Black and grey coral reef tattoo

Black and grey spider. Northern Illinois. What was it?

2023.05.30 08:48 ChewyPenCap Black and grey spider. Northern Illinois. What was it?

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2023.05.30 08:48 ChewyPenCap Black and grey spider....northern illinois

Black and grey spider....northern illinois submitted by ChewyPenCap to whatsthisbug [link] [comments]


2023.05.30 08:41 ChewyPenCap Big grey and black spider in Northern Illinois. What was it?

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2023.05.30 08:20 terrastonegallery0 Check Out the Latest Natural Stone Design Collection from Italy, Greece & Brazil

Check Out the Latest Natural Stone Design Collection from Italy, Greece & Brazil

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Introduction:

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Natural stone has long been revered for its timeless appeal, durability, and versatility. With its unique textures, colours, and patterns, each piece of natural stone tells a story that is millions of years in the making. From luxurious marble to rustic travertine and stunning granite, these stones have been used for centuries to enhance the aesthetic of buildings and create breathtaking works of art.

Calacatta Vagli:

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Arabescato:

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Paonazzo:

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Apollo:

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Damastas:

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Volakas:

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Ajax Blue:

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Ajax Gold:

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Desert Silver:

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Elba Blue Letterhead Marble:

Elba Blue Letterhead Marble is a unique stone known for its stunning blue hues and intricate veining patterns. It offers a captivating blend of sophistication and natural beauty. This marble is often used in high-end projects, including upscale hotels and luxury residences, where it creates an unforgettable visual impact.

Grafite Polished Marble:

Grafite Polished Marble is a versatile stone that combines shades of grey and black with striking white veins. Its polished finish adds a touch of refinement to any space, making it an ideal choice for flooring, countertops, or feature walls. The timeless beauty of Grafite Polished Marble complements a variety of interior styles.

Pentelikon Polished Marble:

Pentelikon Polished Marble is renowned for its purity and elegance. With its white background and subtle grey veins, this marble embodies a classic and timeless charm. It is a popular choice for creating an airy and sophisticated atmosphere in both residential and commercial projects.

Selas Polished Marble:

Selas Polished Marble is a visually striking stone with a dramatic blend of black and white tones. The bold contrast and dynamic patterns make it an excellent choice for creating a statement piece or accent wall. Selas Polished Marble adds a touch of contemporary flair and artistic expression to any space.

Thassos Marble:

Thassos Marble, named after the Greek island of Thassos, is celebrated for its pure white colour and luminosity. This marble reflects light beautifully, creating a sense of openness and brightness. It is a popular choice for bathroom vanities, shower walls, and other areas where a clean and fresh look is desired.

Crystal Spectrum:

Crystal Spectrum is a mesmerising stone that showcases a range of vibrant colours and crystalline patterns. It brings a sense of energy and dynamism to any space, making it a focal point of attention. Whether used as a decorative element or a statement piece, Crystal Spectrum is sure to spark conversation and captivate the imagination.

Iceberg Marble:

Iceberg Marble is an exquisite stone characterised by its icy white background and intricate grey veins. It evokes a sense of tranquillity and purity, reminiscent of the natural beauty found in glaciers. Iceberg Marble adds a touch of luxury and sophistication to any interior, creating a serene and inviting ambiance.

Wakanda:

Wakanda is a distinctive stone that showcases a deep black background with golden and white veins. This striking combination of colours creates a sense of drama and elegance. Whether used in flooring, countertops, or wall cladding, Wakanda adds a touch of sophistication and luxury to any space.

Cipollino:

Cipollino is a captivating stone with a unique blend of green hues and delicate white veins. Its name, which translates to "little onion" in Italian, reflects the stone's characteristic appearance. Cipollino is often used as a decorative element or as a focal point in various design applications, lending a sense of freshness and natural beauty to the surroundings.
In conclusion, the latest natural stone collection offers a wide array of stunning options to elevate your interior design. From the timeless elegance of marbles to the striking beauty of unique stones, each piece is meticulously sourced to provide unparalleled beauty and sophistication. Whether you're aiming for a classic, contemporary, or eclectic aesthetic.
Terra Stone Gallery
(847) 721-1519
10511 United Pkwy, Schiller Park, IL 60176
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2023.05.30 08:11 CapNitro The Tales of Two Primarchs: "The Lion: Son of the Forest" gets right what "Angron: The Red Angel" got wrong

Two mythic figures return to M41 at the same time but in vastly different ways and, IMO, with vastly different levels of success.
The Red Angel was a rough, unfocused and shallow coverage of the World Eaters as they suffer through the return of their erstwhile father. None of the characters stood out to me: Kossolax the Foresworn is a would-be crafty son of the XII who never coheres into an interesting leader, his resentment of Angron coming across as pathetic and angsty; Ortan Leidis and his warband are almost complete non-entities and I don't actually remember anything about their plot; Telomane and his Grey Knight brothers had some interesting things to do, and his final sacrifice to banish Angron was kind of cool, but the Sons of Titan are otherwise written as two-dimensional and haughty. There's little clear sense of a plot beyond "Angron's back", and the Primarch himself is understandably less a character than he is a natural disaster, the "main character" only insofar as the mountain in Dante's Peak or the tornado in Twister were main characters. Given that it came out at the same time as the new World Eaters codex the book doesn't even rely on "story advertising" the way books like Indomitus and Dark Imperium do; where those books try to make new models as sexy as possible on the page so you'll head to GW to buy them, The Red Angel only has a brief encounter with Eightbound (I think, I may be misremembering) and otherwise doesn't capitalise on the new model range. The writing style didn't help, with David Guymer failing to make his story stand out. The Red Angel reads like a story written out of necessity and lacking an intriguing core. No-one's compelling, nothing's engrossing, everything is very boilerplate bolter porn.
Compare that with Son of the Forest, which is compelling, encrossing and anything but boilerplate. As was mentioned in another recent post here, Mike Brooks has established himself as a standout BL writer who really gets the material he's working with. Rather than a very vague, general approach to the return of the Primarch he instead gets deep into that Primarch's head and makes the return an intimate, slow-grow event rather than the apocalyptic "oh shit" that Angron gets. The Lion's gradual accumulation of an entourage that begins with a single embittered Fallen and grows to encompass fleets of ships is a way more interesting journey than whatever's going on with the World Eaters. All three leads - the Lion himself, Brother Zabriel and Baelor of the Ten Thousand Eyes - are fascinating characters in their own right with rich depth and distinct voices. In an ironic twist David Guymer also wrote the Lion's "Primarchs" series novel, but his brief exploration of the Lord of the First in his prime doesn't come close to the enthralling character work that Mike Brooks does here. You'd have to go back to Brooks' own Alpharius novel or the original unpacking of Angron by Ian St. Martin to find a Black Library work that makes a Primarch so eminently readable.
The Red Angel read like a story written without a soul, while Son of the Forest clearly went in with both feet to the soul of its subject matter. I'm not saying Angron could or needed to be as deep and intriguing a character as the Lion - the butcher's nails have put paid to him ever being a "person" ever again - but books like The Talon of Horus and its use of Abaddon and the Black Legion show that it's possible to make magnetic characters surrounding a mythical figure like this. One book treated the return of its Primarch as an "event" of fireworks, the other treated theirs as an important narrative moment.
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2023.05.30 07:55 Dutchie444 Closure. Stories From the AMTS

“Hey Raz, I got one!” Raz’s voice was cut by static as he called back, “Great! …at quarry …die.” Well, that wasn’t ominous at all, I thought to myself as I adjusted the rear-view mirror to check on the operator I had just blown past. They were doubled over coughing, their gas mask swayed side to side on the ground next to their feet. I don’t know what compelled me to not flatten what I had thought to be an AQ soldier, but I’m glad I didn’t.
I slammed my hummer in reverse, coming to a stop next to the helpless operator. “Hop in bud, we can get you to final exfill yet.” He slowly hauled himself into the bed of my hummer, landing with a dull thud and a groan as he fell onto his back. We cleared the gas, and I was immediately put on edge as my passenger started to gain consciousness. If he was planning anything nefarious, there wasn’t much I could do about it now. “You good back there? Normally I’d stop to send an invite but given the situation that might have just caused more problems.” He leaned through the non-existent rear window, “Nah, I understand man. When we get further from the gas we can stop and squad up. Don’t need to risk lighting each other up if things get hot at the exfill.” I couldn’t help but chuckle, “I don’t think that would be much of an issue regardless. Hey, we didn’t leave any of your friends back there, did we? I know we peeled out pretty quick.” I saw him shake his head and point to our left in the rear-view mirror. “We got split up, but they were running for a car, so I wasn’t too worried.” I followed his finger, a white hatchback cruised along parallel to us, swerving through buildings trying not to eat too many AQ bullets. “Hey boys, Dutch here is gonna roll with us to final. We’ll squad up when we get there.” I was barely able to make out one of his squad mates call out “Tight!” over his earpiece.
“Hey, listen, I’ve got friend I’m rolling with. His name’s Raz, he’s gonna meet us at final. If you see a red, white, and blue LTV, don’t shoot alright.” Raz chimed in, his radio finally clear of the static, “That’s very kind of you to tell them not to shoot me Dutch.” Before I could respond, a black turreted LTV slid out of Said City ahead of us. “Is that your boy Dutch?” I wanted to give my passenger the benefit of the doubt, it is windy in the box after all, he might not have heard me. “Nah man, wrong colour, and he didn’t have a turreted LTV last I saw.” The black LTV continued North along the main road as we cut away into the quarry proper. “Raz, company is headed your way. Looks like it’s just a solo in that truck but you can never be too careful.” “Thanks for the heads up Dutch.”
I rolled to a stop at the base of the helicopter ramp, gently flattening a couple of AQ who were getting a little to close to the bird for comfort, just shy of the battery running dry. The other two operators in the hatchback slid to a stop just down the hill from us. I got out of the hummer, a tad worried that my good fortune was about to come to an end at the hands of these fellas. As they ran up the hill, the notification finally popped. I accepted and ran down the hill to grab the hatchback, breathing a sigh of relief. “Wait, where you goin’ Dutch?” One of my clients called out. “Raz and I will run interference while we wait for the chopper to take off. Any AQ or unfriendly operators are gonna have to go through us.” “You keep talking about this Raz guy, but I’ve yet to see anyone other than that black LTV.” Almost on queue, a black LTV flew up the hill narrowly missing my hatchback. My clients went into a frenzy. “Operators pushing us! Take ‘em down!” The LTV spun in the sand in front of me, a glorious and perfectly oiled moustache glinting in the Al Mazrah sun. “Hold your fire! It’s Raz!” I called from below my clients. I sent an invite to him which he had hopped out and accepted faster than any of these guys could pull the trigger. “You see the operator that was in that earlier?” Raz shook his head, “No, I pulled up on it and they were gone. Must be out on foot somewhere.”
With 5 seconds left on the clock, there wasn’t enough time to go find them, our clients now panicking as they realized we weren’t on the bird. “What are you two doing?!” They shouted from the air as we waved goodbye. “Al Mazrah is our home gentlemen. That bird was never meant for us.” I gave Raz a pat on the shoulder as the gas rapidly approached, another successful day had come to a close.
The clack of a Kastov charging handle was almost unmistakable. We both turned to see the operator from the LTV standing there, rifle honed on us. “Well shit.” Their rifle dropped towards the dirt as they looked back over their shoulder at the nearly out of sight exfill chopper. They pushed through us, wandering towards the North side of the quarry. Raz and I locked eyes, shrugging in unison. That was one of those moments where we really wouldn’t have blamed them for their decision, whatever it might have been. “We better get back to HQ, Compton said I.T dropped off something for you.” Raz said as the gas engulfed us.
“I’m going back to the island boss.” My hands were shaking as I gripped the file folder that I.T had left for me. “Twitch.” “He’s back, it took him a bit, but he’s managed to re-take the castle and hunker down since we last saw him. And if he’s back then we might finally be able to get some proper intel on those blue tracers, direct from the source.” I handed the folder to Raz. He took it, turning to no doubt address the rest of the crew. I grabbed his shoulder, stopping him before he could speak. “Not everybody, not this time. They’ve doubled the defences; we’d be walking into a slaughterhouse.” “Well, you can’t go in there alone, we look out for our own Dutch, you know that.” Raz’s brow tightened, I could tell he was already trying to figure out what my plan was. “I’m bringing Maze and Alex. They’ll provide sniper cover while I infiltrate the castle. I still have my old uniform. As long as they haven’t drastically changed up their callsigns, I should be able to get in undetected.” I could tell Raz wasn’t convinced. “Dutch, like you said, you’d be walking into a slaughterhouse. How does you going in solo make that any better.” “After what happened in the complex…I’m not putting anyone else at risk, I can’t. The Bomb Maker…Twitch, I’ve gotta face him myself. Look him in the eyes so he knows I crawled out of Hell to drag him back down there.” “Alright, I couldn’t really stop you if I wanted to, could I?” Raz shrugged. “No, not unless you shot me, and honestly, I’d take those odds.” I punched his shoulder and started heading for the breakroom to grab Maze and Alex. “You keep that up I’ll be moving you back out to that sea can of yours.” Raz smirked.
The locks took a bit of fighting to get open. While this footlocker had only been on Ashika Island for a few months, the constant spray of salt water had worn away what little integrity it once had. The black uniform, emblazoned with the Rook and Spade of Shadow Company, was still in excellent condition, save for a bullet hole just under where the plate carrier would sit. I paused for a moment, holding it up in the air, memories of the past flooding in. “Not a lot of fond memories in that uniform I take it.” Maze called out from the catwalk in our home away from home. “I think part of the problem is that there are good memories. It’s a little concerning that such fond memories can hide out amongst so much evil.” “We’ve all done things we aren’t proud of. Some of us just did things other people also wouldn’t be proud of either.” Alex chuckled to himself as he cleaned his rifle on the cot next to me. I grimaced, mostly because he was right. I slipped into the old black fatigues and strapped on my old plate carrier. My weapons were all still intact too, I pulled my Taq-56 out of the footlocker, running my fingers over the engraving in the side, ROOK-XLIV. I cycled the charging handle a few times before loading in a fresh magazine and setting it on the cot next to me. I pulled out a pistol belt, two pearl handled revolvers, one with an ebony Rook on the grip, the other, an ebony Spade. Umbra Catavae engraved along each barrel. Maze had come down from the rafters now, a look of mixed intrigue and concern on her face, “I take it those don’t invoke fond memories.” I had done a poor job of hiding my look of disgust. “No, unfortunately they do.” I felt a wave of guilt wash over me. “Each of these was given to me for completing outstanding performance in the field. I did things I’m not proud of, and I was rewarded for it, handsomely. Holding these in my hands, I feel the same pride I had felt when they were first handed to me. It makes me sick.” I strapped the belt around my waist. The pearl handles shining against my all black silhouette. Alex piped up again, “Hey, at least you are trying to make amends for your sins, not many can say the same.” I let out a long sigh, “I suppose you’re right. You both remember the plan?” “Get to the radio towers and start lighting the place up when shit inevitably hits the fan.” Maze grinned. “Close enough.” I pulled my balaclava up and headed for the door.
The guard at the gate didn’t immediately shoot me which gave me some spark of hope that this might work. “In position!” Alex and Maze called out almost simultaneously. “Jinx, you owe me a beer!” Maze rejoiced. “What? Why would I give you a beer for that?” Alex sounded genuinely confused. “Hey, cut the chatter you two, don’t need to give them any reason to not let me in alright.” The guard held up his hand. “I don’t recognize you, let’s see your I.D.” I held up my old I.D card. “Well I’ll be damned, look who crawled out if his grave.” He pulled my mask down to confirm. “You look pretty good for a corpse, though your I.D card is out of regulation. You might want to stop by the I.T guy to get a new one made.” “Thanks, I’ll head right over.” The first thought that came to my mind was Bob. There’s no way he still worked for these assholes, is there.
“You used your old I.D?! You mad man!” Maze cackled over the radio. “Ok, I’ll admit, this wasn’t my greatest plan. I honestly thought they’d just capture me after seeing who I was.” Alex cut me off, “Go with the flow I suppose.” “Spade-499 up one-two.” The local radio channel began to drown out my squad’s comms. “Rook-3468 down one-one” “This is some odd radio traffic Dutch.” Alex quipped. I watched as a Shadow Company mercenary approached a stairwell, each step primed and ready to pop a leg off whichever unfortunate soul chose to ascend. “Spade-5454 up one-two.” “It’s how they know to deactivate the traps.” I whispered into our secure line. I approached the same stairwell. “Rook-44 up one-two.” I could hear the traps audibly click off. The guard at the to put his hand out as I reached the top step. “Sorry, no ghosts allowed on the second floor.” “Ghost? What…” He bent over laughing. “I’m just messing with you man. They said you died holding off the ULF while Bob and Twitch escaped, going out in a blaze of glory. Clearly, they didn’t have their facts straight. Glad to have you back.” I’m glad I had the balaclava on because I was struggling to hide my confusion. Last I checked I was the scape goat for the largest backstab in Shadow Company history, not a hero. I was never a hero when I worked for them. “I take it you are going to see the boss, call up two-zero, we don’t want people to be just guess on the fly, just in case someone tries to sneak in.” If only he knew.
“We don’t have eyes up there Dutch. Whatever happens, you’re on your own.” I could hear a tinge of worry in Alex’s voice. “Just make sure whoever is in here doesn’t get reinforcements.” “You got it!” Alex and Maze both called out in unison. “Jinx, you owe me another beer.” “There’s free beer at headquarters, why would I owe you a beer for that.” Alex called back clearly still confused. “Radio silence please. I’ve got a rat to kill.” I took a deep breath, pulling my Bryson from its sheath, the chrome exterior brushed over with a dull grey to blend in. “Rook-44 up two-zero.”
“Well, well, well. I was wondering when I’d see you again after our last encounter. Urzikstan and Al Mazrah clearly hadn’t kicked your ass enough so you decided to come crawling back to me for another round.” The traps clicked off. “Come on up, I’ve been looking forward to this.” I slowly ascended, keeping my Bryson trained at the top of the stairs, my eyes scanning each stair for an actual trap. As I crested the stairwell, my eyes were immediately drawn to him. His back turned to me, Trophy Systems whirring and clicking around him. “I missed you Dutch. Well, the old you. The one that would shoot through a hostage just to prove a point, the one that would dangle captives from buildings by their collar until they squawked like a bird, and then still dropped them anyways. I miss the Dutch that smoked Keller because his gas mask worked and yours didn’t when we those crazy Russian’s tried to hit us with mustard gas. I still get a little nauseous when I think about you peeling his face out of there.” “I’ve changed Twitch, I’ve moved past all that. I found a calling that doesn’t require me to be a conniving bastard.” Twitch laughed as he turned around, his hands empty. I kept my Bryson trained on him. “That’s what you think I am huh? I prefer shrewd businessman, but if that’s what helps you sleep at night.” He walked to one of the barred windows. “You really think what you and those taxi driving hooligans are doing matters?” “Clearly it does, or you and the Chemist wouldn’t be working so hard to sabotage us.” I took a few steps towards him. “Well, I suppose it matters to one of us. The Chemist and Raz go way back, but you know that. What I care about is the money, and I get a lot of money for helping that crazy bastard try to wipe out your little band of Merry Men.” “And Women. This guy just loves the sound of his own voice. Can I remove his head already? He’s looking right at me, practically begging me to pull the trigger.” I could hear the contempt in Maze’s voice. Twitch always did love a monologue. “You can still fix your mistakes Twitch. Gives us what info you have on those tracers of yours and I might consider not killing you.” I snarled. “When you went soft Dutch, you lost any respect I might have had for you. We are long past the point where you can intimidate me. Besides, any info I did have, is with the Chemist. He paid a handsome sum to get the formula, and really, it was becoming a logistical nightmare to ship enough of those little blue gems across the sea. Better for everyone to have it made close to the front lines.”
“Spade-101 up two-zero.” Bob’s voice cut through the tension. “Well I’ll be, it looks like we are gonna have a little family reunion.” Bob’s head poked up the stairs, “Hey boss, another server bank has shorted out from the sea air, I told you we should invest in better waterproofing the housings but if you still…” He trailed off as I dropped my Bryson, the sling catching it just before it hit the ground, and drawing my two revolvers. “Oh, hey Dutch. Nice to see you too.” Bob stammered. I cocked the hammer on each one, keeping one trained on each of my old squad mates. “Really Bob? Really! I understand you sticking around the day of the heist. But now? After everything that Shadow Company has done to these countries. To its own people.” Before he could respond, a siren blared over the intercom system. “Defensive positions! Hostile operators have breached the perimeter.” “Dutch you’ve got six operators approaching the castle, I think it’s time to bounce.” Maze was drowned out by her own gun fire, her Signal .50 raining death into the courtyard. “Looks like our time is up here Dutch. Since you clearly don’t have los cojones to pull the trigger, you might as well see yourself out, and let me and my men handle this.”
“Fuck it.” The hammer of the first revolver slammed down, dropping Bob instantly. I turned to face Twitch, his face a mix of surprise and pride. “Maybe I was wrong, the old Dutch still lives.” I charged forward, tackling him through the window and off the roof. Both of us lay on the ground, groaning as the chorus of gunfire roared around us. He dove for one of my pistols, but unfortunately for him, I had managed to hold on to the other, putting a round through his arm just before he could grab the gun. He rolled out of the way of the second round, bringing his one working hand up to the radio on his chest. The explosion from the castle threw both of us across the courtyard, debris raining down around us. I felt like I was reliving one of the worst days of my life all over again. I hauled myself to my feet, Shadow Company mercenaries and operators wandered aimlessly through the ashes. Everyone seemed too disoriented to fight. “I think it’s time to leave Dutch.” “I second that.” Maze and Alex were barely audible over the ringing in my ears. “Regroup at the boat. If I’m not there in 5, go without me.” I never heard a response, even if they tried, they wouldn’t have convinced me to leave, not with him still breathing.
I combed through the smoke and fire, carefully checking every nook and cranny I came across but the slippery rat was nowhere to be seen. “Looks like you 3 aren’t thick as thieves after all, eh Dutch. Poor Alex here was left all alone on the beach, no boat to be seen.” Twitch was sucking in air between words, no doubt kept standing by adrenaline. “You lay a finger on him, and I’ll make you wish you had died in that explosion.” I spat into my mic. “Don’t make me wait too long.”
I limped over a hill towards the beach where we were supposed to regroup. “Alex! Where’s Maze?” I called out as I stumbled down the sand bank. Alex didn’t respond, his head held in a tight headlock by Twitch, my second pistol against his temple. “She abandoned you both, and now I get the pleasure of killing you both after yet another betrayal. When will you learn Dutch. This world is a cruel place. Only the strong survive, clearly Maze knew that.” Twitch cut me off before I could retort. “Save the fight me with honour B.S that I know you are gonna spew.” I’m gonna kill you and your buddy and salvage what little I can of this operation. Then maybe retire to Cuba. I do love a good cigar.” “Adios, pendejo!” Alex brought his arm down, the knife concealed in his hand connecting with Twitch’s thigh. Twitch let out a high-pitched yelp, letting loose a round from the revolver which narrowly grazed Alex’s hair. Alex dove into the sand right as Twitch’s shoulder exploded in a pink mist followed shortly by the unmistakable crack of Maze’s Signal .50. I squinted trying to see where the shot came from, all I caught was the glint from her scope in the sun, the boat hardly visible in the rolling surf.
I limped forward, Bryson in hand, chrome starting to show through the worn grey paint. I kicked the revolver away from Twitch, placing a boot on his chest and the barrel of my Bryson against his forehead. He began to mumble and cry, hardly able to string together an understandable sentence. “Save it, you’re gonna need your energy for what comes next.” Our boat slammed into the shore, Maze hopping off, rifle raised and ready. “Oh shit I actually hit that!” “I’m not gonna lie, I thought you’d actually just bailed.” I laughed as she helped Alex to his feet. “You still go those claymores?” I asked Maze as Twitch continued to writhe in panic under my boot. “You wanted the old Dutch, eh Twitch. Ask and you shall receive.” Maze handed me the claymores, while Alex kept sidearm pointed at Twitch. I planted 4 around him, just far enough away that they wouldn’t go off unless he moved. I drew one of my revolvers, popping the cylinder out and emptying all but one round. I gave the cylinder a spin before flicking it closed. I tossed the revolver at Twitch. “Don’t waste that on me. You’ll only regret it in about an hour.” I took my other revolver, and hurled it towards the sea, the pearl grip glinting in the sun as it spun through the air, disappearing into the crashing waves. “Good riddance.” I sighed, that chapter of my life finally ended. Twitch was silent, his whimpering now just deep, laboured breathing. I turned back before I stepped onto the boat, watching as his hand slowly moved to the pistol in the sand next to him. “Well played Dutch, well played.”
submitted by Dutchie444 to DMZ [link] [comments]


2023.05.30 07:04 LindertechProductsYT A List of a ton of characters I've created + Descriptions, differences & more (names may be similar but aren't referring to that)

[The Thing] this character is a voidling from the dimension of AA226.55 within the realm of Voidfriuss, The Thing is a creature from that void in which everything is as dark and non-refracting of light as possible, thus the character takes on shade colors from black to white and all the grays/greys in-between, he's very powerful and is a supreme being technically and can take any color from the light spectrum and use it to his will, he's currently the reddit picture for my reddit, he is holding his favorite tool, The Colomngiver... his tool can make anything go to his wishes once it has been striked, this doesn't work on organisms and only fluids or materials, anything that's alive or is remotely living in any sense will drain the tool's energy.
[The Nothing] this being is the absence of most things and only wishes to consume, it's a mass of eyeballs attached to blackened goo, kind of like a symbiote, except it doesn't take a form by person, it takes a form and grows, once something's inside, it'll be consumed and added to the mass, wether alive or not...
[The Nothingness] this being is not in the same plane as The Nothing, this being is a pure white void world which houses multiple types of bots, it even has an entire ecosystem in it, this being starts eating worlds wither when something zaps it in, or if the world is forgotten about for too long... it'll send its troops down to investigate the world... wonder why they stopped making Alchobots... they were everywhere back then in the beginning... now the alchobots seem to have gone missing, they had a bartender and a couple of fighters... if anymore vanish from the world, hopefully they can be found in that other odd world...
[The Ancient Ones] not much is known about them, other than the fact that they were supreme beings and have been locked away, maybe the symbols from a certain world will bring them back to return to thier duties and maybe some day, not have to go to that world again, they are protectors and are more powerful than any colossal that ever lived...
[The Colossi] There's a ton of colossi that existed in the land, but they've been split up across the land, waiting to be awoken once more, one in the cold icy peaks, another in the nether, one in the end wearing the island, but most of all... one in the earth, waiting to be dug up... there may be a sky one but that's only eluded to because of how it'd have to be composed... maybe it got split up into multiple pieces... that wouldn't be good, these colossi roamed around the land when it was still 1 layer thick... they make up most of the terrain and colossi still roam across the land, waiting to be found... these ones are smaller and walk on the land which is made up from the older colossi, not much else is known about them... other than thier location and some history of thier existence.
[Juird the Signwalker] once a measly old sign, willing the hopes of always having a purpose... but when he lost the only purpose he knew, he started using darker magic with no knowledge of it except that it was powerful, he then grew 2 horns at the end with an orb being held by one... he has immense powers and can fly, know the story of the world and can push other realities into existence... this isn't all he can do though, he will find The Something and free himself and the world from its existence...
[The Narrator] a mysterious figure who somehow is writing the story as it goes on, he is fully aware of the world and knows what could happen in the future... he will not spoil it though as he has more important things to do, like writing Chapter 660 of his soon to be famous novel of how one dude saved the entire world on his own, despite many clones he made... he created a new centerpoint and stuff... wonder what this story eludes to... but it has someone known as "The Hero"? ah well... guess it has to wait 'til he's done with chapter 660 of this, I think he only has 2,568 more chapters to go as he writes everything down...
[The Something] a cosmic draconic being in which knows all, it is the embodiment of something existing and how it originates from different things, juird's looking for this for some odd reason, not sure why he wants to find this highly destructive being who's left the ancient ones alone for some time, she'll never go to him though, he's too crazy and out-of-his-mind to let him find her...
[The Everything] a being opposite to The Nothing in which can create anything with limitless power and would rather split the form it has until it can't no more, just to create more lifeforms and whatnot, a not-so-perfect balance and a cup of something will do. just a touch here and a touch there, this something is tasty! "but I want to taste the essence of existence..." as I once said looking at this being who looks like an amalgamation of every biblically accurate angels...
That's all for now, see you in the next post, hope you have a wonderful day!
submitted by LindertechProductsYT to LindertechProductions [link] [comments]


2023.05.30 06:38 CussyTooTussy Is this watch an homage? Clomage?

I found this Heimdallr Sharkey watch and love it.https://www.aliexpress.com/item/1005003642961750.html?spm=a2g0o.productlist.main.17.50bb6fffURKl6A&algo_pvid=e099559a-3cf1-43c6-b4ec-10028357d16b&algo_exp_id=e099559a-3cf1-43c6-b4ec-10028357d16b-8&pdp_npi=3%40dis%21CAD%21479.84%21239.92%21%21%21%21%21%40211bf3f716845083881921928d07ba%2112000026620355823%21sea%21CA%212045084619&curPageLogUid=yti2FTo0wkUJ
It nails four things I want in a watch: An SKX case. A silvegrey Yachtmaster bezel. A white dial. Promaster handset (thought legibility could be an issue and I may need to swap a black outlined handset in to the watch).
I think I am going to buy it during the next sale. I am just curious if it is an homage/clomage? I have nothing against them but am curious if I have found an original design on Ali. That may be a stretch though, perhaps better described as a watch inspired by a few different watches but not a blatant homage/clomage? What are you thoughts?
Thanks in advance for your comments. Happy watching!
submitted by CussyTooTussy to ChineseWatches [link] [comments]


2023.05.30 06:21 Euroaltic I just checked the Hot Wheels wiki to see if any cars I owned are still in production, and... is this one of the rarest, post-2000s mass-produced diecasts?

I just checked the Hot Wheels wiki to see if any cars I owned are still in production, and... is this one of the rarest, post-2000s mass-produced diecasts? submitted by Euroaltic to HotWheels [link] [comments]


2023.05.30 06:17 ic33hot [US-GA] [H] Mc65 Black, Noxary 378 Gray, RS60 Red WKL, GMK (Fuji Katakana, Lavender Spacebars), CRP Kits, KC 1/65 PCB + PE + Half FR4 Plate, Thermal PCB + Rose Plate, Hiney H88C, Plates (Cloudline PC, Vega POM), Alchemy Artisan Box, Magenta Keyby, Dualshot Rudory, Arch Alu Artisan [W] PayPal, Trades

Timestamps
All prices include US shipping and PayPal fees. Feel free to send me any reasonable offers, bundles will be heavily discounted and prioritized. Local pickup is also available in the metro ATL area.
Please comment before PMing if interested and no chats please. All items will most likely go out the next business day after purchase. Thank you for looking.
Item Description Price (Shipped)
Mc65 Black Like new condition. Currently built but will come unbuilt with stock desoldered PCB and alu plate. Includes carrying case and brass + frosted PC badge for RGB goodness. Very nice feeling top mount with a low front height and a unique aesthetic with the badge + weight. I'll be happy to provide a sound test in PMs if interested. Price is dropped from my last post. Open to trading for Bias, 910 ME, or other similar-valued boards or possible with PP on my side depending on the trade. $599/Trade for similar-valued boards
Noxary 378 Meteorite Gray Flawless, A-stock. Includes 2 PCB's (1 brand new, 1 desoldered) and 2 plates (5mm PC + red alu). Gaskets are installed on the case. The gray ano is gorgeous in person and almost Apple space grey like. Selling for way below retail when factoring in the extras. Open to trades for boards like a Matrix Corsa or Bias, or even just a color swap to red. $535/Color swap to red or trade for other boards
RS60 Red WKL w/ Hotswap H60 + Extras Comes with a hotswap H60 (multi-layout support), brand new solder H60, and 2 plates (alu + PC). Nearly perfect condition except for two very minor marks near the USB port. Selling at well below retail especially factoring in the cost of the extras. Price is dropped from my last post. $385
GMK Fuji Katakana Base + Spacebars Like new, mounted a few times but it has less than an hour's worth of use. Spacebars are practically brand new. Open to trades for other GMK sets like Iceberg, Zooted, Beta, Analog Dreams, or others. $155/Trade for other GMK sets
GMK Lavender Spacebars Brand new and unused. Selling less than Space Cables extras. $35
HammerWorks CRP R4 Kits All brand new. Prices per kit are listed but the bundle is discounted and preferred. Modern Mac Icons (Beige) - $35, Blue Windows (Cross) - $11, R5 - $21 Individual kits in desc/$49 bundled
Keycult No. 1/65 PCB + UHMWPE/Half FR4 Plates All brand new. The PCB is originally a Wilba solder PCB for the Rama Jules but will work fine on the 1/65. Also open to splitting the plates together as a bundle but not the PCB. Price is dropped from my last post. $95 bundled/$57 for plates
Thermal60 SEQ2 Hotswap PCB + Rose Plate (brand new) Both brand new and unused. Selling less than Rama even before shipping. $95
Hiney H88C Brand new and unused. North-facing, non-thin 1.6mm PCB's. Selling at below NK pricing. Price is dropped from my last post. $45
Cloudline Full PC Plate Brand new and unused. Selling at less than CK extras after shipping/taxes. Price is dropped from my last post. $49
Vega POM Plate Mounted with switches once or twice but like new. Universal layout. Price is dropped from my last post. $25
Alchemy Artisan Box (Hard Black/Brass) Used on my monitor riser for a few months. It has some marks from removing and mounting artisans due to the hard anodizing (same as KC tray) but nothing too noticable once filled. I've tried to clean off some of them with alcohol and they seem to come out with some effort. The brass badge has a little patina and the bottom brass piece has some marks from moving around. Selling at my original cost. $155
CYSM Viva Magenta Keyby Selling at less than retail. Brand new and never mounted. I'm also open to trading for other Keybys. Price is dropped from my last post. $95/Trade for other Keybys
GMK Dualshot Namong Cosmo Rudory Like new, mounted once. It's a near-perfect match with Dualshot but I prefer Cherry profile artisans. Price is dropped from my last post, now at retail. $115
Asero GMK Arch White Alu Artisan Like new, mounted once. Selling below retail. Price is dropped from my last post. $59
GMK Aegyptus Rama Tray Brand new and unused. Selling at my GB price after shipping. Price is dropped from my last post. $55
Also looking to buy the below:
WTB
TGR 910 ME Solder PCB
submitted by ic33hot to mechmarket [link] [comments]


2023.05.30 05:53 NaimaChan Trip Report: Tokyo, Kawaguchiko, Kanazawa, Kyoto, Yokohama, Kamakura

Just got back from 10 days in Japan and wanted to type up a trip report to hopefully help others that are trying to plan a trip!
Our trip was 5/16 - 5/28 including travel days. This was my 2nd time in Japan (first time was study abroad for 5 weeks in May/June 2016), but it was my mom & sister's first time, so the goal was to include as many must-see activities as we possibly could in the short time we were there. Our days were packed to the brim however all 3 of us are fairly active and healthy so despite being absolutely exhausted by the end of each day, in retrospect we wouldn't have changed a thing in our itinerary.
That being said, our itinerary would be much too busy for the average person's first trip to Japan so keep that in mind if you use this information to plan your own trip. For example, we usually only had time to sit down and eat for one meal per day and had to eat on the go for the other meals in order to have enough time to go to all the places we wanted to go to. There was very little downtime in our trip.

Tourist Tips


Accommodations


Daily Itinerary

Day 1 & 2: Travel

Day 3: Imperial Palace/Ueno

Day 4: Shibuya/Akihabara

Day 5: Asakusa/Ginza/Omoide Yokocho

Day 6: Harajuku

Day 7: Kawaguchiko

Day 8: Kanazawa

Day 9: Kyoto Day 1

Day 10: Kyoto/Nara Day 2

Day 11: Tattoo

Day 12: Yokohama/Kamakura

Day 13: Travel

Trip Cost


Cost Breakdown

Airfare
Accommodations
Transportation
Meals
Souvenirs
Activities/Admission
Tattoo
submitted by NaimaChan to JapanTravel [link] [comments]


2023.05.30 05:49 portcullis357 (SPOILERS MAIN) People Misunderstand This Daenerys Prophecy

I know this has been talked about before, but I felt like most theories I've read about Daenerys' prophecies don't make sense to me. Especially the 333 prophecy.
Three fires must you light… one for life and one for death and one to love…
I believe these fires she lights refer to magical fires. The popular theory for the fire to light is the pyre that created the dragons. I agree with this.
The fire for death I believe will occur like in the show, in which Daenerys lights the khals and crones that do not submit to her afire to untie the hordes under her rule. It makes sense. It shows her dominance, which the Dothraki respect.
The fire for love I believe to be a fire sacrifice she will make to have a baby with Jon Snow. This could be any number of fires she sets when she invades Westeros. The reason for this is due to the other prophecy made in the first book:
When the sun rises in the West and sets in the East. When the seas go dry and mountains blow in the wind like leaves. When your womb quickens again, and you bear a living child. Then he will return and not before
So far this all seems pretty standard consensus in the fandom, and it that make sense to me. But now here's where I feel most people give confusing theories:
Three mounts must you ride… one to bed and one to dread and one to love…
The popular theory is that this refers to lovers, but that makes no sense for a variety of reasons. Daenerys has already had numerous lovers, and it all seems inconsequential for a prophecy to be like, here's some people you'll fuck or marry or whatever. She already fucks more than 3 people, and she didn't just marry Drogo to bed. She was forced into it. The mount to bed is Silver, but she's not fucking the horse. She mounts Silver and jumps over a fire in order to move on through the ceremony and bed Drogo afterwards. It's treated as a big moment in the books. It’s the first moment in the story in which Dany overcomes fear and begins to take control over her destiny. Silver becomes her spirit animal in many ways, and its death in book 2 is heartbreaking for her. This is her first mount, representing her first leap into adulthood.
The mount to dread is Drogon. She learns to ride Drogon at the end of DWD, and it's incredibly taxing, violent, and bloody. She abandons peace and compromise and has chosen Fire and Blood. Daenerys will ride Drogon to unite the Dothraki. Drogon is the Stallion Who Mounts the World. This is the scariest leap into adulthood, and it leads to pain, suffering, and filth. It relates to losing her innocence and desire for peace. It also calls back to the Black Dread.
The mount to love is the most unclear, since I think it hasn't happened yet, but she will have to mount another animal in order to love. This must have to do with Jon Snow. My guess is that she rides Ghost while Jon rides one of her dragons. But this will lead to her conceiving a living child with him no doubt and be the end to that quickening womb prophecy.
Three treasons will you know… once for blood and once for gold and once for love…
The popular belief is Daenerys will be betrayed, due to Daenerys herself thinking this in the books, but it really doesn't make sense.
“The Undying of Qarth had told her she would be thrice betrayed. Mirri Maz Duur had been the first, Ser Jorah the second. Would Reznak be the third? The Shavepate? Daario? Or will it be someone I would never suspect, Ser Barristan or Grey Worm or Missandei?” – (Daenerys I, ADWD)
The previous parts of the prophecy are about things Daenerys must do, so there's no reason for the third part to be any different. Plus, she's already been betrayed more than three times by multiple people. George is misdirecting for most of the book by using Daenerys' POV to steer readers into the wrong direction of thought. It seems clear that Daenerys will be the one doing the betraying. The clearest hint that its Daenerys being the betrayer is clearly spelled out in Daenerys X of DWD when she talks to a vision of Viserys.
"Only when you woke the dragon. I loved you."
“You sold me. You betrayed me.”
"No. You were the betrayer. You turned against me, against your own blood. They cheated me..."
I think George intended this to be a big reveal for readers paying attention. This is a fitting conclusion to Daenerys' arc in DWD. The whole book she is paranoid and thinking about how to achieve peace and avoid conflict, but in this chapter she realizes she must embrace her true nature of Fire and Blood, and that it really is herself that is the betrayer. Her whole arc is about starting as an indecisive innocent girl and becoming an assertive conqueror.
The treason she will know for blood was Viserys. What's interesting is that Viserys says that she turned against her own blood, meaning the treason was not to get blood, but the one betrayed was her blood.
The treason she will know for gold seems to have not happened yet. Daenerys will commit treason against someone that represents gold or where gold plays a significant role. She will need gold to go to Westeros. Gold wins wars. I suspect it could be Tyrion or whoever ends up being her Master of Coin. It could also be someone in Qarth such as Quaithe or Xaro.
The treason she will know for love means Daenerys will betray someone she loves or she will betray someone else for her love. It definitely relates to Jon. Many say what happened in the show could occur, in which Daenerys burns King's Landing. Maybe she promises Jon she won't, but she does anyways. Another possibility is Daenerys may willingly sacrifice herself to stop the whitewalkers. Maybe she knows she is Nissa Nissa and bares her chest for Jon. Maybe she promises Jon that she will not sacrifice herself, but she does anyways to save him and the realm.
submitted by portcullis357 to asoiaf [link] [comments]


2023.05.30 05:48 The_Alloquist [A Lord of Death] - Chapter 48

[←Chapter 47] [Cover Art] [My Links] [Index] [Discord] [Subreddit] [Chapter 49→]
The blade forging left Sorore exhausted, the failure left her frustrated, and the cold gave way to fear as the night drew closer. As day faded into dusk, she reflected on a morning that had been as full of ups and downs as the mountain paths they’d travelled. The very fact that she had been able to use magic, that it had crashed from the realm of fairy tales and church warnings into the very real everyday occurrence was already an earth shattering experience.
Then she’d moved water with a thought, seen monsters fall from the sky, and watched the paladins cleaving them in two. Her head spun with the strangeness of it all, the sheer onset of fanciful things blurring and mixing together with reality. She began to wonder what else might be true, of the fairy tales in the myth she had heard on the seas in her father’s ship. Of the old folk stories of Erratz, often dismissed as nothing more than old wive’s tales.
A new world had opened up before her, and she wasn't sure to be fascinated or terrified of it. Certainly the paladins didn't want any part of it, and they certainly didn't want her to be involved. And from everything she knew of the church scripture, they were absolutely right. She felt the danger, the power of the matter, and knew that it was only a small fraction of what it could do. She even felt a certain degree of fear towards the masked man in the black robes, as respectful as he had been as a tutor.
At least he didn't use a switch to reminder of when she had failed.
But even in the murk of her disquiet in that moment, she also felt a smouldering frustration underlying it. The knife had been hers, her project, her duty, and she had resolutely failed to craft it. Part of her shifted the blame elsewhere - it was a new technique she had picked up over the course of an afternoon. Efrain himself had said as much, even going as far to say that he hadn’t expected her to do it.
Now that was something she didn’t like at all. When people expected her to fail, despite all her efforts.
However, that resolution meant little now, given that she had been excused from the effort. At least now the mage had the basic shape to work on. She let her hand drift on the rough stone walls of the church. Thousands of individual perfections, many thousands of years old, the stone functioning despite it. Perhaps it would be enough, the basic, overall function, but she recalled all the pittances and channels carved in her vision of the knife.
She knew what was driving the doubt. It was curiosity, that sticking bug that clung to her, despite all her prayers to the contrary. She just couldn’t seem to shake it, despite the ‘assistance’ of church teachers when it reared its head particularly high. She had expected the snap across the palms from Efrain when he drew that piece of wood. It had been a relief when he’d tossed it over his shoulder.
The thought was an unworthy one, she immediately considered. She should’ve been grateful to the various priests and scholars who’d spent years teaching the twins. Some had even prepared their entire lives, just on the chance they’d meet the beloved Bequeathed. If they were strict, then so be it, it was for the sake of preparing her and Frare for their duties.
The church was once more a buzz of activity as people prepared for the night ahead. She and Lillian found their way to the altar, attracting only minor glances. The villagers clearly had gotten used to their presence, although some offered a respectful and perhaps wary gaze for Lillian. One of Frare’s eyes opened as they approached, but he quickly returned to his half-rest leaning on a pillar. Aya was still very much asleep, chest gently rising and falling under the furs where Sorore had left her.
Sorore sat on the wide steps, put her chins on her hands, and began to think. It was a rather dangerous proposition, considering her recent failure. She had a tendency to ruminate on them, and often her twin would find her staring plaintively before loudly disrupting it. This time was no different, as before anything but impotent frustration could boil over, he plopped down behind her back.
“Stop that,” he said, “I can hear your teeth beginning to grind.”
She leaned back to lie upon his lap, despite the admonishment she heard in her head about proper sitting position. His eyes were closed again, and she followed suit, letting the minutes wile away as night crept into the word. She was shaken out of this reverie by a loud pop and Aya’s yelp. The girl was both mid yawn and bright red as both the paladins and the twins turned to look at her. She insisted that she was fine, and took to straightening her clothes subconsciously.
It was a mere temporary distraction for Sorore, who was largely engrossed in considering the knife. Rather than merely wallowing in her problems, she was invested in its function. She could almost see the stone parting before her, revealing the source of that smothering cold behind the door. Maybe if she had tried one more time, maybe if she reduced the complexity of the form, then increased when she got the basic shape. Maybe. Maybe. Maybe.
It was all of very little use. She was inside her head once again, at a complete loss of what to do. Maybe, within the grand archives of Angorrah, the answer was contained in a dusty scroll. Some offhand fact or technique of forging, long forgotten in the darkness of the shelves. But these were several weeks of travel away, and she wasn’t sure that she’d see the next sunrise. So then, what could she do to get them to bridge that gap? Just one more day, that’s all they needed, to hold out until the next sunrise.
Nothing. That was the simple truth of it - she was a lost little girl in a small village surrounded by terrible things. The thought was not a comforting one, and she wriggled, trying to nestle deeper into the legs of her twin. Aya by that point had come to sit down beside them, looking greyer as the dark came on. No wonder, for she knew she all felt the chill roll forward as the fog waxed in the night.
Another meal of common fare came and went, though Sorore noted that many soldiers were taking care with it. Perhaps it was common practice, to relish what very well may be your last meal. For her part she found it rather difficult to keep it down, the coming dread of the hours ahead offsetting her appetite.
The faces of the paladins had settled into that implacable, stoney cast once more. They quietly rebandaged their injuries, readjusted their armour, and set to sharpening their great blades with long deliberate strokes. Sorore idly thought that their sleeping faces were significantly more pleasant, if rarer to see. Thus it was that they crossed over into the late afternoon, where the light was quickly fading.
“I would like to take one last little walk,” Aya spoke up, “before… you know.”
The paladins looked up, their eyes twisting with barely veiled misapprehension at the request.
“My lady…” Lillian began.
“We can’t,” Niche said, “Not now. Not so close to dark.”
“Just barely outside the door,” said Aya, “Just so I can see something other than the church. Just to stretch my legs.”
The paladins looked at each other, looked back, and set their faces.
“Well, I suppose it can be accommodated,” Lillian said, “only just outside the church, and only for a few minutes.”
Her tone warned of dire consequences if these conditions should not be strictly adhered to. The children all collectively nodded and the party of five set out past the doors. The barricades within the church had grown in size and strength, at least as far as Sorore could judge. The villagers, under the supervision of the soldiers, had proven diligent in the daylight hours. She could only hope that it would be enough for the onset of the creatures, should they breach the church.
She had a dread certainty that it would indeed be breached, sooner or later. Though she hadn’t heard of any specifics, whispers of just how many of the things lurked outside were passed around. It was a small stroke of fortune that the windows were narrow and ensconced in stone. The last thing they needed was one of the flying beasts to crash through the glass.
The faint red-pink cast to the grey outside was beginning to fade into blackness as the sun shrank. Occasionally, the banks of fog would strip away, revealing the abominable silhouettes standing still past the wall. They would close just as quickly, removing any clarity, and leaving only the icy fear in its place. The remaining soldiers and villagers watched them with anxiety and exhaustion.
The garden around the front of the church was almost non-existent. Most of the flowers had been trampled either in preparation for or during the course of the battle. The only things left relatively untouched were the central beds around the side of the church, which grew produce for its tenants. Some trees still stood, showing minimal damage from the fog and its creatures.
The five ducked under the boughs of the closest one to the doors. The additional chill brought by its shade was a trifling concern at the present. The green, muted as it was by the overcast sky beyond, was a lively anchor in the cold, dead mists. Such was the comfort of the place that Soroe let herself lean back onto the bark of the tree and eyes drift closed.
The trunk was solid, a comforting sensation that seemed to offset the malevolence of the fog.
Enough so that Sorore began to wander the netherworld of half-sounds and sights that characterised pre-sleep. They all wandered with her, some staying, some peeling off, guided by their own demented logic. Little and less was coherent, but it took her away from the horrible reality of what lurked a few hundred steps away all the same.
She fell deeper into this other-state, letting the visions wash over her as the real world slipped away. Time became a mercurial concept, which led her to question when exactly everything had settled. But settled it had, into a hazy blackness which the eye could not pierce. There, in the distance, a bright ribbon of twisting warm color glowed. A piece of fresh-forged metal perhaps, the day’s task going straight to her head. Or maybe it was the remnants of another dream that day, one that was already a blurry memory.
From a great distance, she heard a crash, unmistakable in its ringing clarity. A forge hammer singing out a song of its own, for now merely a rhythm. It shifted in tone as it rang out through the abyss once more, adding progression, then melody, all written in singing steel. Sorore’s fingers began to drum out the sequence on her thighs as she felt it reverberate through her. Then, with a sliding screech, she was left alone in the half-dream, with nothing but darkness remaining.
Still, the bright memory of the song remained, and in the darkness another voice took shape. It was a deep, rich, and handsome sound, that spoke of a confidence of such immensity that you were convinced its wielder could do anything. Sorore had never heard the likes of it before, either on the docks, or in cities, or on the open waves.
“Come now,” it said, “this little thing is giving you trouble?”
Sorore’s eyes slowly open, pulling her from the dreamscape back into the dreariness of the real. Aya had her knees pulled to her chest, leaning back into the trunk. The paladins, tired but alert, scanned the endlessly shifting banks of fog.
Sorore had a fleeting impression that the answers were just beyond the pale mists. Maybe something would come through, parting it like thin curtains, and impart the inspiration she needed. Or maybe a whole set of schematics will drop into my lap from the sky, she thought with dark irony.
The vision was quickly fading into the abyss of forgetfulness. Perhaps Aya had shared it once more with her, but she was in conversation with the paladins. Not wanting to interrupt, Sorore looked at her outstretched legs. Past them were a handful of leaves that had fallen despite the summer of the valley, with a couple long decomposed to nothing but their skeletons.
She reached out to grasp at the leaves, looking at the yellow-grey veins that raced across its surface. The large ones spread from the central stem and the hundreds of smaller capillaries that interconnected them. Holding up to the sky, she screwed her face, trying to discern the details of this piece of nature. After a few moments of tepid stillness, the clouds parted for just a moment, letting a ray of sunlight lance down to catch their hill in its beam.
For a second, the leaf seemed to glow, shimmering like metal catching glare.
And Sorore had her inspiration.
With that, she sprang to her feat so fast that one of the paladins almost jumped. Both looked around with questioning and slightly alarmed expressions. Sorore didn’t have much of an answer - in fact her mind was going so fast that she could hardly even articulate the solution that had been revealed to her.
“The- the- the-” she said, snapping her fingers, trying to put words to the idea, “I know what to do. I need to find him.”
“Find who? The mage?” asked Lillian.
The fiery certainty of the thought sent Sorore tramping out onto the grass, leading to calls from the paladins to slow down. She didn’t bother to wait for them, consumed by this need to find the mage, the knife, to try again.
The forge was more or less empty, save for the few labourers packing up the tools and ferrying them into the church proper. With a furious set of questions, she gleaned that he’d vacated the premises some time ago. The paladins called for her to stop as she doubled back, but she couldn’, not now.
The scenery seemed to blur as she rushed through the church doors, past the bustling barricades, and to the captain’s tables. A somewhat perturbed Damafelce told the young girl that Efrain had been seen entering the door at the end of the church. With that, Sorore broke out into a run, past the altar, through the door and down into the darkness of the Catacombs.
She stepped out onto the sand floor, the members of her party at her heels as she tried to seek out the path to the black wall. She stumbled more than once as she felt her way along in the darkness, fortunately with no skeletal interruptions this time. Down the stairs and into the long corridor she came, the smothering cold increasing as she pushed forward.
As she had surmised, Efrain was there, just about to start whatever process pried apart the stone. The tip of the blade was raised, pressed into the stone above his head. He turned at the approaching footsteps, cocking his head at the lack of isolation. Sorore didn’t even wait for him to say something, instead thrusting out her head for the crude metal knife.
“ I know- I can- I can do it now,” she said, breathless from the long run from the surface.
Delicately, Efrain removed the metal from the stone, and looked down at her. There seemed to be a questioning quality to the look, at least as far as she could read the emotionless mask. He looked at the cat, then back to the girl, and then to the rest of her party.
“How?” he said, “ If I let you undo this, we may not have enough time to recreate it before the attacks begin.”
“Leaves,” she said, putting a hand on the wall to steady herself as her lungs complained, “it- was the leaves.”
“The… leaves?” he said, “ All right. Stop, take a few breaths, and start from the beginning.”
And so she did, explaining how she sat under the bows of the trees, the half-awake dreaming, and the skeleton of the leaf.
“I got it. I was trying to build the whole thing out myself, all at once,” she said, stumbling over her words, “instead of letting nature do what it wants. The metal wants to come together - I don’t need to force it into its final shape. I just need to build a- a-”
She snapped her fingers at the air, trying to reach past this new blank as Efrain regarded the knife.
“You want to build a frame,” he said, “and let the metal fill in the rest of the empty space.”
After a moment’s hesitation, he turned over the knife, hilt first, to the girl.
“Well then,” he said, “let’s hope you know what you’re doing.”
She did, or at least she hoped she did this time. Within moments, the metal was flowing over her hands like a cold stream, but instead of trying to sculpt it, she began to spin filaments outwards. Like the skeleton of the leaf, little veins of metal stretched outwards, stopping abruptly, and folding back into themselves. If it had been hard before, it was now brutal, the smothering cold dragging at every attempt to shape the material.
Hands trembling, sweat beginning to bead on her forehead, she managed to split the metal into dark fingers. All she had to do was resist gravity and prevent it spilling over the imaginary bounds of the shape. From those dark fingers, snaking vines spread out and connected with each other. Slowly, slowly, branching and arcing, they filled in the skeleton she’d created and fused.
The final product wasn’t altogether too different from what they’d created during the afternoon. The shape, a heavy chisel tip, tapering out to twin furls like a plough, a longer tang. Sorore, half blind by stinging salt, didn’t fail to notice swirling furrows spreading across its surface. She had no idea how she’d managed to etch those designs, or perhaps the metal remembered, just as the stone did.
“Well,” said the mage at last, “suffice to say, I am impressed. Now, hold it up.”
She did so, despite the exhaustion of her arms, the tip wavering as his finger touched its point.
There was a rush of something, extending over the surface of the blade, stopping just short of her hand. It was like a coat of mail had been pulled taught, the links aligning at the same time, snapping together in a regular structure. From the tip of the chisel, down to the tang, the metal shuddered and settled. By the time it disappeared under her grip, it was rigid as any steel tool.
The mage gently took it from her, holding the blade up to that little flickering light above his head. Flicking it this way and that, he seemed to find whatever he was looking for, and pressed the tip to the wall. Sorore, despite her fatigue, was practically exploding with excitement. She’d done it, not only conquering the task, but she was about to see what was behind those dark walls.
Then, before he pressed the blade into the stone and drew it down, he paused.
“Paladins,” he said, voice quiet, “it would be best to take the children back into the church.”
Lillian frowned and put a hand onto her hilt as she stared at the door.
“What?” said Sorore, aghast, “ But I-”
“No buts,” said Efrain, “we don’t know what’s behind this door. It may be dangerous, it may not. But I strongly suspect it’s not something you would want to see. Very well done, little one, but this is something I should deal with on my own.”
The tone of academic authority was not an unfamiliar one to Sorore. But unlike in virtually all other occasions in her life, she attempted to object. Before she could speak more than a few words, Lillian took her by the shoulders, her mind apparently made up. All three of them were carted up the stairs as barely contained rage began to bubble up inside her.
“Do you think we should…?” said Niche, gesturing to the surrounding stone.
“No, not yet,” Lillian said, “putting aside everything else, we still might need him.”
Niche nodded and said no more.
They had made a steady pace, overtaking half the hallway as the scream of metal on stone echoed out. It was followed by a grating rumble as presumably the doors opened. If the temperature below the surface was cold when they came, the resulting drop was freezing. The mist that rose up behind them whispered things in long mournful sighs as the surroundings began to buzz with what must’ve been magic.
Then, from up the stairs there was a long, terrible wail.
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2023.05.30 05:36 skeriphus On the Nature of Sorcery: Chapter 0.2 — Tea Time.

Motivation — A Close Reading of Tea Time

"I'm six feet from the edge and I'm thinking: maybe six feet ain't so far down?"
Nimander Golit
Chapter V of Weathered
2002 BS
Click Here for the Introduction to the essay series.

Prelude to the Close Reading

Why, hello there, again. It’s been a few weeks but I promise that this endeavor is still moving forward. For those that don’t know, this essay is a part of a collection I’ll be putting together which investigates the Eleint, their blood, and sorcery within the Malazan shared secondary universe. We’re still laying down our foundations, and today we’ll be covering a sequence of scenes in Chapter 8 of Toll the Hounds.
My intentions were to cover all of the scenes in a single post, but that has proven itself to be difficult. As such, I’ll cover the first scene in this sequence in this post. There’ll be one or two follow-up posts.
There are ten scenes that are in this sequence:
  1. Nimander 1
  2. Desra 1
  3. Desra 2
  4. Skintick 1
  5. Desra 3
  6. Nimander 2
  7. Desra 4
  8. Kedeviss 1
  9. Nimander 3
  10. Kedeviss 2
I’ll be approaching these scenes (including the one discussed today) through a few lenses.

A ringing of bells.

In his musings on writing, Erikson discusses the notion of a bell. I’ll let him speak for himself.
In the scenes we’ll be looking at, some of the bells that I believe are used are (and not all of these are represented in this first particular scene):

Existentialism.

Particularly the genealogy of continental philosophy that led to Sartre’s existentialism and the shared/adapted/bifurcated philosophies of his contemporaries (such as de Beauvoir, Camus, and Merleau-Ponty). This wasn’t my initial intention when I decided to use this sequence of scenes as a launch pad into my collection of essays. However, the beauty of close-reading is that you go into a text with a hypothesis seeking evidence and support, and then end up with new insights.
Some of the concepts that will be brought up are:

Genre conventions as grammar.

Particularly, we’ll look at Erikson’s use of genre conventions from the likes of Gothic literature and Weird Fiction — namely the Sublime, cosmic horror, and the Weird — as the subtle language used to convey tension that is congruent with some of the other subtexts. If these grammars are subverted, we’ll try to point that out too.
We will later delve more into Malazan’s literary genealogy in other essays, but I want this lens to be present during the reading to see how Erikson aligns or subverts these genre conventions.
We’ll be using Professor Michael Moir’s YouTube lectures on Weird Fiction as reference.

What the fuck is happening?

This is a question about plot that I will answer at the end of all of the scenes, but keep it in mind as we go through. It has less to do with existentialism and Gothic literature and more on what Gothos was trying to do during these scenes.

Pre-TtH Context

We first meet Nimander and his siblings (unnamed) in House of Chains on Drift Avalii. By Bonehunters, they had left Drift Avalii and ended up at Malaz City, where they then joined Tavore Paran’s fleet while fleeing Malaz City. In Reaper’s Gale, we find the siblings had been ‘adopted’ by Sandalath while they traveled to Lether with the Malazans. Phaed wanted to kill Sandalath. Nimander stopped Phaed from killing Sandalath. Withal (Sandalath’s husband) throws Phaed out a window. The murder is taken as a suicide. The siblings intern Phaed and then meet Clip, who offers to lead them to Anomander in Black Coral via Kurald Galain.
This gets us to Toll the Hounds, where Nimander is being haunted by Phaed. They’ve left Kurald Galain and are now on Genabackis (but not yet to Black Coral). Nimander fears the future meeting his father and the rest of the Tiste Andii. The siblings and Clip ‘stumble’ on Morsko, where Clip is curious about its cult of the Dying God. A ritual takes place there. Nimander and Skintick are nearly enthralled, but are saved by Aranatha (and thus Mother Dark herself). The group then find Clip, who is in a coma. They collect him, and set off in a wagon to follow the Dying God’s priests to Bastion. Along that journey, the siblings stumble upon the High King, Kallor, who reluctantly chooses to not kill them and instead travels with them.
The sequence of scenes in Chapter 8 that we’ll be discussing follows some time after Kallor joins the siblings.
Now that the administrative stuff is out of the way, let’s dive into the first scene.

Nimander 1

Rum-induced memories.

We start this sequence thrust into Nimander’s introspection on ‘rage’ as a breaking of a vessel, impossible to fix. He recalls Deadsmell’s musings that ‘rage in battle’ was a gift while the two drank rum. Rum that awakened memories once ignored by Nimander.
(Note: in Scene 2, we’ll see Desra’s view of Nimander, and we’ll see that Nimander’s ruminations on rage here are what inform Desra’s view of him, and not in the way that Nimander’s doubt imagines.)
In the previous post, we discussed memories and their decay. So much of this series and the lore surrounding it is driven by the memories of ancient beings. Nimander is younger with respect to ancient beings (but ancient nonetheless), and even he struggles with his memories. Perhaps this is a result of the traumas he’s experienced with respect to his being in diaspora and perceived abandonment by his father (a symmetry itself with Rake’s — and the Tiste Andii as a whole — relationship with Mother Dark).
He recalls the rum lighting “a fire in [his] brain, casting red light on a host of memories gathered ghostly round the unwelcoming heart.” He reminisces on the time after Kurald Galain (but before Drift Avalii) and his father’s emotional indifference. He recalls the pranks him and his kin would pull on Endest Silann; the arrival of Andarist and his arguments with Anomander. It is unclear what the arguments were — if you’ve read Forge of Darkness, you might be able to infer what’s likely, but I’m curious if the argument is Andarist asking to take the siblings and Anomander refusing, or Anomander asking Andarist to take the children and Andarist was reluctant? Was the argument about Anomander thrusting the Hust blade, T’an Aros/K’orladis (i.e., Vengeance / Grief), onto Andarist or did Andarist already possess the blade? We don’t know exactly to my knowledge, but it’s fun to speculate.
Regardless, Nimander recalls, like a certain inscribed hearthstone, there was peace. Andarist was to take them all through a threshold, a portal elsewhere (as mentioned, portals end up being a rung bell, so pay attention). Nimander remembers Endest’s weeping as the children were pulled through a “portalway into an unknown, mysterious new world where anything was possible.”
Andarist raised the Tiste Andii children on that portal’s other side, on Drift Avalii. We know (or can infer) that this was a task to protect the Throne of Shadow, but Nimander and his kin didn’t understand this as children. But Andarist led them with his pragmatism, he ensured they learned how the world was. With our knowledge of Kharkanas, this is so powerful. We know Anomander’s hubris was abused as a motivating factor for Hunn Raal’s despicable acts. We know that Andarist likely lacks children of his own in response to this, and so his taking on guardianship over the children of his brother — that very same brother that rejected Andarist’s grief in favour of vengeance (and materialised in the T’an Aros/K’orladis dichotomy) — is a stark, challenging, and ultimately selfless decision.
But this pragmatism created child soldiers. The collision of reality’s necessity to survive and carry out the duty of protecting the Throne of Shadow came at the expense of what little remaining childhood innocence Rake’s brood still had (even as a people on the run, exiled from their home due to a sociopolitical schism). Andarist became a stern teacher, juxtaposed to the echoes of Endest’s gentleness. “The games ended. The world turned suddenly serious.” Nonetheless, the Tiste Andii siblings grew to love Andarist.
Nimander continues his introspection:
See a bored child with a stick — and see how every beast nearby flees, understanding well what is now possible and, indeed, probable.
This reminds me of a general rule of advice: ‘never fuck around when a child has gun.’ Tiste Andii or not, children can be cruel especially when mixed with unknown doses of trauma and violence. Regardless, I want to call attention here that this notion of children and beasts are each bells rung. To Nimander, Andarist “unleash[ed] them, these children with avid eyes.” He “had made them good soldiers,” ones that know rage.
Vessels broken.
As such, from his own experience, Nimander suspects that the Dying God is a child. He speaks to the dialectic between gods and their worshippers (another bell rung):
The mad priests poured him full, knowing the vessel leaked, and then drank of that puerile seepage. Because he was a child, the Dying God’s thirst and need were without end, never satiated.
The group stumbles on desiccated bodies staked among fields: dried up, tapped of their libations. This speaks to a particular exploitation between mortal and god, symbolised literally as worshippers feeding a god to then become the harvested. This perpetuates the Dying God’s power to accumulate more worshippers via addictive kelyk. The language here shows that the Dying God has stumbled upon a sort of cheat code, an exploitation of the god-mortal dialectic that allows him and his priests to arbitrage power. Like a cancer that, via the law of large numbers, is equipped with the mechanisms to divert a body’s resources to it while it slowly destroys the body.
The scarecrows being in fields is such a perfect choice of this analogy: things to be harvested. A product, a commodity — a thing with both use-value and exchange-value, for our Marxians out there. I believe Erikson has said that he was thinking of oil here, and that is fine by itself, but I do like the mirroring to Eucharistic transubstantiation in Catholicism (due to my being a very-very-lapsed Catholic). Especially with wine, an extremely addictive substance, transcending into God’s blood to cleanse us as cannibalistic sacrament.

Dal Honese burial practices.

Nimander sees these fields as “bizarre cemeteries, where some local aberration of belief insisted that the dead be staked upright, that they ever stand ready for whatever may come." This makes him recall some shipwrecked Dal Honese on Drift Avalii. He thinks on the ancestor cult and burial practices of Dal Hon: literally constructing their homes with their dead in the walls as both material and essence, the building stretching out with additional rooms as time moved on and kin died.
This reminds me of the Neolithic proto-city, Çatalhöyük, found in Anatolia within modern-day Türkiye where ancestors have been found to be buried beneath platforms in living quarters. See: Chapter 6 of The Dawn of Everything by Graeber and Wengrow.
With or without intention, I like to view this ritual via an existentialist lens, particularly Sartre’s notion of the Look. To Sartre — in contrast to other phenomenologies — being is in flux, some path of a given chaotic double-pendulum switching to and from poles of being-in-itself***\**1* and being-for-itself***\**2*. The Look, to Sartre, is a sort of symmetry breaking — a realisation by being-for-itselves that decentralises it, the sudden awareness of its being an object, an Other, to Other consciousnesses.
A heuristic often used to showcase Sartre’s notion of the Look (or Gaze) is that of a voyeur peeping through a keyhole into someone’s room that hears a noise down the hall. Regardless if that noise is from another person (another being-for-itself) or not (say, the house settling), the subjective voyeur suddenly objectifies themselves, collapsing the chaotic pendulum from being-for-itself (nothingness as "no thing-ness") to their facticity — their being-in-itself, their thing-ness — whose meaning to Other being-for-themselves is relative to a separate centre than the voyeur’s own.
To Sartre, the resulting anxiety experienced snapping from subject to object is a proof against any nihilistic approach to solipsism. The fact that we can Other our own being-for-itself means that we can also recognise being-for-itself external to us since those we Other too can Other us as we Other ourselves. The reflexivity as a result of the Look is evidence against solipsism to Sartre.
As a result, this Dal Honese practice is a cultural self-burdening via Sartre’s Look by literally having your ancestors clay-filled bodies decentralise your subjectivity and externalise you as an object that can be judged by its facticity. This results in a sort of collective Dal Honese being-for-others, Sartre would argue. This isn’t inherently good or bad to existentialists, but it does necessitate a calculus that discerns if the living descendants are authentically expressing their freedom with each moment they accept this practice, or if they are living in bad faith.
Regardless, though, this is a haunting of the Past. This haunting isn’t something that is only important to existentialism or other philosophical traditions (such as post-structuralism — see: Derrida’s hauntology), but to the genre conventions and tropes of Gothic horror and its descendants (such as cosmic horror, weird fiction, and their influences on sword and sorcery, etc.).
There are mappings (some more subtle than others) between the Sublime and the existential anxiety and dread experienced in phenomena similar to the Look. The experience of looking upon the vastness of the sea, of stumbling upon an ancient statue, of learning of the size of the universe — which are described as the Sublime, the Weird, or Eldritch in some literary traditions (e.g., Romantic, Gothic, Horror, the Weird, etc.) — are the same experiences that are often analysed in continental philosophies using words such as angst/anxiety/despaiabsurdity/alienation.
Nimander goes on to further expose the relationship between this Dal Honese ancestor cult and inter-tribal conflicts that lead to deaths and stolen bodies that leave physical voids in Dal Honese architecture. He muses how this physical representation of wounds begets a cycle of vengeance (a cultural tradition, a product of facticity and bad faith): “blood back and forth,” he says. He mentions that this cycle is what pushed the shipwrecked Dal Honese from their homes, an act of revolt and perhaps even authenticity to Sartre. Eventually the Dal Honese recovered and “paddled away — not back home, but to some unknown place, a place devoid of unblinking ghosts staring out from every wall.
I love that Erikson has this whole little short story in this scene, especially in the contrast of its being some rum-induced reflection by Nimander on his own past’s haunting of him and his siblings. Moreover, these Tiste Andii are travelling with Kallor, the Undying Unascendant: a being-for-itself that literally manifests the past’s haunting on the present — a man cursed, jaded, who carries the past with him wherever he travels. All of these together show that one’s freedom can have one flee (even be redeemed — which balances with other plotlines in TtH), but that doesn’t necessarily — nor sufficiently so — annihilate the past.

Finding a tower.

After this, Nimander’s reminiscing is interrupted by his hearing Kallor nearby (like a footstep in a hallway). Kallor comments on the use of the corpses and notes that the flora “[is] not even native to this world, after all.” Nimander replies that the corpses are being used for saemankelyk. The mention of the plants not being native to this world should orient the reader back to the Weird, especially since it brings upon a sense of unease, an Othering — the house settling that again serves to reduce both Nimander and the readers to our thing-ness
‘The past’ versus ‘the present’ versus ‘the future’ (and their hauntings of one another) bubble up again with some banter between Skintick and Kallor about the state of things. Kallor states ‘nothing changes.’ Skintick counters ‘it keeps getting worse,’ to which Kallor claims is but an illusion.
I find this dialogue to be a comical little conflict between Kallor’s perceived-postmodern, nihilistic judgement of the state of things being inert versus Skintick’s pseudo-Rousseauian, inverted-Hegalian, modernist grand narrative of things getting worse.
Again, it alludes to a haunting of the past on the current generation. Interestingly, this is a trend within the Book of the Fallen in general: not as an espousing of the ‘old vs. young’, but Erikson’s decentering/challenging/deconstruction of that binary. Think of Raest in GotM; Menandore, Sukul and Sheltatha in RG; Karsa in HoC; the Witness trilogy. He does this via a sort of Ancient's Hubris colliding with its differences to the Present’s Ingenuity, and this being dual to the Present’s Naivety colliding with the Ancient Wisdom.
Kallor eventually hits a sore spot with the Tiste: he brings up Rake. Unlike the Dal Honese whose freedom had them flee the cultural practices of letting their ancestors haunt both literally and figuratively, Nimander and his siblings were pulled/pushed away from their father (and people) as children — by what very well could be their father’s request. The Tiste siblings are haunted by Anomander’s active absence. Their continued distance from their father isn’t an act of expressing their freedom against an Ancestor’s Gaze — it isn’t an act of revolution — it is their facticity and a source for their Othering of themselves. We often see this from Nimander’s POVs up to and including this sequence.
Kallor sniffs out this weakness and presses upon the wound. Nimander gets flustered and retorts. To which Kallor responds:
'Anomander Rake is a genius at beginning things. It’s finishing them he has trouble with.'
Damn, Kallor.
Also, I didn’t need my ADHD called out so harshly, dude. What the fuck.
Without diving into what Erikson was dealing with while writing this book, this hits hard for Nimander, and is an interesting commentary nonetheless. His father, Anomander, is the leader of a diasporic people who’ve been without home, without a centre, for 400,000 years. I think Kallor’s words hurt Nimander so much because the Tiste siblings don’t know Anomander’s current plans nor have they experienced the "settling-down" from the unveiling of Kurald Galain in what is now Black Coral. They are unaware of Rake’s teleology for his people, for himself even. Regardless, we see again and again that Kallor isn’t just a strong skirmisher, his words cut nearly as well as his blades.
Kallor goes on to confirm that he knows Rake before the group notices a ruined tower among the alien plants and scarecrows. Kallor says its Jaghut. Kallor trudges forth indifferently, pushing corpses out of his way as he bee-lines it to the ruined tower. I don’t think such a sequence of action has ever described Kallor’s whole raison d’être and modus operandi so well: just a man seemingly indifferent to the corpses in his path as his will pulls him forward.
We get a small interaction between Skintick and Nimander that reveals Skintick’s acuity in reading Kallor’s take on Rake. Kallor sees their father as an equal (it isn’t just the readers that need to be keen to subtext, characters do too).
Skintick offers the idea of sicking Kallor on the Dying God, hoping he “decid[es] to do something for his own reasons, but something that ends up solving our problem.” I like the use of “deciding to do something for his own reasons,” as this aligns so well with authenticity in existentialism (and the absence of some absolute morality for authenticity).
As Nimander approaches the tower behind Kallor, both Nimander and the readers get a great sense of horror, the weird, the uncanny, and the sublime with how Erikson describes the scenery:
Drawing closer to the ruin, they fell silent. Decrepit as it was, the tower was imposing. The air around it seemed grainy, somehow brittle, ominously cold despite the sun’s fierce heat.
The highest of the walls revealed a section of ceiling just below the uppermost set of stones, projecting without any other obvious support to cast a deep shadow upon the ground floor beneath it. The facing wall reached only high enough to encompass a narrow, steeply arched doorway. Just outside this entrance and to one side was a belly-shaped pot in which grew a few straggly plants with drooping flowers, so incongruous amid the air of abandonment that Nimander simply stared down at them, disbelieving.
Nimander notes an incongruity of this place — its aesthetic of abandonment juxtaposed with a curated garden. “The cold despite the sun’s fierce heat.” This evokes a certain unsettledness to Nimander (and thus, the reader). These genre conventions are sources of tension and anxiety, similar to non-diegetic violins building up to a real or false jump-scare in a slasher flick.
Arrogantly, Kallor chooses to go out of his way and insult the presumed Jaghut within the tower. Classic Kallor. The Jaghut replies “nothing changes,” resulting in Kallor shooting Skintick and Nimander a “pleased smirk.”

Tea time, but before falling into a rabbit-hole and not after.

Before Kallor can announce himself, the Jaghut lists off Kallor’s titles, his facticity. Kallor’s reputation precedes him and there’s an asymmetry here in which the Jaghut knows who Kallor is but Kallor doesn’t yet know who the Jaghut is. This is our first hint that this meeting isn’t serendipitous, and is instead an intentional interaction with regards to the plot. And if this Jaghut knows of Kallor, does he know those who Kallor travels with? Who is this Jaghut’s intended audience among those options?
I also like the play here with facticity: the Jaghut lists out things about Kallor, but is Kallor some sum of those thing-nesses? How many are true, how many are manufactured myths? It’s an act by this Jaghut to Gaze upon Kallor, to show to Kallor that he’s being seen. It’s a deliberate tactic to destabilise and decenter Kallor: an offensive.
We as readers are informed of Kallor’s limitations from the Azathanai curses via Draconus, K’rul and Nightchill, but these limitations on Kallor don’t necessarily restrict his freedom until Kallor allows them.
We get a flash of Jaghut humour and guest rites — this ancient dismisses Kallor while inviting everyone in for tea. Interestingly, Erikson has this Jaghut use the proper noun of ‘Others’ which lends me to think that an existentialist lens hasn’t been the worst pick (not that ‘Othering’ is strictly existentialist by any means).
So, we’ve had corpses drained dry for kelyk, alien plant-life, a ruined tower of an unknown age stumbled upon beyond the urban, a preternatural creature to Nimander and his kin (something they’ve maybe only witnessed a handful of times) and then we get this description:
The air of the two-walled chamber was frigid, the stones sheathed in amber-streaked hoarfrost. Where the other two walls should have been rose black, glimmering barriers of some unknown substance, and to look upon them too long was to feel vertiginous — Nimander almost pitched forward, drawn up only by Skintick’s sudden grip, and his friend whispered, ‘Never mind the ice, cousin.’
Ice, yes, it was just that. Astonishingly transparent ice–
I love this. First: “it was just that” screams “no it isn’t” to anyone paying attention to the words Erikson is using to make the reader uncomfortable. We know: Jaghut + Ice = Omtose Phellack. The atmospheric setting here is directly being called out in not just a sublime way, but his description has an added layer of horror to Omtose Phellack.
Erikson uses “vertiginous,” giving both Nimander and us a sense of vertigo, being decentred and unoriented. This isn’t too different from descriptions found in works like Vandermeer’s Annihilation or other New Weird authors. This ice wall calls to Nimander, draws from him feelings of unknown when he’s caught himself staring for too long — emphasis on staring.
For all intents and purposes, this ice wall is a thing, a being-in-itself, neither active nor passive. But its effect on Nimander is similar to the Dal Honese ancestors’ Gaze — this ice wall objectifies him, calls to him, evokes his being-for-others, and emotionally alienates him. The pull Nimander feels is his submitting his being-for-itself with the freedom of those that Gaze upon him. A justification of his facticity, his bad faith. This will be important later.
Eventually we get this awesome line from the Jaghut host:
’Once, long ago, a wolf god came before me. Tell me, Kallor, do you understand the nature of beast gods? Of course not. You are only a beast in the unfairly pejorative sense — unfair to beasts, that is. How is it, then, that the most ancient gods of this world were, one and all, beasts?’
There’s so much going on to unpack in this paragraph.
Later, again, we get this Jaghut saying Others as a proper noun, and then the Others are called Tiste Andii.
‘Ah, and what of the Others with you? Might not they be interested?’
Clearing his throat, Skintick said, ‘Venerable one, we possess nothing of worth to one such as you.’
‘You are too modest, Tiste Andii.’
‘I am?’
'Each creature is born from one not its kind. This is a wonder, a miracle forged in the fires of chaos, for chaos indeed whispers in our blood, no matter its particular hue. If I but scrape your skin, so lightly as to leave but a momentary streak, that which I take from you beneath my nail contains every truth of you, your life, even your death, assuming violence does not claim you. A code, if you will, seemingly precise and so very ordered. Yet chaos churns. For all your similarities to your father, neither you nor the one named Nimander — nor any of your brothers and sisters — is identical to Anomander Dragnipurake. Do you refute this?’
Above, the Jaghut goes on to describe genetics, but also calls out the fact that they are children of Anomander — dude definitely knows more than he’s leading on, that’s for sure, and is winking directly to us readers, seemingly going over the heads of both Kallor and the Tiste. Also, the bit about chaos in blood will come up again and again in later scenes and later essays.
Moreover, we see that the Jaghut says that which he scrapes "contains every truth of you, your life, even your death" — our genetics are facticities, among our thing-nesses. "Yet chaos churns," the Jaghut rebuts. That chaos in our blood is a source of our "no thing-ness," from which we may express our freedom against the determinism of genetics — of facticities — and transcend.
For each kind of beast there is a first such beast, more different from its parents than the rest of its kin, from which a new breed in due course emerges. Is this firstborn then a god?’
I love this for two reasons. One, it speaks to a criticism of the assumption that a prime-mover is necessarily divine. But, through the existentialist lens, it’s a challenge and criticism of the presumed Authority of Genealogy. Jumping back to the early musings on ancestry: if ancestors haunt us and dictate our facticity as a result of suppressing our being-for-itself, then where does that chain of dictating/suppressing end? And is that terminus also an Authority above all generations below it just due to its being something new, something sufficiently different from its own genealogy, its ancestors ‘behind’ it?
I also like the subtext of trauma as hereditary here with the double entendre behind ‘beast’, we can think of this Jaghut as asking if the primordial source of generational trauma has authority over its descendants? What does this dialogue mean for Nimander and his siblings and their place with respect to their father and the rest of the Tiste Andii people? Does this inform an analysis of Nimander’s chaotic double-pendulum between being-in-itself, being-for-itself, and his being-for-others?
A huge thing I would like to point out here, too, is that neither Skintick, Nimander, nor Kallor have used the Tiste Andii’s names, yet this Jaghut knows them by name. Kallor could deduce they were Rake’s children, but he didn’t know their names. Even though Skintick showcased an acuity to subtext when considering Kallor’s opinions of Rake, he doesn’t catch onto this subtlety. This Jaghut not only knows of Kallor, he knows of Nimander and his siblings. The evidence that this meeting isn’t serendipity continues to build.
‘You spoke of a wolf god,’ Skintick said. ‘You began to tell us a story.’
‘So I did. But you must be made to understand. It is a question of essences. To see a wolf and know it as pure, one must possess an image in oneself of a pure wolf, a perfect wolf.’
‘Ridiculous,’ Kallor grunted. ‘See a strange beast and someone tells you it is a wolf — and from this one memory, and perhaps a few more to follow, you have fashioned your image of a wolf. In my empires, philosophers spewed such rubbish for centuries, until, of course, I grew tired of them and had them tortured and executed.’
This sequence of dialogue is fantastic and reminds me of arguments foagainst the strong/weak Sapir-Whorf hypothesis/es. We see the Jaghut musing on a seemingly prescriptive Platonic idealism that Kallor interrupts with a more descriptive, pragmatic, empirical framework in which he follows with a jest of torturing and executing philosophers (remind me to never live in the Kallorian Empire).
Kallor speaks as if his words contradict the Jaghut and show the assumed idealism to be wrong. But, by Kallor’s own argument, the Jaghut’s words of ‘pure’ and ‘perfect’ are just as empirically contingent to one’s memories as ‘wolf’ is. The combinations of signs and symbols language users use give flesh to those signs’ and symbols’ own meaning — but bury that meaning beneath the flesh by doing so. The concept of a ‘perfect wolf’ (i.e., ‘perfect’ + ‘wolf’) emerging from one’s own contingency with the notion of ‘perfect’ and ‘wolf’ is entirely possible without that imagined ‘perfect wolf’ being actually some idealisation, i.e., some Platonic Perfect Wolf.
The Jaghut responds with laughter to Kallor’s absurdity: both in his misinterpretation of the Jaghut’s musings as well as the nature of Kallor’s brutal reaction to those that question things he finds to be rubbish. This pairs well with Skintick’s future POV in this sequence, but the contrast between Kallor and this Jaghut is entertaining nonetheless. Sometimes it’s hard to distinguish when Kallor is telling the truth about his brutality or if his mutterings are just words congruent to his reputation.
The two then have a pissing contest. We find out the Jaghut was in disguise — I don’t have the evidence or time here to say, but there are ideas that this particular Jaghut is a d'ivers and it is fucking awesome even if untrue. The discussion here points to some T’lan Imass’ Jaghut War. It being the Kron, I’m inclined to wonder if there is a relationship with the bones Karsa stumbles upon in HoC (where he and his war party find Calm).
Skintick squatted to pick up two of the cups, straightening to hand one to Nimander. The steam rising from the tea was heady, hinting of mint and cloves and something else. The taste numbed his tongue.
Don’t take candy from strangers tea from Jaghut, people.
We find out that Raest is this Jaghut’s child. We find out that this Jaghut took on 43 T’lan Imass and a Bonecaster, killing them all. This is a threat rallied back against Kallor’s assertion that he’s killed Jaghut.
Teeth bared, Kallor bent down to retrieve his cup.
The Jaghut’s left hand shot out, closing about Kallor’s wrist. ‘You wounded that wolf god,’ he said.
Oh shit. What follows is one of the first times I can recall that Kallor is scared. Contrast with his earlier treatment of Rake as equal.
'Oh, be quiet, Kallor. This tower was an Azath once. Shall I awaken it for you?’
Wondering, Nimander watched as Kallor backed towards the entrance, eyes wide in that weathered, pallid face, the look of raw recognition dawning. ‘Gothos, what are you doing here?’
‘Where else should I be? Now remain outside — these two Tiste Andii must go away for a while.’
The revelation: the Jaghut is none other than the Lord of Hate himself, Gothos. You can understand why Kallor, always so arrogant, submits to Gothos and listens to his instruction.
Immediately after the reveal, Skintick and Nimander succumb to the effects of whatever extra ingredient Gothos had slipped into their tea. We get this final sequence:
Nimander’s eyes were drawn once more to the walls of ice. Black depths, shapes moving within.
He staggered, reached out his hands–
‘Oh, don’t step in there–’
And then he was falling forward, his hands passing into the wall before him, no resistance at all.
‘Nimander, do not–’
Blackness.
Again, the readers eyes are drawn along with Nimander's to the icy, abyss-like, objectifying, Gazing threshold. Here's where the sublime and the weird really flavour the setting in this scene.
There's a bell’s echo here from the start of this scene: this sequence starts with Nimander discussing the uncertainty related to moving through a portal with Andarist away from the rest of his kin, a breaching. During these final lines of this first scene, we get a tension between us and the unknown, between what has happened and that-which-is-to-come, between what we’ve imagined about Malazan’s cosmos and some contorting of those assumptions. What’s beyond the veil decentres not only Nimander in its draw and pushing him to being-for-others, but it decentres the readers too. Hic sunt dracones, terra incognita, the sublime, the enigmatic, the terror. We’re made to feel small and inconsequential by this icy threshold.
It isn’t mysterious because it evades our Gaze like other fantastical things (e.g., many renditions of some archetypal tricksters found within various folklores), instead it invites our Gaze eventually since It Gazes back (almost Nietzschean).

Thoughts

Calling back to the genre conventions, this extended scene is one that definitely plays with the established conventions of Gothic literature and its descendants. Constantly, Erikson hits us with tension sewn into his choice of words in Nimander’s ruminations, his angst associated to diaspora, the notion of Dal Honese ancestors gazing upon their descendants from clay walls, absent ancestors that too haunt the same, the fields of scarecrows as desiccated (and harvested) bodies of worshippers, the alien plant-life, the ancient Jaghut tower, the ice threshold. Each of these (and those unmentioned) add onto to the dissociation (de-centering) of both Nimander and us, the readers. Each of us seem small and inconsequential to the dynamism of the cosmos: everything we know, including that of what we already know about the Malazan universe (and our own) can be challenged. We’re each just travellers who have stumbled upon a shattered visage in the desert that reads: “My name is Ozymandias, King of Kings. Look on my Works, ye Mighty, and despair!”
This stands in contrast to — almost a revolution against — the modalities one can garnish from the Enlightenment and post-Enlightenment that favour an almost religious rationalism and positivism. This is why I believe (and hope I have shown) that the existentialist (and those schools of thought peripheral to it) lens is apt. The genealogy of Gothic literature serves as a grammatical sandbox that gives way to exploring the things that existentialism tries to frame in its study, such as the dread and anxieties — the nothingness (no thing-ness) — of being.
Not only are the Dal Honese clay-filled ancestors present to alienate the reader by entertaining a certain ‘exoticism’ (by the readers’ juxtaposing such practices against what we consider ‘normal’ — here's where Sartre is applied to White or Male Gazes), but they are there as conduits for understanding how Nimander is affected by Others, by their Looks — his siblings, his absent father, his dead uncle, Kallor, Gothos, and the icy threshold — even if this ‘othering’ is one done only by Nimander onto himself (the house settling perceived as a footfall). This becomes more important in the scenes that follow.
So, how does this relate to the Eleint, dragonblood or sorcery? If you want to know now, please read ahead in the text — i.e., he future scenes in this sequence in Chapter 8 of TtH — you’ll find out. Otherwise, I’ll attempt to provide more clarity in the follow-up post(s). Until then, I just want put forth some questions:
Beyond those questions (which align with my grander narrative shared in this collection of essays) — in regards to the plot, I think it is smart to continue asking, ‘why has Gothos ensured that Anomander’s children and Kallor would stumble upon his tower?’
1 the facticity of what can be understood as objective states ascribed to things, including social constructions — thing-ness — e.g., how things are thrown into the world, a mode of existence that simply is, the contingent being of ordinary things, such the language(s) one speaks, one’s occupation, etc.
2 the mode of existence of consciousness that stands in contrast to being-in-itself, “no thing-ness”, that which negates being-in-itself
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2023.05.30 05:28 engagethegame_ 30 [M4F] NC/East Coast- bearded lumberjack still looking for love

Hello there people. Hope you all are making it through life ok. Been rough around here for a while now, and I'm just really wishing I had that someone to experience it with. Doesn't help when the last few relationships have had major red flags I should have avoided 😂
A little about me: I'm 30, live in NC but born in Virginia. Been in too many long distance relationships to want another one, so I'd prefer someone within a state away. I'm a metal head, but dabble into other genres. I'm a big nerd too (Disney, Marvel, Star Wars, Anime, DBZ). I'm a pretty unique one 😂😂
Dark sense of humor, cuss like a sailor too. Not one to get offended. I'm also a conservative, so if you're really big into politics and what not, just know that's the side I'm on with all that. I'm also a Christian man and that won't be swayed either. Not looking for a party, bar girl. Definitely want someone ready for settling down and a lifelong commitment.
I'm tall, long black hair with an undercut, rocking a dad bod out here 😂😂 green eyes, a few tattoos. There is Scandinavian in my blood line, so think nerdy Viking and we're there lol.
Not looking for a certain person in particular. The only things I can't work with are being addicted to any drugs, including 420 (it gives me major migraines to even smell anymore), being an alcoholic, party scene goer, or someone who would be against my religion.
I guess I've talked on enough, so hopefully this will reach someone! Have a great night!
submitted by engagethegame_ to r4r [link] [comments]


2023.05.30 05:24 MyDogLovesmooch Styling Your Floral Mesh Long Sleeve Dress: From Casual Days to Elegant Evenings and the Perfect Footwear Pairings

Styling Your Floral Mesh Long Sleeve Dress: From Casual Days to Elegant Evenings and the Perfect Footwear Pairings
Floral patterns have long been a favorite in women's fashion. They offer a touch of nature's beauty, making any outfit feel fresh, vibrant, and feminine.

Among many trendy dresses, a round-neck floral embroidered mesh long-sleeve dress particularly stands out as a versatile piece. It's elegant detailing, combined with the comfort of long sleeves and a round neckline, creates a unique balance between sophisticated chic and comfortable style.

Let's explore the possibilities of styling this lovely dress for various occasions, from casual daywear to more formal evening events.

https://preview.redd.it/idxmc7xogx2b1.png?width=1096&format=png&auto=webp&s=af62161fe6d8b7517ed3c6e89c86071680047041


From Casual Days to Elegant Evenings

Milumia Dress is an example of the round-neck floral embroidered mesh long-sleeve style fashion. With the right styling, it can be effortlessly adapted to different scenarios.

Casual Daywear: For a casual day out, pair the dress with a denim jacket or an oversized cardigan. These pieces give a relaxed, laid-back vibe to the outfit.

Go for minimalistic jewelry, such as a simple pendant necklace or small hoop earrings. A crossbody bag or a tote would perfectly complement this casual ensemble.

Workwear: Transition your floral dress into a stylish work outfit by pairing it with a tailored blazer. Opt for neutral colors like black, grey, or navy to maintain a professional look. A structured handbag and delicate jewelry will add to the sophistication.

Evening Events: For more formal evening occasions, ditch the outerwear and let the floral embroidery take center stage.

Dress it up with statement jewelry, such as a pair of chandelier earrings or a cuff bracelet. A clutch in a complementary color will add a final elegant touch.


Choosing the Right Footwear

Your choice of footwear can dramatically change the overall look of your outfit.

Here are a few ideas:
  1. For Casual Looks: Flat sandals or white sneakers are an excellent choice for a casual day out. They provide comfort for long walks while keeping the outfit effortlessly stylish.
  2. For Work: Pair your dress with classic pumps or block-heeled sandals. These add a touch of professionalism and elegance without compromising on comfort. Remember to match the color of your shoes with your blazer or handbag to create a cohesive look.
  3. For Evening Events: Elevate your dress for evening occasions with strappy heels or stilettos. Metallic or jewel-toned footwear can add an extra dose of glamour.

Remember, the most important thing is that you feel comfortable and confident in your outfit. Style is a way of expressing your personality, and the best outfits are the ones that make you feel like the best version of yourself.

With a beautiful floral embroidered dress and the right pair of shoes, you'll be ready to take on anything from a casual day out to a glamorous evening event.

https://preview.redd.it/2e51coosgx2b1.png?width=1134&format=png&auto=webp&s=f0cdcf4163cb45d52acb9858c795ba31bf21f818
submitted by MyDogLovesmooch to u/MyDogLovesmooch [link] [comments]


2023.05.30 05:23 GeniusYT_28 Should I buy an RX-8 with 53,000 miles for $10000?

Should I buy an RX-8 with 53,000 miles for $10000?
It’s a 2004 RX-8 Coupe 4D with 53,000 miles selling for $10,000.
This seems like a horrible deal to me not gonna lie but I wanted to get y’all’s opinion on this along with what would you guys think would be a fair price for this.
submitted by GeniusYT_28 to RX8 [link] [comments]


2023.05.30 05:16 Gawdberry Engage Photo Shoe pairing

Engage Photo Shoe pairing
Im going to be taking engagement photos in Chandler Arizona next week and these are the two shirts im debating between them or even changing into both.
Im new to cool sneakers and was thinking of kickstarting a collection. What Air Max’s would you guys reccommend with these shirts. Im probably going to be wearing some sort of grey or black pants
Greatly appreciate any help!
submitted by Gawdberry to airmax [link] [comments]


2023.05.30 05:13 tonkatruckfit Help me pick a C30 T5

Help me pick a C30 T5
2011 Volvo C30 T5 Miles: 90k Price: $9.5k Color: Grey Timing belt recently done, clean bill of health
2012 C30 Miles: 110k Price: $9.9k Color: Black
Both have clean titles and are automatics. Is it better to go with a newer year or lower miles, with everything else being relatively the same?
Thanks!
submitted by tonkatruckfit to Volvo [link] [comments]


2023.05.30 05:11 camdenschu [PSN] [H] Wheels, boosts and decals [W] Credits or offers

Wheels
Black blade wave, Crimson cyberware (turtle), Cristiano, SB cyberware, Finny, Jandertek, TW Jandertek (victor), Orange Jandertek, Link Jandertek, Purple Jandertek, Saffron Jandertek, Low-Poly TE, Muscle Boy, Cobalt Muscle Boy, FG Muscle Boy, Lime Muscle Boy, Pink Muscle Boy, Purple Muscle Boy, SB Muscle Boy, Q-Runner, Grey Q-Runner (juggler), Pink Q-Runner (sniper), Reaper, Shinkei, Shortwire, Black Shortwire, Burnt Sienna Shortwire, Saffron Shortwire, Stella, Saffron String Theory (sweeper), TRI-2050, Black TRI-2050, Saffron TRI-2050, TW Tri-2050, Z-RO, Lime Z-RO, Inverted Pink Z-RO, Saffron Z-RO, Glitch: Glitched, and Grappler (Saffron)
Boosts
Purple Glimmerslag II (paragon), FG Glimmerslag II (victor), Black Glimmerslag II, Lime Glimmerslag II, SB Glimmerslag II, HoloData, FG HoloData, Pink HoloData, Purple HoloData, TW HoloData, Rad Rock, Purple Rad Rock (playmaker), Orange Rad Rock, and Trinity
Decals
Fennec: Ombre (Purple), Fennec: Slimline (Pink), Insidio: Mr. Coney, Insidio: Silencer, Insidio: Sticker Bomb (TW), Insidio: Ternion (Crimson), Mamba: Ombre (Saffron), Octane: Abtruse, Octane: Dragon Lord (Orange), Octane: Vertebrate, Sentinel: Faceted (Purple), Sentinel: Faceted (Saffron)
submitted by camdenschu to RocketLeagueExchange [link] [comments]


2023.05.30 05:05 Cherrys_EM1 Iso ( rare?) Spec

Iso ( rare?) Spec
Hey guys -^ so im in search of a 92-95 short bed. Black with red interior. V8 manual how rare are these,? Anyone have any pics? I currently have a black and grey 300i6 auto shortbed pfa any help, or insight appreciated.
submitted by Cherrys_EM1 to FordTrucks [link] [comments]


2023.05.30 04:59 Poell [FS] [USA] Big Memorial Day Sale! B4L, Di0r, Iss3y, CP4M, Vuj4 D3, Pr4d4, RO, Y3ezy

[FS] [USA] Big Memorial Day Sale! B4L, Di0r, Iss3y, CP4M, Vuj4 D3, Pr4d4, RO, Y3ezy
PAYPAL INVOICE ONLY
TAGGED AND TIMESTAMP PHOTO https://imgur.com/a/GjzmTcg
USA Shipping ONLY!!! I am covering the shipping. I will make deals if you purchase multiple items. Don't be afraid to offer!

Lucky8 B4L mud hoodie size M (Fits TTS M-Slim L) - $80
Tried on but sleeves were too tight, I ordered a size L so selling this one.
Weng Di0r oblique crossbody satchel (OS) - $175
Great leather and oblique print, I just never wear. I paid Weng $191 shipped, trying to get some money back.
CP$M Holy Spirit Kanye Merch - $45
Worn 1x and stored, wrinkly from storage. Beautiful puff print and fits TTS L.
Alusia RO Tecuatl Joggers (26 -28 waist) - $80
Tried on but too small. Great zippers and material. From high quality Korean seller Alusia (bought for $135), trying to get some of my money back.
Vuj4 D3 Cargos (30 - 32 waist) - $45
Worn 1x and stored, wrinkly from storage. Great cargos, missing one button but otherwise in amazing condition.
Reon B4L Campaign Hoodie - $80
Tried on 1x, still in amazing condition. From high quality Korean seller Reondistrict. Hoodie is OOS and super thick, trying to get my money back.
Ye3zy 350 Red Stripe (TTS 12.5 - 13) - $70
Worn 1x and stored, still in amazing condition. Slightly too tight for me, ordered from Coco.
Iss3y Inspired pleats (black - 30 adj. waist and grey - 32 adj. waist) - $40 each
Worn 1x and stored, still in amazing condition. High quality pleats that give you the flow-y, Iss3y Miyak3 look.

Let me know! Please reply to this post before DMing me!
submitted by Poell to FashionRepsBST [link] [comments]