - Challengers
ALT: Fantasia Barrino - The Color Purple

Best Supporting Actor
Willem Dafoe/Mark Ruffalo - Poor Things
Robert De Niro - Killers of the Flower Moon
Coleman Domingo - The Color Purple
John Magaro - Past Lives
Charles Melton - May December
ALT: Matt Bomer - Maestro

Best Supporting Actress
Danielle Brooks/Taraji P Henson - The Color Purple
Lily Gladstone - Killers of the Flower Moon
Julianne Moore - May December
Rosamund Pike - Saltburn
Da’Vine Joy Randolph - The Holdovers
ALT: Rachel McAdams - Are You There God? It's Me Margaret

Best Original Screenplay
Arthur Harari and Justine Triet - Anatomy of a Fall
David Hemingson - The Holdovers
Samy Burch and Alex Mechanik - May December
Celine Song - Past Lives
Emerald Fennell - Saltburn
ALT: Bradley Cooper and Josh Singer - Maestro, Alice Rohrwacher - La Chimera

Best Adapted Screenplay
Jon Sphaits and Denis Villeneuve - Dune Part 2
Hayao Miyazaki - How Do You Live?
Eric Roth and Martin Scorsese - Killers of the Flower Moon
Christopher Nolan - Oppenheimer
Jonathan Glazer - The Zone of Interest
ALT: Noah Baumbach and Greta Gerwig - Barbie, Kelly Fremon Craig - Are You There God? It's Me Margaret, Stephen Cooney and Duke Johnson - The Actor, Tony McNamara - Poor Things

Best Animated Feature
Chicken Run: Dawn of the Nugget (Sam Fell, Netflix/Aardman)
How Do You Live? (Hayao Miyazaki, TBC likely GKIDS)
Robot Dreams (Pablo Berger, NEON)
Spider-Man: Across the Spider-Verse (Joaquim Dos Santos, Kemp Powers and Justin K Thompson, Sony)
Wish (Chris Buck and Fawn Veerasunthorn, Disney)
ALT: The Peasants (Dorota Kobiela, TBA), They Shot the Piano Player (Javier Mariscal and Fernando Trueba, SPC)

Best International Feature
Anatomy of a Fall (France, NEON)
El Conde (Chile, Netflix)
How Do You Live? (Japan, GKIDS)
La Chimera (Italy, NEON)
The Zone of Interest (UK, A24)
ALT: The Delinquents (Argentina, Magnolia/MUBI)

Best Documentary Feature
Beyond Utopia (Madeleine Given, TBC)
The Echo (Tatiana Huezo, TBC)
Orwell (Raoul Peck, NEON)
Stamped from the Beginning (Roger Ross Williams, Netflix)
Wild Life (Jimmy Chin and Elizabeth Chai Vasarhelyi, National Geographic Films)

Best Original Score
Hans Zimmer - Dune Part 2
Joe Hishasi - How Do You Live?
Ludwig Goeransson - Oppenheimer
Christopher Bear and Daniel Rossen - Past Lives
Mica Levi - The Zone of Interest
ALT: Robbie Robertson - Killers of the Flower Moon (if eligible)

Best Editing
Jon Poll - The Color Purple
Joe Walker - Dune Part 2
Thelma Schoonmaker - Killers of the Flower Moon
Jennifer Lame - Oppenheimer
Paul Watts - The Zone of Interest
ALT: Keith Fraase - Past Lives

Best Cinematography
Dan Lausten - The Color Purple
Greig Fraser - Dune Part 2
Rodrigo Prieto - Killers of the Flower Moon
Hoyte van Hoytema - Oppenheimer
Lukasz Zal - The Zone of Interest
ALT: Robbie Ryan - Poor Things

Best Production Design
Barbie
The Color Purple
Dune Part 2
Killers of the Flower Moon
Poor Things
ALT: Oppenheimer

Best Costume Design
Barbie
The Color Purple
Dune Part 2
Killers of the Flower Moon
Poor Things
ALT: Wonka

Best Sound
The Color Purple
Dune Part 2
Killers of the Flower Moon
Maestro
Oppenheimer
ALT: Mission Impossible: Dead Reckoning - Part 1

Best Visual Effects
Dune Part 2
Dungeons and Dragons: Honor Among Thieves
Guardians of the Galaxy Vol 3/The Marvels
Mission Impossible: Dead Reckoning - Part 1
Oppenheimer
ALT: Wonka

Best Makeup and Hair
Barbie
The Color Purple
Dune Part 2
Maestro
Poor Things
ALT: Wonka

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2023.05.26 13:57 dfr1238 [(FP-POV Miyako)Fanfiction] Big mommy & Little mommy

I looked at him wearing a blue shirt, a blue suit jacket, and black suit pants, with a black belt cinched at his waist.
"What do you think of this?" he asked, seeking my opinion.
"Well, it gives off a steady and reserved vibe." I evaluated his attire from behind him.
He turned around and let out a sigh. "Ah, I hope that annoying producer won't be too demanding. Let's go." he said irritably, adjusting his outfit and his golden hair before putting on his gold-rimmed half-frame glasses.
As he walked past me at the doorway, he lightly held my right hand with his left hand adorned with a ring, planting a gentle kiss on my left cheek, causing a slight smile to grace my face. He then continued towards the door.
Inside the room, sunlight was blocked by white curtains, dimming the light that filtered in, but there was still enough indirect light from the beige floor for me to see my reflection in the mirror.
I gazed at myself, relaxing my expression.
Looking at myself in a black off-shoulder dress that just exposed my slender legs, wearing a pair of black and red high heels. My face had a light layer of foundation, and I had drawn a thin black line with a black eyeliner under my eyes. My rose gold hair partially covered an earlobe, on which dangled a golden teardrop-shaped earring. While tidying my hair, I also took a glance at the bright pink nail polish on my nails. I slightly pressed my lips together, allowing the pink lipstick to evenly coat them.
I looked at the ring on my ring finger, not dissatisfied with my current life.
"Miyako, let's go." he called out to me, returning to the doorway. I picked up my small white handbag and hung it on my left hand, slowly making my way to the door.
I just wonder if this was what I truly wanted.
Under a clear blue sky without clouds, the bright blue buildings disappeared from view, their glass surfaces reflecting a golden, round spot of light. I sat in the passenger seat, looking out at the cityscape through the window.
The car engine rumbled softly on the road, and the radio inside played the morning news, talking about today's weather.
"Good morning, dear listeners! Welcome to Tokyo Radio, I'm Tanaka, and today we'll be broadcasting the morning weather for Tokyo. Let's take a look at today's weather conditions." a man's voice came from the radio. "Yes, Tanaka-San. The weather in Tokyo today is quite stable. Overall, we'll have a sunny and warm morning." a woman's voice followed. "Excellent! This kind of weather really lifts one's spirits. So, what's the chance of rain today?"
The man's voice continued, and I gently turned the radio volume knob slightly to the left.
"Are you sure she'll be okay?" I asked him, gazing out the window.
"There's no choice, after all, the producers sent a last-minute message. If we don't deal with it, the other kids' preparations will be wasted." he replied, then continued, "She's almost an adult, she'll find her own way to deal with it, don't worry too much." He patted my shoulder as he spoke, trying to ease my concerns.
"With her sudden suspension from the performance activities, it has affected the other kids quite a bit. Some of the scheduled announcements got canceled too." he said slowly, and I smiled in response, "After all, she's the most dazzling among those kids." He chuckled lightly after hearing that.
The two of us fell silent for a moment, returning to the scene with only the radio's soft sound, the friction noise of the tires on the road, and the gentle rumble of the engine.
"That's right, Reiko-San! In this fast-paced urban life, sometimes we need moments of relaxation and healing. Today, we've prepared some soothing music to help relieve stress, hoping to bring everyone a bit of peace and tranquility." the man's voice came from the radio again. "In addition to music, we'll also bring you some interesting topics and trivia, such as the latest movie releases, popular restaurants in the city, and some life hacks, hoping to provide some inspiration and entertainment." The woman continued.
After driving for a while, he flicked on the turn signal with a click, and we slowly turned right. A faint friction sound was heard as he straightened the steering wheel, and then he turned off the turn signal with another click.
Thinking about it now, being with him wasn't really about love.
"Do you think it's right for me to let that girl rest and nurture her pregnancy alone in Miyazaki?" He asked, and I slowly turned to look at him, his right hand gripping the steering wheel as he stared ahead.
I smiled and said to him, "You just told me not to worry, and now you're worrying yourself?"
It was just about using his connections to find a younger, more handsome guy.
"I just want to know if this decision is right or wrong?" I looked at him as he furrowed his brows, and I slowly leaned back against the headrest, looking up. "Hmm, both Tokyo and Miyazaki have their own pros and cons, don't they?" I said slowly.
"This thing is a double-edged sword. There's no definitive best option." I continued.
We fell silent for a moment, and then he broke the silence.
"At first, to be honest, I didn't want her to keep the baby." he said slowly.
"Yeah, I remember you were strongly against her keeping the baby at the time." I responded, looking up at the sky.
"Because once it's exposed, we, including her, could be dragged down to an abyss with no chance of turning back. I was scared, scared of losing everything with just one wrong step. All our efforts would go down the drain." he said, furrowing his brow as I tilted my head to the side and listened.
"But now, as time passed, I noticed her occasional genuine smile, one that wasn't practiced or put on for others or for the camera. It was a smile that made you feel it came from the depths of her heart." He relaxed his brow and spoke with a smile.
He paused for a moment.
"I don't have the right to deprive her of the opportunity to be a mother." he said. I slowly shifted my gaze to the dashboard of the radio, listening intently to his words.
At the intersection, he flicked on the turn signal with a click, and we made a slow left turn. There was a slight scraping sound as he straightened the steering wheel, followed by another click as he turned off the signal.
"Now, all I hope for is that she can safely give birth to the child. When I first met her, she told me she grew up in an orphanage and didn't understand what love meant, being loved or loving someone." he said.
"Maybe she wanted to push me away back then, but I could see it. From her eyes, I knew she was telling the truth at that moment." I looked at him and noticed a slight furrow in his brow as he finished speaking.
"Perhaps, this time she really has a chance to experience true love, the love between a mother and a child. She missed out on being loved as a child, but now at least she can experience this love as a mother." he said with a smile.
I pondered for a moment. "I think..." I was thinking about how to say it.
"Hmm?" he asked me softly.
I turned the volume knob of the radio to the left until it clicked, silencing it.
"I think... it would be a dilemma for her." I replied, gazing ahead.
"Well, I suppose she would experience it once the child is born, right?" he responded.
"But here's the question, will she know that what she experiences is real? Will she know that her love for the child is genuine?" I looked at him as I replied.
"Why wouldn't she know?" he asked, puzzled.
"Think about it. For sixteen years, when her family was still around, they only showed her love in the form of abuse. And when her family was no longer there, she was sent to an orphanage without any love. You've also mentioned that she herself has admitted she doesn't understand what love is or what it feels like to be loved." I said, pausing for a moment.
"And you brought her into the entertainment industry, where love is often disguised and superficial." I continued, slowly turning my head to look at him.
"If she doesn't understand what love is, how can she differentiate between real love and the love she pretends to have in front of the camera?" I asked him, posing the question.
"That's easy to distinguish, right?" he asked, puzzled.
"If her first encounter was with genuine love, then it's possible. Otherwise..." I trailed off, continuing to gaze ahead as I answered him.
"I... don't think she would pretend in front of the child." he replied slowly. "No, you misunderstood my question. I meant, she wouldn't know if she's pretending or not." I glanced at him, answering him before turning my head back to face forward.
"...There's a possibility of that." he wanted to say something, but it seemed he agreed with what I said.
But for now...
"And have you ever considered what if one day she starts asking herself the same questions? How will she face herself then?" I looked at him and said.
"Well..." I interrupted him. "And furthermore, think about why she insists on keeping the child. Hasn't that day already arrived?" I continued.
We fell into silence, and I slowly turned the radio knob to the right, increasing the volume louder than when we first got in the car.
"Dear listeners, time flies once again, and we have to say goodbye to this beautiful morning. Thank you all for tuning in. I'm your host, Tanaka. On this vibrant Tokyo morning, we have shared many beautiful moments and experiences together. May these warm memories accompany you, bringing infinite energy and courage for the new day." the radio transmitted the slow narration of that man.
I don't know, is that still what I want?
We continued moving forward.
After finishing our discussion with the producer, it was already afternoon. Ichigo and I walked out from the front entrance of their building.
That producer was difficult to deal with, and he even caused some trouble for me.
But we managed to leave unscathed.
I followed behind him. "Phew, finally finished talking with that jerk." he complained while exhaling. As we walked, I thought about what he mentioned earlier about Ai.
"Do you want to go see Ai?" I asked while walking with him. "No, I want to, but there's still work at the agency. If you want, you can go." he said, seemingly about to take something out of his pocket.
"Alright, then I'll take the—" Before I could finish, he tossed me the car keys. "You'd have to wait forever for a bus in the countryside. You drive there. I'll take a taxi back to the agency." I nodded after catching the keys and saw him walking to the side to call a taxi.
Suddenly, I saw him turn his head and shout at me, "If possible, take her out for a stroll!" I raised my right hand high and waved back at him. I watched as he turned his head again and continued walking.
Then suddenly, I saw him turn his head once more and yell at me, "Hey, don't crash the car, huh!" I raised my right hand high and flipped him the middle finger. He chuckled, smiled, and got into the taxi.
After his taxi left, I got back in the car, started the engine, and drove towards Miyazaki.
Because of the city, I had to take a detour, but eventually, I got back to the same road as the last time I drove her there. As I approached, I decided to call her first.
"Hey Siri, call 'Ai'." I placed my phone on the phone holder.
"Alright, I'm dialing 'Ai' for you." I heard the sound of the phone connecting as I continued driving, waiting for her to pick up.
"Hello~ Meemiko~ Good afternoon~" The voice on the other end of the line mispronounced my name, and she must have just woken up. "Hey, get up, I'll be over there in a bit. Do you want me to bring something to eat?" I said while driving.
"Mmm~ No need, I have beef stew here. You can come and try it! It seems like it's almost ready!" She seemed like she hadn't woken up yet. "What? When did you learn to cook stew? Did you go to someone else's house to cook and their stove got struck by lightning?" I remembered her nearly breaking my stove last time and replied with a laugh.
"What! I really have stew here!" I heard footsteps on the other end of the phone. "The chef made it." she whispered.
Chef?
"Wait, what chef?" I hadn't finished speaking. "Ah, it seems to be ready, and it smells so good!" She said, and I heard the sound of something rolling.
"No, wait—" Before I could finish, I heard the sound of picking up chopsticks and a bowl on the other end of the phone. "I'll save some for you! I'm eating first~ See you later!" She seemed happy as she spoke.
"Hey, wait a minute!" The call had already ended.
That girl. I continued driving towards Miyazaki.
I drove slowly and arrived at the apartment building where Ai lives. After getting out of the car, I took the elevator up. Ai's apartment is on the sixth floor.
I pressed the elevator button and waited for it to ascend. The elevator door opened on the third floor, and I saw an old woman with white hair - the landlady!?
"Ah, what a coincidence, Yoko's mother!" She walked into the elevator and greeted me.
She only knows Ai's alias. After all, Ichigo and I planned to let Ai stay here secretly while she was pregnant, not wanting too many people to know she was staying here.
"Hello, landlady." I said with a smile. Speaking of which, after she came in, she only pressed the close door button. Could it be...
I saw her holding a large bag of fruits. "Excuse me, landlady, what is that?" I asked while looking at her.
"These are fruits from my hometown, all of them help with constipation! I heard Yoko-chan say that she has severe constipation and her stomach is swollen, so I'm going to take these fruits up for her to eat."
I started to sweat, what the hell! Ai! Where did you learn the term "severe constipation"?
"No need, landlady! You're being too kind!" I said nervously.
"Oh, it's no problem! Yoko-chan is so cute, she reminds me of my granddaughter!" She smiled brightly, and I tried to respond with a smile.
"Then, landlady, let me help you carry it up, no need to trouble yourself!" I said and tried to move closer to the bag, but she moved it further away from me after hearing me.
"No problem! I also want to visit Yoko-chan!" She smiled brightly.
I had a bad feeling. First the chef, now the landlady.
Ai, who exactly did you attract?
The elevator doors slowly opened, and we walked slowly to Ai's apartment door.
While I was thinking about what to do, the landlady had already pressed the doorbell. A moment later. "Coming~ coming! I saved some for you! Lots of carrots and beef!" She shouted from inside, getting louder as she got closer to the door. My heart raced faster.
She opened the door, noticing the landlady was there as well. "Ah! Landlady, you came with Mommy too! I'm so sorry to trouble you!" She smiled brightly, then walked towards me. "Mommy, I missed you so much!" She hugged me and acted spoiled. "Yeah, I came to see you today, Yoko. How's your exam preparation?" I patted her head.
We decided to use the script we discussed before, which we would use in front of others. That's also the reason we told the landlady she was staying here - "Preparing for high school entrance exams."
After I finished speaking, she looked at me affectionately and said, "What exam?"
What the hell! Are you serious!?
She was about to continue talking, and I prepared to remind her from an angle where the landlady couldn't see. "Mom~ You're talking about- AH! AH! AH! AH! RIGHT! RIGHT! RIGHT! HIGH SCHOOL ENTRANCE EXAMS! RIGHT! I'M STILL PREPARING FOR THE HIGH SCHOOL ENTRANCE EXAMS! MOM, I'M DOING GREAT!" She suddenly raised her voice halfway, happily remembering.
Yes, my way of reminding her was to pinch her upper arm.
"Ah, you two have such a great relationship!" The landlady said with a big smile, watching us talk while we both nervously smiled back, cold sweat on our foreheads.
She glanced at Ai's belly, and I sensed trouble–
"Yoko-chan! Have you been eating the fruit I gave you? Your belly doesn't seem to have gotten any smaller, but bigger instead!" She exclaimed in surprise. However, I thought to myself that even regular constipation wouldn't be cured by eating fruit for just a few days.
"Yeah, yeah! I just ate, so my belly looks bigger. The gynecologist said my constipation is–" I listened to her talk and thought – it's over.
Desperate, I called out, "AI!" OH FUCK.
"Ai?" The landlady looked at me with a puzzled expression. It's really over now.
Then Ai slapped my butt forcefully and continued.
"Ha-ha! My mom has a bad memory. Don't be fooled by her slim figure; her big butt gave birth to several sisters for me! She often gets our names mixed up! Really!" She made her signature gesture towards the landlady.
It was kind of annoying to be talked about like that by a girl who always gets people's names wrong.
And who are you calling big butt, brat?!
"Really? You have other sisters?" The landlady looked at her with delight.
I thought we had managed to dodge the bullet –
"Yes, my other sisters are called 'Meimei', 'Ari', 'Kyun', 'Takamine', 'Nino', and 'Watanabe'. I love them so much!" Her words interrupted my thoughts.
She really knows how to act, even coming up with names.
But isn't that too many? She's so cooperative, but those names seem–
Wait a minute, aren't those the names of our B-Komachi group members?!
What are you doing, pulling your teammates into this?!
"Wow, Yoko's mom, I couldn't tell you had eight children!" The landlady looked at me in astonishment. Oh, for crying out loud–
"Yeah, mom and dad are super good at having kids–" Ai was about to continue when I covered her mouth with my hand.
"Alright, alright, don't say anymore, Yoko. Our 'family secrets' are about to spill out, hahaha." I held my hand tightly over her mouth, trying to maintain a smile.
Ai struggled to break free from my grip.
"Ha-ha, it seems like your family is really lively! Oops, I've been talking too long. I won't disturb your mother-daughter date anymore – ha-ha!" The landlady said with a smile, handing the fruit to Ai. We waved to her as she walked towards the elevator.
As soon as she left, Ai and I breathed a sigh of relief, and I brought her into the apartment.
"Seriously, Miyako, what were you– OW! OW! OW! OW!" That's right, I pulled her into the apartment by her ear, which is why she was shouting in pain.
We entered the house. The afternoon sun shone in, illuminating the entire room in a warm orange hue. The wind chime outside swayed gently, but no sound could be heard. The setting sun cast shadows of Ai and me on the kitchen counter.
The only sounds in the room were the ticking of the clock's second hand, the faint dripping of water from the sink, and Ai trying her best to hold in her laughter.
I glared at Ai.
And then she burst out, "HAHAHA! MIYAKO, WHAT KIND OF FACE IS THAT?!" She laughed with her eyes closed and banged the table.
You little brat!
"WE ALMOST BLEW OUR COVER JUST NOW! CAN'T YOU READ THE ROOM?!" I yelled at her angrily, but she only seemed to laugh louder.
"What's the big deal? She's from an older generation; she won't pay attention to idols. You're too uptight, hahaha!" She continued to bang the table as she spoke. I covered my face with both hands.
"It's not like you almost talked about the gynecologist just now... Wait, YOU ALREADY MENTIONED THE GYNECOLOGIST! WHAT WOULD WE DO IF THE LANDLADY KNEW YOU WERE PREGNANT?" I lowered my hands and stared at her as I finished. She suddenly stopped laughing and closed her eyes, deep in thought.
"Did I really say that?" She asked, and after seeing my expression, she started laughing again.
I didn't know what to say, but I thought about how she cleverly saved the situation when I accidentally mentioned her name.
"Thanks for the save just now, though." I said, a little reluctantly.
"No problem, big butt– OW! OW! OW! ALRIGHT, I'M SORRY! STOP IT, MIYAKO! AI-CHAN'S EARS ARE GOING TO FALL OFF!" As soon as I heard her mention 'butt.' I rushed over and pinched both her ears.
I let go, and she quickly checked her ears with her eyes closed and both hands.
I sat back down in the chair, arms crossed, and watched her. She was still giggling.
"Mommy~" She said happily in a sweet voice.
Honestly, this was the first time she called me 'mommy.' and under normal circumstances, I would have been really happy.
"Did you take the wrong medicine or something? You seem especially happy today." I said with a frown, still a bit upset about the earlier incident.
"What's the big deal, Miyako? Today is just– Oh, right!" She didn't finish her sentence before quickly getting up and taking a pot out from the rice cooker. It seemed like I remembered something.
"Is this the stew you mentioned over the phone?" I looked at the pot. "Yes, yes!" She said excitedly, and then opened the lid. The aroma of beef and the sweet and savory smell of the ingredients wafted out.
"Hmm, it looks pretty good." I said, and then saw her bringing a bowl and chopsticks over. It seemed she wanted to serve me. "I can do it myself–" She interrupted me, "No, it's okay! It's okay! Consider this as an apology for earlier!" She said with a smile, serving me a bowl.
I took a bite after accepting the bowl. "Hey, not bad! Did you cook this?" I asked her, and she smiled at me.
I continued to eat, one bite after another.
Then suddenly, I thought of something.
"Wait, who was the chef you mentioned on the phone?" I suddenly remembered and put down my bowl, looking at her. After listening, she touched her chin with her left hand, pondering.
"Hehe! It's a secret!" She said her signature line, opening one eye and sticking out her tongue.
However, fearing I'd pinch her ears again, she tightly covered them with both hands this time instead of doing her signature pose.
"What's wrong? Why can't you tell me?" I asked her. She lowered her hands from her ears, closed her eyes, and thought.
After a moment, she looked into my eyes, as if she wanted to sincerely tell me an important reason.
"I had my ears covered too tightly just now, so I didn't hear you. Can you say it again?" She said.
...
"I mean, why can't you tell me?" I asked again, and she thought for a moment.
"It's a surprise!" She said with a beaming smile.
I pondered for a moment, "What, did that guy break in and take nude photos of you to blackmail you or–" Before I could finish, she interrupted, "No, no! Amamiya Sensei isn't like that! What are you even talking about?!" She nervously explained, clearly surprised by my wild speculation.
"Amamiya Sensei?" I asked her in a gotcha tone, and she stroked her face.
"Uh... yeah, Amamiya Sensei. Actually, he's the gynecologist in charge of my delivery this time..." She said softly, and I finished the food in my bowl.
"Really? Does he live here too?" I asked, sipping the soup. "Yeah... he lives next door." she said, looking at me.
"Hmm? Isn't that even better? Why do you need to hide it?" I asked, furrowing my brow.
"Well... it's mainly because of the president... He knows Amamiya Sensei is the doctor in charge of me this time, and the three of us have met in the clinic. However, he doesn't know about Amamiya Sensei visiting my home, so I don't know what his reaction would be..." She spoke quietly.
"You don't know? The president? What would he– Oh, oh, I see... I won't tell him." I remembered when Ichigo and I went out with Ai, and when someone tried to hit on her, Ichigo almost tore the guy apart.
To be honest, that was the most fatherly thing I had seen Ichigo do since adopting Ai.
But wait–
"Did the doctor hit on you?!" I looked at her in horror. "No! I'm just not sure what the president would think if he knew the doctor came to my rented place, so..." She spoke softly.
"I...I don't know either, but I'll talk to him when the timing is right." I said, pouting and furrowing my brow as I continued to finish my soup.
After finishing, I put the bowl on the table and thought about what Ichigo had asked me to do earlier – to take her out for a walk. "Where do you want to go? Ichigo asked me to take you out for a walk, so you don't get too bored staying at home." I asked her.
She touched her lower lip with her right index finger, thinking. "Umm... the park?" She suggested.
"The park, huh? Is it far?" I got up and looked at her. "It shouldn't be, I think?" She answered, although it wasn't very helpful.
So i took out my phone and looked up some attractions in Miyazaki Prefecture, finding one that seemed fitting.
"How about the Kitashiroyamagaiku Park? I read online that You can see the Nobeokajō Castle Ruins and also enjoy the city scenery." I asked, and she tilted her head, pondering.
"Ruins? Sounds like a place where people get pushed off and buried? Well, alright." she replied and nodded.
"Let's go then, we'll take a stroll—wait, where did you get that idea from? Don't just blurt things out like that." I said, patting her shoulder.
She went into the room and changed into loose-fitting clothes in a grayish-blue color, slightly revealing her shoulders. The length reached just above her knees, resembling a skirt, and she didn't wear any pants.
After putting on a black cap, we headed out.
We were driving on the freeway - I didn't realize it was such a distance.
"Are we going to arrive there just as the sun sets?" I looked at her as she gazed out the window at the sunset from the passenger seat.
"Maybe, it'll be a great view at night!" I thought about the starry sky in Miyazaki Prefecture, something Tokyo couldn't offer, and it excited me.
"And then we'll be pushed off a cliff—" I saw her turn her head and raise her hands parallel to each other, palms down like a ghost, with a spooky expression on her face, and I interrupted her.
"Where on earth did that ghost story come from?" I frowned and chuckled at her.
"It's a true story, you know! I saw it on YouTube!" She widened her eyes and looked at me. "Oh, tell me about it!" I tilted my head, waiting for her to share.
"So, one day..." She turned on the flashlight on her phone and aimed it from under her chin, creating a cute, spooky effect.
"Tanaka was a doctor. One day, he saw a man in black asking for a deceased patient." She tried to speak in her deepest voice, and I furrowed my brow, watching her.
"So, then the doctor refuted every single word of Article 16 of the Personal Information Protection Act and Article 4 of the Enforcement Rules of the Personal Information Protection Act to that man in black." Sh-What?
"And then the man in black ran into the mountains, and the doctor chased after him. As they ran, a flock of crows flew overhead, and the sound of stepping on branches echoed like the doctor's heartbeat." Ah, it seems like we're getting to the point.
"And then, out of nowhere, the man in black suddenly appeared behind the doctor and pushed him off a cliff." She finished her word, turned off the flashlight on her phone, and resumed her normal position.
After a while, after passing a few exits on the next interchanges, "Uh... what happened next?" I glanced at her and asked.
"He died. The end." She replied.
I swear, if I weren't driving right now, I would pinch her ear— "Look!" She suddenly gestured towards a direction, and I looked over—
"AND THEN THE DOCTOR TURNED INTO THE CHILD OF THE DECEASED! HE HAUNTED THE MAN IN BLACK, PREVENTING HIM FROM BEING REBORN FOREVER!" She suddenly shouted loudly into my left ear, causing me to shudder.
"WHAT KIND OF NONSENSE GHOST STORY IS THIS, YOU LITTLE BRAT!" I shouted at her.
"That was terrifying, you just shudder." She looked at me seriously and said, "NO SHIT, WHAT ELSE WOULD YOU EXPECT? DID I DIE OR SOMETHING!? ANYONE WOULD FLINCH IF YOU SUDDENLY SHOUTED IN THEIR EAR! STARTLING ISN'T THE SAME AS BEING SCARED, COME ON!" I responded loudly to her.
She burst into laughter, and after a brief moment of anger, I joined in the laughter.
We exited the freeway.
"Hey, are we there yet?" she asked me."Not yet." I replied to her.
A moment later.
"Hey, are we there yet?" she asked me."Nope." I replied to her.
A moment later.
"Are we there yet?" she asked me."Not yet, okay?" I replied to her.
"Are we th—" "Won't it be faster if you stop asking repeatedly?" I impatiently interrupted her.
"Wanna hear another ghost story?" She turned her head with excitement and looked at me.
"If it's like the one just now, then forget it." I replied, looking ahead.
"Oh..." She turned her head back disappointingly to look at the scenery
After a journey, we finally arrived at our destination, and it was already late at night.
We got out of the car, and she seemed very interested in the ruins of this tourist spot. She was so engrossed that she even forgot to close the car door after getting out.
As I looked up after stepping out of the car, the ruins gave me a contradictory feeling. It was evident that they had been there for a long time, yet they felt incredibly sturdy.
I looked down and noticed the contrasting colors between the grayish-brown gravel at the bottom half of the city wall and the pristine white walls on the upper half. When I looked up from below, the architecture of the ruins towered impressively, estimating several stories high. However, we were still at the parking area, merely observing from there.
After getting out of the car, we walked to the right. With the gravel on the left and well-maintained green lawns, along with the city lights adorning the right side, we slowly ascended the randomly patterned stone steps, accompanied by the reassuring sound of our footsteps. After a short walk, we reached the gate of the ruins.
On each side of the gate, there were two modern antique-style lamps. The pillars of the gate were painted a vivid red, and the door frame was crafted from dark brown timber. Above them, semicircular black stone tiles with textured patterns connected and formed the roof.
The gate itself was made of beautiful grayish-brown wooden panels. It was connected to the frame with black, wavy-patterned hinges. As it was still nighttime, the shadows cast on its surface enhanced the three-dimensional texture of the gate.
I followed her as she walked up, occasionally glancing at the surrounding scenery. After passing through the gate, we encountered another set of stone steps. However, this time there were fewer steps, and the intervals between them were quite large, with sandy soil in between. I closely followed her, worried about her footing, but we successfully reached the main viewpoint.
After climbing up the stone steps and walking a stretch of gravel path, we reached the scenic spot. We noticed a small cabin ahead, not very big but with a paper sliding door.
To the right of the cabin, there was a small roof structure formed by four wooden posts with aged wooden boards at the top, creating a conical shape. Beneath that roof, we could see a gray iron bell hanging from a knotted hemp rope, bearing historical marks. The carvings on the bell represented the art of their time.
On the side, there were two wooden pillars with historical traces, each adorned with a hemp rope for ringing the bell.
I noticed a timetable on top, but it wasn't the time to ring the bell, so I quickly held her back.
Looking to the right, we saw a bench, gazing solemnly at the city skyline ahead.
The trees beside us acted like drawn curtains, allowing us to view the cityscape without being fully affected yet not completely ignoring them.
Unlike the towering buildings in Tokyo, Miyazaki Prefecture had mostly low-rise structures. The stars in the sky and the dim lights emanating from the low buildings below seemed to depict a celestial sea encompassing both the heavens and the earth.
In the middle, when we gazed into the night sky, it appeared dark and slightly dimmed due to light pollution. Only a tall chimney with alternating red and white colors stood out, flickering with a faint light.
We sat on the bench, taking a rest.
"So, what do you think?" I asked her, looking at the cityscape of twinkling stars.
"Well, it's definitely different from Tokyo." she replied.
A gentle breeze rustled the trees, and the only sounds present were the falling leaves and the swaying of branches. We sat at the ancient city ruins, with a city skyline that differed by several centuries before us.
I glanced at her and noticed that both of us instinctively propped our hands on the back of the bench, adopting a shoulder-shrugging posture as we admired the view. Of course, she had her own quirks. Her little feet swung back and forth in a playful manner.
"Will you miss Tokyo?" I asked her, still gazing at the scenery. "Hmm, to some extent, yes. But I'll also miss this place someday." she replied, smiling at me.
We looked at the scenery in silence, and the stars in the sky seemed to shine even brighter.
"It feels like it's been ages since we last came out to see the starry sky, doesn't it?" I asked her.
"Yeah, it does. After all, in Tokyo, the stars are not in the sky but in people's hands." she answered.
We continued to gaze at the starry sky.
"By the way, how did you and Amamiya Sensei find out that you were neighbors?" I asked her.
"Well, I was making eggs at the time." she began, but I interrupted her. "No way!" I exclaimed in surprise.
"Can I finish my story?" she pouted. "After I was done, I was standing on the balcony, looking at the view outside the window. Then I heard someone coming out from the right side, so I turned and saw him." she said with a smile.
"At first, he didn't notice me. After we exchanged greetings, he went inside, and it was only later that he realized it was me, haha." she chuckled, and I laughed along.
We continued to admire the night view, with only the gentle breeze, rustling trees, and the sound of leaves falling and stirring in the air.
No, there was more. The sound of the wind gradually carrying the sand, our slow breathing, the friction between our clothes and skin as we adjusted our positions, the sound of our heartbeat calming down in our hearts, and the sound of swallowing our saliva slowly.
There was more. Oh, here it comes. Hello there.
I thought about what happened in the morning, about her, about myself.
What was it that I truly desired? It might be the same question she was searching for an answer to in her heart.
A girl who didn't know what love meant, a woman who didn't know what kind of love she wanted.
Bombarded by the dazzling lights and pulsating music of the entertainment world on ordinary days, people chose to numb themselves.
And so did we—she numbed herself under the intense lights and music on stage, while I didn't even spare the radio in the car.
I understood what it meant to love and be loved, but now, like her, I was also lost. Even now, I still pondered whether the person I loved was the right one for me.
We ate together, laughed together, talked together, kissed together, went to bed together, and then—we both put on the rings together.
However, I was still confused. Is he the one I desire?
Looking back, the conversation in the morning seemed quite funny. A lost person who still wanted to lead her like a shepherd. To be honest, she and I seemed quite different, yet not so different.
In fairy tales - you fall in love with the person you like, you become boyfriend and girlfriend, you get married, and you live happily ever after. The end.
In reality - the worst-case scenario might be getting stabbed by your ex at the doorstep, bleeding to death for someone you don't love, causing your the one who love to bleed from a broken heart - the end. This is a cruel joke, isn't it? No, welcome to reality. Because it has happened.
I gaze at the stars, and they seem to blur.
She's lost. I think I am too.
Maybe I'm too late, but she's not. Her youth is just beginning.
"Miyako?" Her soft call brought me back to reality. I felt a weight on my thigh, and I looked down to see that I became her pillow.
"Are you being clingy?" I asked her with a smile. "I'm scared." she said.
"What's wrong? You were just telling me ghost stories halfway." I smiled at her, showing my teeth. She closed her eyes and laughed along. After a moment, she opened her eyes.
"Not that kind." she said slowly, and I placed my right hand on her head, trying to comfort her. "I know." I replied.
I gently brushed aside her hair. "You're not alone." I said softly.
"That's why I'm afraid." she replied, and I noticed out of the corner of my eye that she was caressing her own belly.
"We'll be by your side." I extended my left hand, gently stroking the hand she used to touch her belly, as I spoke.
She closed her eyes.

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2023.05.23 22:37 shyquietcouple Please... don't do this at the nude beach

So my wife and a female friend of ours went to Playalinda yesterday. Nice time, weather mostly cooperated (although a bit overcast) and it wasn't blazingly hot.
Anyways, toward the end of our time there my wife and I get up to go to the ocean and our single lady friend stays back by the tent sunning herself (with what little breaks through the cloud cover). We see a single guy walk up and start talking to her. He had been sitting a little ways away on a towel by himself. No big deal we think. After a short bit my wife and I start to walk back from the ocean and when he sees us coming he ends the conversation with our friend, leaves and goes back to his towel by himself. Then sits there and keeps looking over at our friend as he idly plays with himself. She tells us he was asking if she wanted to move her stuff over to be closer to him.
(sigh)
Eventually he got up and left. And we had a good laugh about how creepy it was. Lots of ways he could have gone about it differently all of which just involved being a normal person. He could have approached us as we were all there and just introduced himself. Or not run away as we were coming back. Or not sat there and played with himself while looking on from a distance... But I think he had some porn scenario running through his mind and my wife and I messed it up.
Anyways our friend had thought about going back by herself until that happened and now said she's going to wait until there's safety in numbers again.
The nude beach is not a sex buffet. It's not a free for all sex beach. We love having people talk to us; it's the social atmosphere we enjoy. Please don't try to turn our fun day at the nude beach into your porn fantasy.

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2023.05.23 04:22 GoldenArson925 2024 Oscar Predictions (as of May 2023)

Best Picture
1. Asteroid City
2. Barbie
3. Dune: Part 2
4. Killers of the Flower Moon
5. May December
6. Oppenheimer
7. Past Lives
8. Poor Things
9. The Color Purple
10. The Zone of Interest

Alternate: Saltburn
Alternate: Maestro

Best Director

Celine Song, Past Lives
Christopher Nolan, Oppenheimer
Martin Scorsese, Killers of the Flower Moon
Todd Haynes, May December
Wes Anderson, Asteroid City
Alternate: Greta Gerwig, Barbie
Alternate: Jonathan Glazer, The Zone of Interest

Best Actor
1. Cillian Murphy, Oppenheimer

Colman Domingo, Rustin
Joaquin Phoenix, Napoleon
Leonardo DiCaprio, Killers of the Flower Moon
Teo Yoo, Past Lives
Alternate: Barry Keoghan (Saltburn)
Alternate: Bradley Cooper (Maestro)

Best Actress

Anette Bening (Nyad)
Emma Stone (Poor Things)

3. Fantasia (The Color Purple)

Margot Robbie (Barbie)
Natalie Portman (May December)
Alternate: Carey Mulligan (Maestro)
Alternate: Greta Lee (Past Lives)

Best Supporting Actor

Charles Melton (May December)
Corey Hawkins (The Color Purple)
Jesse Plemons (Killers of the Flower Moon)
Jude Law (Firebrand)
Robert de Niro (Killers of the Flower Moon)
Alternate: Matt Damon (Oppenheimer)
Alternate: Ryan Gosling (Barbie)

Best Supporting Actress

Danielle Brooks (The Color Purple)
Lily Gladstone (Killers of the Flower Moon)
Margaret Qualley (Poor Things)
Julianne Moore (May December)
Florence Pugh (Oppenheimer)
Alternate: Taraji P. Henson (The Color Purple)
Alternate: Viola Davis (Air)

Best Original Screenplay
1. Asteroid City
2. May December
3. Maestro
4. Past Lives
5. Saltburn
6. Alternate: Napoleon

Alternate: Magazine Dreams

Best Adapted Screenplay
1. Barbie
2. Killers of the Flower Moon
3. Nyad
4. Oppenheimer
5. The Color Purple

Alternate: Next Goal Wins

Best International Feature

Four Daughters (France/Germany/Tunisia/Saudi Arabia)
How Do You Live? (Japan)
La Chimera (Italy/France/Switzerland)
About Dry Grasses (Türkiye)

5. The Zone of Interest (UK/Germany)
Best Animated Feature
1. How Do You Live?
2. Spider-Man: Across the Spider-Verse
3. Super Mario Bros. Movie
4. Wish
5. Elemental
6. Alternate: Deep Sea

Alternate: Teenage Mutant Ninja Turtles: Mutant Mayhem

Best Original Score

Alexandre Desplat, Asteroid City
Hans Zimmer, Dune: Part II
Robbie Robertson, Killers of the Flower Moon
John Williams, Indiana Jones and the Dial of Destiny
Ludwig Göransson, Oppenheimer

Best Original Song

“For The First Time” from The Little Mermaid

2. “Peaches” from Super Mario Bros. Movie

“TBD” from Barbie
“TBD” from The Color Purple
“TBD” from Wonka
“TBD” by Diane Warren (won’t win)

Best Cinematography
1. Asteroid City
2. Killers of the Flower Moon
3. Napoleon
4. Oppenheimer
5. The Color Purple
6. Alternate: Maestro

Alternate: Barbie

Best Film Editing
1. Dune; Part II

Napoleon
Killers of the Flower Moon
Oppenheimer
The Color Purple
Alternate: Barbie

Best Production Design

Barbie
Dune: Part II
Asteroid City
Killers of the Flower Moon
Poor Things
Alternate: Oppenheimer
Alternate: The Color Purple

Best Sound

Dune: Part II
Fast X
Ferrari

4. Oppenheimer

Maestro
Alternate: Napoleon
Alternate: Indiana Jones and the Dial of Destiny

Best Costume Design
1. Barbie

Dune: Part II
The Color Purple
Killers of the Flower Moon

5. Poor Things
6. Alternate: Wonka
7. Alternate: Firebrand
Best Make-Up & Hairstyling
1. Barbie

Dune: Part II
Poor Things
Dungeons & Dragons: Honor Among Thieves
Maestro
Alternate: Firebrand
Alternate: Chevalier

Best Visual Effects
1. Dune: Part II

Fast X
Guardians of the Galaxy, Vol. 3
Oppenheimer
Dungeons & Dragons: Honor Among Thieves
Alternate: Indiana Jones and the Dial of Destiny
Alternate: The Little Mermaid

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2023.05.22 17:34 Heavy-Fruit8618 Oscar Nomination Predictions

* indicates predicted winner
Best Picture:

Air
Barbie
Dune: Part Two
The Color Purple
Killers of the Flower Moon
Maestro
Oppenheimer
Past Lives\*
Rustin
The Zone of Interest

Dark Horses:
Asteroid City, Blitz, Challengers, The Holdovers, May December, Poor Things, Saltburn

Best Director:

Martin Scorsese, Killers of the Flower Moon
Christopher Nolan, Oppenheimer
Celine Song, Past Lives\*
Jonathan Glazer, The Zone of Interest
Bradley Cooper, Maestro

Dark Horses:
Alice Rohrwacher, Greta Gerwig, Yorgos Lanthimos, Dennis Villeneuve, Todd Field, Emerald Fennell, Steve McQueen

Best Actor:

Bradley Cooper, Maestro\*
Matt Damon, Air
Leonardo DiCaprio, Killers of the Flower Moon
Colman Domingo, Rustin
Cillian Murphy, Oppenheimer

Dark Horses:
Paul Giamatti, Teo Yoo, Joaquin Phoenix, Barry Keoghan, Adam Driver

Best Actress: (toughest category)

Greta Lee, Past Lives
Carey Mulligan, Maestro\*
Natalie Portman, May December
Saoirse Ronan, Blitz
Kate Winslet, Lee

Dark Horses:
Margot Robbie, Zendaya, Emma Stone, Regina King, Rosamund Pike

Best Supporting Actor:

Robert De Niro, Killers of the Flower Moon\*
Willem Dafoe, Poor Things
John Magaro, Past Lives
Ryan Gosling, Barbie
Brian Tyree Henry, Flint Strong

Dark Horses:
Jesse Plemmons, Charles Melton, Mark Ruffalo, Colmon Domingo, Paul Mescal

Best Supporting Actress:

Lily Gladstone, Killers of the Flower Moon\*
Viola Davis, Air
Danielle Brooks, The Color Purple
Julianne Moore, May December
Patti LuPone, Beau is Afraid

Dark Horses
Taraji P. Henson, Da'Vine Joy Randolph, Carey Mulligan, Penelope Cruz

Best Original Screenplay:

Air
Maestro
May December
Past Lives\*
Rustin

Dark Horses:
Asteroid City, Blitz, Challengers, The Holdovers,

Best Adapted Screenplay:

Barbie
Killers of the Flower Moon\*
Oppenheimer
Poor Things
Zone of Interest

Dark Horses:
Dune: Part Two, The Color Purple, The Killer, Ferrari

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2023.05.22 03:43 Rfowl009 Spring 2024 Oscar Predictions (19 Categories + Commentary)

- BEST MOTION PICTURE OF THE YEAR -
AIR Amazon Studios; Ben Affleck, Matt Damon & David Ellison, Producers • Yes: Critically well-received crowdpleaser that hits the pop culture sweet spot. Affleck and Damon’s Artist Equity venture has gotten plaudits and may resonate even more after a year destined to be defined by guild strikes. • No: It’s an early spring release. Will it be forgotten months later amid a glut of new and shinier objects? It’s box office performance has generally been hailed as solid, but Amazon acquired it for a hefty price-tag. Will it be viewed as a wasteful investment in hindsight? • Maybe So: In a field of 10 nominees, a slighter picture like this can comfortably coast into inclusion by virtue of being broadly appealing. It doesn’t need to rack up many nominations elsewhere to still be a contender.
THE COLOR PURPLE Warner Bros.; Quincy Jones, Steven Spielberg & Oprah Winfrey, Producers • Yes: A musical with heft and sociopolitical resonance. The stage production already has a rich history of accolades, and this adaptation is backed by an all-star producer team. Could benefit from a reclamation narrative decades after Spielberg’s rendition was completely shut out of Oscar wins. • No: Even if it’s reconfigured as a musical, we’ve already seen this story in cinematic form. Could the same systemic biases that muted the 1985 film’s reception resurface this time around? Musicals have a mixed record with the modern Academy, and this one is directed by someone who cut their teeth in music videos. Could it wind up too glossy for its own good? • Maybe So: If Barbie becomes a serious contender, it’ll be tough for Warner Bros. to juggle campaigns for both films along with Dune.
DUNE: PART TWO Warner Bros.; Tanya Lapointe, Patrick McCormick & Denis Villeneuve • Yes: The first installment was richly rewarded with Oscars while being a much tougher sell. Villeneuve was able to win over audiences with what was ostensibly just setup, and this will be all payoff. If it's rousing enough it could even be in the hunt for the win. • No: Part One loomed large in a year with far fewer epics to compete with. It also existed in a very different box-office environment; Part Two will face much steeper financial expectations. Can it meet them? • Maybe So: Let’s not kid ourselves. Dune: Part Two’s nomination is the closest thing we have to a lock this year. It’s Muad’Dib time.
KILLERS OF THE FLOWER MOON Apple Studios & Paramount Pictures; Dan Friedkin, Daniel Lupi & Martin Scorsese, Producers • Yes: This is about as good as it gets on paper. Saint Scorsese directing a western epic with his two most quintessential stars paired together for the first time in decades. And it won’t lack for sociopolitical relevance. • No: It was last year's presumptive frontrunner and this year's as well. Those kind of expectations have sunk many a good film for the crime of not being a masterpiece. That runtime will also be a daunting barrier to entry for some. • Maybe So: So much of the talent involved have already been so richly rewarded that the package might not be viewed as the sexiest option — even if it fully lives up to everyone’s lofty expectations.
MAESTRO Netflix; Bradley Cooper, Martin Scorsese & Steven Spielberg, Producers • Yes: A portrait of a tortured genius and a prime opportunity for some Capital A acting. Cooper delivered the goods with a Star is Born, and having Leonard Bernstein's oeuvre as your soundtrack is a pretty great secret weapon. • No: Will this be so transparently baity that it turns people off? Portraits of troubled geniuses aren’t as hot as they used to be. The biggest worry of all: did Lydia Tár, Bernstein's greatest pupil, steal his thunder by getting there first? • Maybe So: A Star is Born was a hit in every sense of the word and still received a muted reception from the Academy that bordered on begrudging. Will Cooper course correct and play the campaign circuit more strategically this time?
MAY DECEMBER TBD; Jessica Elbaum, Will Ferrell & Grant S. Johnson, Producers • Yes: Strong notices coming out of Cannes, and this team has an impressive pedigree. A confirmed strong acting showcase, and its provocative premise will surely drum up a lot of attention in the months to come. • No: Haynes’ return to sardonic camp will be welcomed with open arms by his fans, but will it be too icy and disquieting to gain much traction beyond performances? • Maybe So: For such a starry film, it’s yet to secure distributor. This was reportedly a strategic decision by the producers to up the sales price, which may pay off with a glitzy acquisition. If distributors like Focus Features or Searchlight, awards mainstays who have softer slates than usual this year, snatch this up on the Croisette, it could become their primary racehorse.
OPPENHEIMER Universal Pictures; Christopher Nolan, Charles Roven & Emma Thomas • Yes: An historical drama with all the grandiosity and pyrotechnics of a blockbuster. The last time Nolan worked in this key (Dunkirk) was a resounding success. • No: It’s vulnerable to accusations of glorifying the atomic bomb (even if it resolutely doesn’t). Might prove more respected than genuinely liked. What if Barbie eats its lunch at the box-office? • Maybe So: Everything about this film’s rollout, from the marketing to cast and crew interviews, has been supremely confident.
PAST LIVES A24; David Hinojosa, Pamela Koffler & Christine Vachon • Yes: It wasn't just the best reviewed film out of Sundance — it's gotten the sort of praise that is usually reserved for the best of the year. It could prove omnipresent in the critics awards come year’s end. • No: It's a small-scale film releasing in the first half of the year. We've had our hearts broken before by festival darlings that did everything right but still came up short once the Academy got its hands on a slew of shinier objects. • Maybe So: It has a savvy backer in A24, which is riding high after its record-breaking showing at the most recent Oscars.
SALTBURN Amazon Studios & MGM; Emerald Fennell, Josey McNamara & Margot Robbie, Producers • Yes: Emerald Fennell is hot off an Oscar win and garnered a lot of fans with Promising Young Woman's caustic social commentary. This is purported to be a sardonic thriller in the vein of Patricia Highsmith. The BAFTA crowd might eat it up. • No: Fennell’s debut film also had passionate detractors who will have their knives sharpened this time. Sophomore features are all the trickier when you have vocal skeptics. • Maybe So: Amazon Studios have had a pretty anemic record in this category – Fennel’s involvement is more of a guarantor for the nomination than they are.
THE ZONE OF INTEREST A24; Ewa Puszczynska & James Wilson • Yes: This was going to be La chimera before Zone of Interest’s reviews streamed in. Glazer has reportedly made a masterful and chilling treatise on the banality of evil. Easily in the hunt for the Palme d’Or, and there’s usually room for the big Cannes breakout. • No: It also is entirely centered on the perpetrators of the Holocaust. What connects with critics on the Croisette may be too formalist and upsetting for the average Academy voter. • Maybe So: There’s been a recurring pattern of an international film cracking the Big 10 lately. There’s an entire global marketplace of competition, but this is currently top dog.
In the Mix: Asteroid City (Focus Features) Barbie (Warner Bros.) The Bikeriders (20th Century Studios) Challengers (MGM & United Artists) The Holdovers (Focus Features) La chimera (NEON) How Do You Live? (GKIDS) Napoleon (Apple Studios & Sony Pictures Entertainment) Poor Things (Searchlight Pictures) Rustin (Netflix)
- BEST ACHIEVEMENT IN DIRECTING -
DUNE: PART TWO Denis Villeneuve (Warner Bros.) • Yes: He pulled off a miracle by successfully adapting what was thought to be an unadaptable literary masterwork… and he was snubbed for his trouble. The second half of this story will be more action-oriented and conventionally satisfying, providing a good chance to make it up to him. • No: Unless his snub for Part One was more pointed, and there's a hard ceiling on how much the Academy appreciates his vision. Science-fiction mostly goes unappreciated in this branch. • Maybe So: If they announce an adaptation of Dune Messiah this year, maybe the Academy will punt the ball on recognizing him yet again for when he finishes the trilogy.
KILLERS OF THE FLOWER MOON Martin Scorsese (Apple Studios & Paramount Pictures) • Yes: Cinema’s finally opened up to Marty, but he’s run out of time. He is arguably the most beloved living director and he’s in his twilight era. And, as early looks go, he has the goods yet again. • No: The movie was crazy expensive, which might raise eyebrows, and maybe he's calcified into the sort of elder statesmen where people feel he doesn't need any more validation. • Maybe So: His nomination is the closest thing this category has to a lock. The only question is whether he’s genuinely in the hunt for another win.
OPPENHEIMER Christopher Nolan (Universal Pictures) • Yes: Household name devoting all his wizardry to a biopic with tremendous scope. He's marrying an intimate character study with state of the art pyrotechnic feats. The scale is going to be off the charts, and this is the kind of mature material that makes him harder to dismiss. • No: He's only been nominated once before, and it took a great big war epic to manage it. He also broke up with Warner Bros in a very public and dramatic fashion -- are there any hard feelings in the industry? • Maybe So: If Oppenheimer rakes in beaucoup bucks, Nolan could be doubly heralded for making a movie for adults a blockbuster event.
PAST LIVES Celine Song (A24) • Yes: Rapturous praise out of Sundance -- the kind of reviews that can sustain your buzz all year. Bringing personal flourishes to a universally relatable story is a good hook, and there's solid precedent for a festival darling cracking this field. • No: She's not just an up-and-comer -- this is her first film, period. That distinction can benefit somebody like Kevin Costner or Robert Redford, but the branch might flinch at welcoming in somebody so unknown to them. • Maybe So: Her movie's gotten the kind of acclaim that could outlast most competitors. If she's still the critical darling by the end of the year, she'll be in a solid position.
THE ZONE OF INTEREST Jonathan Glazer (A24) • Yes: A critically respected auteur hits a vein with an audacious portrayal of historical evil that feels relevant to modern tensions. He has the adventurous spirit and the formal rigor that this branch respects. • No: How beloved is he, really? His previous films have fervent fans but were largely niche. His latest work is paradoxically more Academy friendly, but will it be too alienating to maintain awards traction? • Maybe So: He could pull off a nod here even if his film proves too limited in appeal to break into the Big 10.
In the Mix: La chimera Alice Rohrwacher (NEON) The Color Purple Blitz Bazawule (Warner Bros.) How Do You Live? Hayao Miyazaki (GKIDS) Maestro Bradley Cooper (Netflix) Saltburn Emerald Fennell (Amazon Studios & MGM)
- BEST PERFORMANCE BY AN ACTOR IN A LEADING ROLE -
THE ACTOR André Holland (NEON) • Yes: This is very much a NGNG swing, but the track's laid for the little acting nod that could. This role was plum enough that Ryan Gosling originally snagged it. Paired with a smart distributor like NEON, Holland could be one of the season's biggest surprises. • No: Duke Johnson has only ever directed stop-motion animation before. How weird is this going to be? Are we gonna get a trailer and discover that the whole thing -- surprise! -- is done with puppets or something? • Maybe So: Holland's been terrific for a long time. Feels like an actor just waiting for the right role to break into the club.
KILLERS OF THE FLOWER MOON Leonardo DiCaprio (Apple Studios & Paramount Pictures) • Yes: He’s Leo, back together again with Scorsese. Can you believe it’s already been 10 years since their last movie together? • No: He’s been celebrated to the point where he needs to show whole new facets of his range to avoid being taken for granted. If you want to get numerical about it: his five previous collaborations with Scorsese only yielded two nominations for himself. Even if he’s arguably the biggest star in the world, his awards recognition is never a given. • Maybe So: The initial reviews should lay to rest any quibbling about his chances. Not only has he been breathlessly praised, but several notices have called this his best work yet. He’s going to be in the hunt for his second trophy.
MAESTRO Bradley Cooper (Netflix) • Yes: He's already proven to be his own best director and he's throwing everything but the kitchen sink at this one. Creative genius, repressed sexuality, transformative old age makeup. • No: The Academy was fairly rude to him for A Star Is Born, which was chalked up to him 'wanting it too much.' Playing Leonard Bernstein is wanting it a helluva lot more blatantly than playing Jackson Maine. Are they just not that into him? • Maybe So: The movie would have to be a pretty underwhelming flop for him not to be a strong contender here. He's the presumptive frontrunner; if he lands the plane, he could very well steamroll the competition.
OPPENHEIMER Cillian Murphy (Universal Pictures) • Yes: J. Robert Oppenheimer is a hugely consequential figure swathed in complexity. The movie is emphasizing his historical importance -- "The Man Who Moved the Earth" -- and promises to be very much about him and not just his creation. Murphy's a high-profile pro who has never really had his awards shot, give or take a Breakfast on Pluto. • No: The picture's a big pyrotechnic epic full of sturm and drang. Having to share star status with Christopher Nolan, will there be enough attention left over for the actors? • Maybe So: Nolan and Murphy have emphasized their collaboration in the press rollout. Are they positioning themselves as a package deal?
SALTBURN Barry Keoghan (Amazon Studios & MGM) • Yes: His career has a full head of steam after The Banshees of Inisherin got him into the awards club. He’s purportedly the lead playing a character reminiscent of Tom Ripley. He gives good unnerving freak; this could be an organic leveling up for him as a new star. • No: Conniving and alienating characters can be a tough sell in this category. Perhaps a little bit of Keoghan goes a long way with Academy voters; do they prefer him as a garnish rather than the main course? He’s also still fairly young for this category. • Maybe So: He’s got a lot of big projects in the pipeline. A sense of momentum helps.
In the Mix: Bob Marley: One Love Kingsley Ben-Adir (Paramount Pictures) The Holdovers Paul Giamatti (Focus Features) A Little Prayer David Strathairn (Sony Pictures Classics) Napoleon Joaquin Phoenix (Apple Studios & Sony Pictures Entertainment) Rustin Colman Domingo (Netflix)
- BEST PERFORMANCE BY AN ACTRESS IN A LEADING ROLE -
THE COLOR PURPLE Fantasia Barrino (Warner Bros.) • Yes: She originated this role on the stage and the character is a plum portrait of resilience and self-actualization. Plenty of ballads to chew on, and it bears mentioning that Barrino has already triumphed in a singing contest. • No: She may have originated the role on stage, but Cynthia Erivo put an indelible stamp on it with the revival. Will Barrino be able to reclaim the role, or will there be grumbles that Erivo would’ve been preferable casting? Meanwhile, Barrino’s caught flack before for conservative opinions. Is she a potential gaffe machine on the campaign trail? • Maybe So: She wouldn’t be the first contestant from America Idol’s third season to go on and win an Oscar.
MAY DECEMBER Natalie Portman (TBD) • Yes: Portman will lay dormant for several years at a time before springing up to remind everyone of her formidability. Initial reviews have been ecstatic about her performance as an actor who takes their method to disconcerting extremes. She reportedly shows a new facet of her range. • No: This category is shaping up to be competitive, and mannered camp might suffer in comparison to other contenders’ straightforward histrionics. • Maybe So: Moore will also be a player this season, and co-stars both in the running tend to bolster each others’ positioning.
NYAD Annette Bening (Netflix) • Yes: Bening's been overdue for so long that most have given up hope, but here she's playing a record-setting inspirational figure in a highly physical role. Jimmy Chin and Elizabeth Chai Vasarhelyi have been absolutely blockbuster documentary filmmakers and deserve some benefit of the doubt in their fictional debut. • No: There's a modicum of controversy over the real Diana Nyad's records, which would undercut the picture with messy discourse. Documentarians transitioning into fiction filmmaking might yield mixed results. And Bening's been ignored for great work before. • Maybe So: It'd be nice to have an older actress in a star vehicle for this category.
PAST LIVES Greta Lee (Searchlight Pictures) • Yes: Her movie's been praised to high heaven, and she's been singled out as an integral ingredient. Everyone who's seen the picture loves her performance. • No: She's not a star; up until now she's just been a (delightful) supporting player on television. When stacked up against more famous faces, will she be drowned out? • Maybe So: If the film endures throughout the awards race, it's hard to see it being recognized without her along for the ride.
POOR THINGS Emma Stone (Searchlight Pictures) • Yes: For such a huge star, Stone's kept a pretty low profile since her last Lanthimos collaboration, aside from emerging to cash a Cruella paycheck. That's a five year absence from serious roles, but she's coming back with a vengeance in this gonzo role: a drowned woman who is resuscitated with the brain of an infant. The opportunities for physical and verbal comedy are endless, and The Favourite proved that Yorgos brings out the best in her. • No: The role is absolutely bizarre on paper and might be too broad and off-putting for establishment tastes. º Maybe So: I don't know, I think it sounds so crazy that it just might work. She'll sure as shit stand out from the crowd.
In the Mix: Barbie Margot Robbie (Warner Bros.) Challengers Zendaya (MGM & United Artists) Killers of the Flower Moon Lily Gladstone (Apple Studios & Paramount Pictures) Maestro Carey Mulligan (Netflix) Anatomy of a Fall / The Zone of Interest Sandra Hüller (A24 / TBD)
- BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE -
THE COLOR PURPLE Colman Domingo (Warner Bros.) • Yes: A hard-working character actor who's been giving way more than he gets (this dude is still plugging away on Fear the Walking Dead) finally gets his big moment on film. Having Rustin — however that turns out — premiere in the same season can only bolster his spotlight. • No: Danny Glover was snubbed for the same role nearly 40 years ago; is this going to strictly be the ladies’ show? Mister is a deeply unlikable character; maybe playing someone this off-putting is a thankless task. • Maybe So: He’ll have a solo song or two that will give him the chance to bring the house down.
THE IRON CLAW Holt McCallany (A24) • Yes: This is a total NGNG hunch, hinging on The Iron Claw being a well-liked-but-small film where all the goodwill pools around McCallany playing the Von Erich patriarch. He's the sort of actor this category has a history of elevating. • No: Or maybe there's no "there" there, and the role just doesn't pop. Could have strong internal competition from co-stars like Jeremy Allen White. And even if the movie connects, McCallany's primarily from TV; would they hold that against him? • Maybe So: A24's pretty good at wringing acting nominations from their smaller awards vehicles. If McCallany's memorable in the movie, they might deem him a do-able pickup and make a concerted campaign push.
KILLERS OF THE FLOWER MOON Robert De Niro (Apple Studios & Paramount Pictures) • Yes: He’s reportedly back in top form as the sociopathic patriarch who waged a stealth genocide against the Osage tribe. Reviews have praised him mightily, with several calling it his best work in decades. • No: They were rude enough to snub him for his last reunion with Marty. Maybe the decades of paycheck roles have truly eroded his stock amongst voters? • Maybe So: He’s Robert fuckin’ De Niro, and he’s gotten up there in years. How many more opportunities will there honestly be to recognize him? “Three-time Academy Award Winner Robert De Niro” sounds just.
OPPENHEIMER Robert Downey Jr. (Universal Pictures) • Yes: It's been a long time since Downey played in this kind of sandbox. The Academy might be waiting for the first excuse to give him the damn trophy, let alone a win. • No: The movie will cover a lot of ground. Is Downey even going to be in it much? With an ensemble that huge, we could be looking at a series of extended cameos instead of juicy supporting roles. • Maybe So: If Nolan lets Downey cook a little bit, this could be a no-brainer. And if he brings some sorely needed levity to such an intense movie, watch out.
PAST LIVES John Magaro (A24) • Yes: Reviews have singled out his warm contribution to the film, his character proving so endearing that it greatly complicates audience sympathies with the central romance. It helps to be a part of what might just be the most critically acclaimed movie of the year. • No: As richly deserved Magaro’s awards breakout would be, he’s not exceedingly well-known. In a category usually reserved for scene stealers, is there room for a performance that is mild and sweet? • Maybe So: He’s accumulated a nice reputation as an Indie muse. First Cow was completely ignored in an uncompetitive year, but maybe enough voters will fondly remember Magaro’s gentle starring performance in that picture to give him some residual goodwill.
In the Mix: Barbie Ryan Gosling (Warner Bros.) BlackBerry Glenn Howerton (IFC Films) Killers of the Flower Moon Jesse Plemons (Apple Studios & Paramount Pictures) May December Charles Melton (TBD) Poor Things Willem Dafoe or Mark Ruffalo (Searchlight Pictures)
- BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE -
AIR Viola Davis (Amazon Studios) • Yes: She was the standout in a well-liked movie, and Affleck has told anyone who will listen about how Michael Jordan himself requested her casting. • No: The movie arrived early and there will be newer and shinier objects in the months to come. There may also emerge a sentiment that Davis could’ve done this role in her sleep. • Maybe So: Davis is one of the most respected actors currently working and many felt she was snubbed last season for The Woman King. This nod could be an easy way for voters to make amends.
THE COLOR PURPLE Danielle Brooks (Warner Bros.) • Yes: She already garnered a Tony nomination for her rendition of Sofia, the brassiest and most charismatic character in the whole ensemble. She could steal the whole show. • No: Oprah Winfrey already put a pretty indelible stamp on this character in the popular imagination. Will Brooks’ reception suffer from comparisons? She’s also primarily known as a television actor — can she graduate to movie stardom? • Maybe So: I think this really depends on whether The Color Purple has the juice to rack up acting nods across the board or whether its capped at one or two.
THE COLOR PURPLE Taraji P. Henson (Warner Bros.) • Yes: Henson's the most famous of the ensemble and playing the (presumably beefed up) role of Shug. Even if the film underwhelms, she could be its standard bearer in the acting awards. • No: Internal competition with Danielle Brooks. Henson can sing, but will her Broadway-caliber costars outshine her? • Maybe So: Henson's popular and respected enough that she feels primed for becoming a regular at the Academy, roles willing.
KILLERS OF THE FLOWER MOON Lily Gladstone (Apple Studios & Paramount Pictures) • Yes: The adaptation was refocused onto DiCaprio’s conman, and by extension Gladstone will be front and center throughout. She is the most sympathetic character in the saga and a fresh face with a great campaign narrative (she was preparing to quit acting when she was contacted by Scorsese). Reviews out of Cannes have given her rapturous praise. • No: Will she go Leading instead? This feels like it'll draw accusations of category fraud wherever she's slotted. After Michelle Williams’ lead push last season, Gladstone and her team might feel bullish about her positioning. • Maybe So: There was already a narrative brewing about how her cultural insight greatly informed Scorsese’s approach to the material. Her nomination — and potential victory — would be a watershed moment for Indigenous representation in Hollywood. She’s going to be competitive for the win regardless of whichever category she winds up in.
MAY DECEMBER Julianne Moore (TBD) • Yes: Reunited with her signature director and reportedly turning out highly memorable work as a highly problematic woman blessed with a vacant conscience. Moore was a regular nominee until her eventual win; maybe it’s high time to re-up her presence at the Oscars. • No: The character might prove too icky for some. She’s been passed over for scorcher performances before. • Maybe So: There’s a plum narrative about Moore and Haynes’ collaborative relationship over the last 30 years that keeps her firmly in the conversation.
In the Mix: Are You There, God? It’s Me, Margaret Rachel McAdams (Lionsgate) Barbie America Ferrara (Warner Bros.) The Holdovers Da’Vine Joy Randolph (Focus Features) Napoleon Vanessa Kirby (Apple Studios & Sony Pictures Entertainment) Saltburn Rosamund Pike (Amazon Studios & MGM)
- BEST ACHIEVEMENT IN WRITING, ORIGINAL SCREENPLAY -
AIR Alex Convery (Amazon Studios)
LA CHIMERA Alice Rohrwacher (NEON)
MAY DECEMBER Samy Burch & Alex Mechanik (TBD)
PAST LIVES Celine Song (A24)
SALTBURN Emerald Fennell (Amazon Studios)
In the Mix: Asteroid City Wes Anderson (Focus Features) Barbie Greta Gerwig & Noah Baumbach (Warner Bros.) Fair Play Chloe Domont (Netflix) The Holdovers David Hemingson (Focus Features) Maestro Bradley Cooper & Josh Singer (Netflix)
- BEST ACHIEVEMENT IN WRITING, ADAPTED SCREENPLAY -
THE ACTOR Stephen Cooney & Duke Johnson (NEON)
DUNE: PART TWO Jon Spaihts & Denis Villeneuve (Warner Bros.)
KILLERS OF THE FLOWER MOON Eric Roth & Martin Scorsese (Apple Studios & Paramount Pictures)
OPPENHEIMER Christopher Nolan (Universal Pictures)
THE ZONE OF INTEREST Jonathan Glazer (A24)
In the Mix: Are You There, God? It’s Me, Margaret Kelly Fremon Craig (Lionsgate) The Bikeriders Jeff Nichols (20th Century Studios) BlackBerry Matt Johnson & Matthew Miller (IFC Films) The Color Purple Marcus Gardley (Warner Bros.) Poor Things Tony McNamara (Searchlight Pictures)
- BEST ACHIEVEMENT IN FILM EDITING -
DUNE: PART TWO Joe Walker (Warner Bros.)
KILLERS OF THE FLOWER MOON Thelma Schoonmaker (Apple Studios & Paramount Pictures)
MISSION: IMPOSSIBLE – DEAD RECKONING: PART ONE Eddie Hamilton (Paramount Pictures)
OPPENHEIMER Jennifer Lame (Universal Pictures)
SALTBURN Victoria Boydell (Amazon Studios & MGM)
In the Mix: Barbie Mary Jo Markey (Warner Bros.) The Color Purple Jon Poll (Warner Bros.) The Killer TBA (Netflix) Maestro Michelle Tesoro (Netflix) Past Lives Keith Fraase (A24)
- BEST ACHIEVEMENT IN CINEMATOGRAPHY -
THE COLOR PURPLE Dan Laustsen (Warner Bros.)
DUNE: PART TWO Greig Fraser (Warner Bros.)
KILLERS OF THE FLOWER MOON Rodrigo Prieto (Apple Studios & Paramount Pictures)
MAESTRO Matthew Libatique (Netflix)
OPPENHEIMER Hoyte van Hoytema (Universal Pictures)
In the Mix: The Killer Erik Messerschmidt (Netflix) Poor Things Robbie Ryan (Searchlight Pictures) The Zone of Interest Lukasz Zal (A24)
- BEST ACHIEVEMENT IN PRODUCTION DESIGN -
BARBIE Sarah Greenwood, Katie Spencer & Ashley Swanson (Warner Bros.)
THE COLOR PURPLE Paul D. Austerberry & Larry Dias (Warner Bros.)
DUNE: PART TWO Patrice Vermette & Shane Vieau (Warner Bros.)
KILLERS OF THE FLOWER MOON Jack Fisk & Adam Willis (Apple Studios & Paramount Pictures)
POOR THINGS Shona Heath, James Price & Zsuzsa Mihalek (Searchlight Pictures)
In the Mix: Asteroid City Adam Stockhausen & Kris Moran (Focus Features) Oppenheimer Ruth De Jong, Claire Kaufman & Adam Willis (Universal Pictures) Napoleon Arthur Max & Elli Griff (Apple Studios & Sony Pictures Entertainment)
- BEST ACHIEVEMENT IN COSTUME DESIGN -
BARBIE Jacqueline Durran (Warner Bros.)
DUNE: PART TWO Jacqueline West (Warner Bros.)
FIREBRAND Michael O’Connor (TBD)
KILLERS OF THE FLOWER MOON Jacqueline West (Apple Studios & Paramount Pictures)
NAPOLEON Janty Yates & David Crossman (Apple Studios & Sony Pictures Entertainment)
In the Mix: The Color Purple Francine Jamison-Tanchuck (Warner Bros.) Lee Michael O’Connor (Focus Features) Wonka Lindy Hemming (Warner Bros.)
- BEST ACHIEVEMENT IN MAKEUP & HAIRSTYLING -
BARBIE Robb Crafer & Lois McIntosh (Warner Bros.)
GUARDIANS OF THE GALAXY VOL. 3 Mo Meinhart & Linda Traxler (Walt Disney Studio Pictures)
DUNE: PART TWO Allan Cooke & Megan Norris (Warner Bros.)
KILLERS OF THE FLOWER MOON Beate Petruccelli & Jameson Eaton (Apple Studios & Paramount Pictures)
MAESTRO Kazu Hiro, Jackie Risotto & Jameson Eaton (Netflix)
In the Mix: The Color Purple (Warner Bros.) Oppenheimer (Universal Pictures) Poor Things (Searchlight Pictures)
- BEST ACHIEVEMENT IN MUSIC, ORIGINAL SCORE -
DUNE: PART TWO Hans Zimmer (Warner Bros.)
KILLERS OF THE FLOWER MOON Robbie Robertson (Apple Studios & Paramount Pictures)
OPPENHEIMER Ludwig Göransson (Universal Pictures)
PAST LIVES Christopher Bear & Daniel Rossen (A24)
THE ZONE OF INTEREST Mica Levi (A24)
In the Mix: Barbie Alexandre Desplat (Searchlight Pictures) Elemental Thomas Newman (Walt Disney Studio Pictures) How Do You Live? Joe Hisaishi (GKIDS) Indiana Jones and the Dial of Destiny (Walt Disney Studio Pictures) Napoleon Martin Phipps (Apple Studios & Sony Pictures Entertainment)
- BEST ACHIEVEMENT IN MUSIC, ORIGINAL SONG -
THE COLOR PURPLE “TBA” by H.E.R.
THE LITTLE MERMAID “TBA” by Lin-Manuel Miranda
MOVIE THAT DOESN’T EXIST “TBA” by Diane Warren
WISH “TBA” by Julia Michaels
WONKA “TBA” by Neil Hannon
- BEST ACHIEVEMENT IN SOUND -
THE COLOR PURPLE Ken McGill & Renee Tondelli (Warner Bros.)
DUNE: PART TWO Dave Whitehead & Gareth John (Warner Bros.)
KILLERS OF THE FLOWER MOON Mark Ulano & Philip Stockton (Apple Studios & Paramount Pictures)
OPPENHEIMER Richard King & Michael W. Mitchell (Universal Pictures)
NAPOLEON Stéphane Bucher & Kevin Penney (Apple Studios & Sony Pictures Entertainment)
In the Mix: The Creator (20th Century Studios) The Killer (Netflix) Mission: Impossible - Dead Reckoning: Part One (Paramount Pictures)
- BEST ACHIEVEMENT IN VISUAL EFFECTS -
THE CREATOR 20th Century Studios
DUNE: PART TWO Warner Bros.
GUARDIANS OF THE GALAXY VOL. 3 Walt Disney Studio Pictures
INDIANA JONES AND THE DIAL OF DESTINY Walt Disney Studio Pictures
OPPENHEIMER Universal Pictures
In the Mix: Aquaman and The Lost Kingdom (Warner Bros,) Dungeons and Dragons: Honor Among Thieves (Paramount Pictures) Mission: Impossible - Dead Reckoning: Part One (Paramount Pictures)
- BEST ANIMATED FEATURE FILM -
HOW DO YOU LIVE? GKIDS; Hayao Miyazaki
SPIDER-MAN: ACROSS THE SPIDER-VERSE Columbia Pictures; Joaquim Dos Santos, Kemp Powers & Justin K. Thompson
THE SUPER MARIO BROS. MOVIE Universal Pictures; Aaron Horvath & Michael Jelenic
TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM Paramount Pictures; Jeff Rowe & Kyler Spears
WISH Walt Disney Studio Pictures; Chris Buck & Fawn Veerasunthorn
In the Mix: Chicken Run: Dawn of the Nugget (Netflix) Elemental (Walt Disney Studio Pictures) Migration (Universal Pictures)
- BEST INTERNATIONAL FEATURE FILM -
ANATOMY OF A FALL France; Justine Triet (TBD)
LA CHIMERA Italy; Alice Rohrwacher (NEON)
EL CONDE Chile; Pablo Larraín (Netflix)
GODLAND Iceland; Hlyner Pálmason (Janus Films)
THE ZONE OF INTEREST Poland; Jonathan Frazer (A24)
Best Picture Nomination Tally

TITLE	NOMINATION TALLY
Killers of the Flower Moon	13 nominations
Dune: Part Two	11 nominations
Oppenheimer	10 nominations
The Color Purple	9 nominations
Past Lives	6 nominations
The Zone of Interest	5 nominations
Maestro, May December, Saltburn	4 nominations
Air	3 nominations

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2023.05.22 02:35 MTheWho My Oscars Predictions for 2024

I may be taking some giant leaps here, so absolutely take my picks with a grain of salt. Also, I’ll make more posts updating my predictions later on in the year.
Best Picture: - Asteroid City - The Color Purple - Dune: Part Two - How Do You Live? - The Killer - Killers of the Flower Moon (WINNER) - May December - Oppenheimer - Poor Things - The Zone of Interest
Best Director: - Blitz Bazawule - The Color Purple - Denis Villeneuve - Dune: Part Two - Martin Scorsese - Killers of the Flower Moon (WINNER) - Christopher Nolan - Oppenheimer - Jonathan Glazer - The Zone of Interest
Best Actor: - Bradley Cooper - Maestro - Leonardo DiCaprio - Killers of the Flower Moon - Michael Fassbender - The Killer - Paul Giamatti - The Holdovers - Cillian Murphy - Oppenheimer (WINNER)
Best Actress: - Fantasia Barrino - The Color Purple (WINNER) - Greta Lee - Past Lives - Natalie Portman - May December - Margot Robbie - Barbie - Emma Stone - Poor Things
Best Supporting Actor: - Robert De Niro - Killers of the Flower Moon (WINNER) - Colman Domingo - The Color Purple - Ryan Gosling - Barbie - John Magaro - Past Lives - Charles Melton - May December
Best Supporting Actress: - Danielle Brooks - The Color Purple - Viola Davis - Air - Lily Gladstone - Killers of the Flower Moon (WINNER) - Julianne Moore - May December - Taraji P. Henson - The Color Purple
Best Original Screenplay: - Air - Asteroid City - The Holdovers - May December (WINNER) - Past Lives
Best Adapted Screenplay: - Dune: Part Two - Killers of the Flower Moon (WINNER) - Oppenheimer - Poor Things - The Zone of Interest
Best Production Design: - Asteroid City - The Color Purple - Dune: Part Two (WINNER) - Killers of the Flower Moon - Poor Things
Best Cinematography: - The Color Purple - Dune: Part Two (WINNER) - Killers of the Flower Moon - Oppenheimer - The Zone of Interest
Best Film Editing: - Dune: Part Two - The Killer - Killers of the Flower Moon (WINNER) - Oppenheimer - Poor Things
Best Costume Design: - Asteroid City - Barbie - The Color Purple (WINNER) - Dune: Part Two - The Little Mermaid
Best Makeup & Hairstyling: - Barbie - The Color Purple - Dune: Part Two - Guardians of the Galaxy Vol. 3 (WINNER) - Maestro
Best Sound: - The Color Purple - Dune: Part Two (WINNER) - The Killer - Oppenheimer - The Zone of Interest
Best Visual Effects: - The Creator - Dune: Part Two - Guardians of the Galaxy Vol. 3 - The Little Mermaid - Oppenheimer (WINNER)
Best Original Score: - Asteroid City - Dune: Part Two (WINNER) - The Killer - Oppenheimer - The Zone of Interest
Best Animated Feature: - Elemental - How Do You Live? (WINNER) - Nimona - Spider-Man: Across the Spider-Verse - The Super Mario Bros. Movie

submitted by MTheWho to oscarrace [link] [comments]

2023.05.21 20:31 Fraklinreynolds My updated 2024 Oscar Predictions for Every Category

Best Picture

Killers of the Flower Moon ✅
The Color Purple
Oppenheimer
Dune Pt. 2
Past Lives
May December
The Zone of Interest
Rustin
Poor Things
Maestro

Best Director

Martin Scorcese (Killers of the Flower Moon) ✅
Christopher Nolan (Oppenheimer)
Blitz Bazawule (The Color Purple)
Denis Villeneuve (Dune Pt. 2)
Jonathan Glazer (The Zone of Interest)

Best Actor

Cillian Murphy (Oppenheimer) ✅
Leonardo DiCaprio (Killers of the Flower Moon)
Colman Domingo (Rustin)
Bradley Cooper (Maestro)
Michael Fassbender (The Killer)

Best Actress

Fantasia Barrino (The Color Purple) ✅
Natalie Portman (May December)
Greta Lee (Past Lives)
Emma Stone (Poor Things)
Sandra Huller (The Zone of Interest)

Best Supporting Actor

Colman Domingo (The Color Purple) ✅
Robert DeNiro (Killers of the Flower Moon)
Teo Yoo (Past Lives)
Charles Melton (May December)
Jesse Plemmons (Killers of the Flower Moon)

Best Supporting Actress

Lily Gladstone (Killers of the Flower Moon) ✅
Julianne Moore (May December)
Taraji P. Henson (The Color Purple)
Danielle Brooks (The Color Purple)
Patti LuPone (Beau is Afraid)

Best Original Screenplay

Past Lives ✅
May December
Asteroid City
Saltburn
Maestro

Best Adapted Screenplay

Killers of the Flower Moon ✅
Poor Things
Dune Pt. 2
Oppenheimer
The Color Purple

Best Animated Feature

Spider-Man: Across the Spiderverse ✅
How Do You Live?
Elemental
Wish
Chicken Run: Dawn of the Nugget

Best International Film

The Zone of Interest ✅
La Chimera
Monster
About Dry Grasses
In My Mother's Skin

Best Documentary Feature

Occupied City ✅
The Deepest Breath
Little Richard: I am Everything
The Eternal Memory
20 Days in Mariupol

Best Live Action Shortfilm

Strange Way of Life ✅
???
???
???
???

Best Score

Oppenheimer ✅
Killers of the Flower Moon
The Zone of Interest
Dune Pt. 2
Asteroid City

Best Original Song

TBD - The Color Purple ✅
"For the First Time" - The Little Mermaid
TBD - Barbie
"Peaches" - Super Mario Bros. Movie
TBD by Dianne Warren - 80 For Brady

Best Sound

Oppenheimer ✅
Dune Pt. 2
The Color Purple
Killers of the Flower Moon
Spider-Man: Across the Spiderverse

Best Production Design

Dune Pt. 2 ✅
Barbie
Poor Things
The Color Purple
Killers of the Flower Moon

Best Cinematography

The Color Purple ✅
Killers of the Flower Moon
Dune Pt. 2
The Killer
Oppenheimer

Best Makeup/Hairstyling

Barbie ✅
Dune Pt. 2
Maestro
Guardians of the Galaxy 3
Poor Things

Best Costume Design

Barbie ✅
Dune Pt. 2
Maestro
The Color Purple
Poor Things

Best Editing

Oppenheimer ✅
Dune Pt. 2
Killers of the Flower Moon
Maestro
The Color Purple

Best Visual Effects

Dune Pt. 2 ✅
Oppenheimer
Guardians of the Galaxy 3
Dungeons and Dragons: Honor Among Thieves
The Little Mermaid

Multiple Nominations:

The Color Purple: 13
Killers of the Flower Moon: 12
Dune Pt. 2: 11
Oppenheimer: 9
Poor Things: 6
Maestro: 6
The Zone of Interest: 5
May December: 5
Past Lives: 4
Barbie: 3
The Little Mermaid: 2
Guardians of the Galaxy 3: 2
The Killer: 2
Spider-Man: Across the Spiderverse: 2

Multiple Wins:

Killers of the Flower Moon: 4
The Color Purple: 4
Oppenheimer: 4
Dune Pt. 2: 2
Barbie: 2

submitted by Fraklinreynolds to oscarrace [link] [comments]